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This book presents a fresh perspective on eleventh- and twelfth-century Irish architecture, and a critical assessment of the value of describing it, and indeed contemporary European architecture in general, as “Romanesque”. Medieval Irish Architecture and the Concept of Romanesque is a new and original study of medieval architectural culture in Ireland. The book’s central premise is that the concept of a “Romanesque” style in eleventh- and twelfth-century architecture across Western Europe, including Ireland, is problematic, and that the analysis of building traditions of that period is not well served by the assumption that there was a common style. Detailed discussion of important buildings in Ireland, a place marginalised within the “Romanesque” model, reveals the Irish evidence to be intrinsically interesting to students of medieval European architecture, for it is evidence which illuminates how architectural traditions of the Middle Ages were shaped by balancing native and imported needs and aesthetics, often without reference to Romanitas. This book is for specialists and students in the fields of Romanesque, medieval archaeology, medieval architectural history, and medieval Irish studies.
This is the first book devoted to churches in Ireland dating from the arrival of Christianity in the fifth century to the early stages of the Romanesque around 1100, including those built to house treasures of the golden age of Irish art, such as the Book of Kells and the Ardagh chalice. � Carrag�in's comprehensive survey of the surviving examples forms the basis for a far-reaching analysis of why these buildings looked as they did, and what they meant in the context of early Irish society. � Carrag�in also identifies a clear political and ideological context for the first Romanesque churches in Ireland and shows that, to a considerable extent, the Irish Romanesque represents the perpetuation of a long-established architectural tradition.
Irelands landscape is dotted with remains of medieval buildings, most of them in ruins. As works of architecture, these buildings have very specific stories to tell about the people who built them and about the societies in which they functioned, but it is hard for historians to hear those stories without some knowledge of architecture. This guide seeks to provide historians with the knowledge they need to tap into this great reservoir of information. It reviews the different types of medieval building that one encounters in Ireland, discusses their measurements, materials and construction techniques, explains their functions, and provides a checklist of datable features and includes a guide to recording buildings.
Drawing on new work published over the past twenty years, the author offers a history of building in Western Europe from 300 to 1200. Medieval castles, church spires, and monastic cloisters are just some of the areas covered.
This is a detailed study and typology of chevron ornamentation, the zig-zag motifs which are omnipresent in Norman architecture of the twelfth century, first appearing around 1090 and pretty much disappearing by 1200.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
This book contains essays devoted to the medieval art and architecture of Limerick in the Munster province of South-West Ireland. It underpins the degree to which Irish craftsmen and builders engaged with the rest of Europe, and the nature of their relationship with English practice.
Index of archaeological papers published in 1891, under the direction of the Congress of Archaeological Societies in union with the Society of Antiquaries.
Through violent incursions by the Vikings and the spread of Christianity, medieval Ireland maintained a distinctive Gaelic identity. From the sacred site of Tara to the manuscript illuminations in the Book of Kells, Anglo-Irish relations to the Connachta dynasty, Ireland during the middle ages was a rich and vivid culture. First published in 2005, Medieval Ireland: An Encyclopedia brings together in one authoritative resource the multiple facets of life in Ireland before and after the Anglo-Norman invasion of 1169, from the sixth to sixteenth century. Multidisciplinary in coverage, this A-Z reference work provides information on historical events, economics, politics, the arts, religion, intellectual history, and many other aspects of the period. Written by the world's leading scholars on the subject, this highly accessible reference work will be of key interest to students, researchers, and general readers alike.