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This magisterial book is an analysis of the course of Western intellectual history between A.D. 400 and 1400. The book is arranged in two parts: the first surveys the comparative modes of thought and varying success of Byzantine, Latin-Christian, and Muslim cultures, and the second takes the reader from the eleventh-century revival of learning to the high Middle Ages and beyond, the period in which the vibrancy of Western intellectual culture enabled it to stamp its imprint well beyond the frontiers of Christendom. Marcia Colish argues that the foundations of the Western intellectual tradition were laid in the Middle Ages and not, as is commonly held, in the Judeo-Christian or classical periods. She contends that Western medieval thinkers produced a set of tolerances, tastes, concerns, and sensibilities that made the Middle Ages unlike other chapters of the Western intellectual experience. She provides astute descriptions of the vernacular and oral culture of each country of Europe; explores the nature of medieval culture and its transmission; profiles seminal thinkers (Augustine, Anselm, Gregory the Great, Aquinas, Ockham); studies heresy from Manichaeism to Huss and Wycliffe; and investigates the influence of Arab and Jewish writing on scholasticism and the resurrection of Greek studies. Colish concludes with an assessment of the modes of medieval thought that ended with the period and those that remained as bases for later ages of European intellectual history.
This book explores the main currents of European thought between 1350 and 1992, which it approaches in two principal ways: culture as produced by place and the progressive unmooring of thought from previously set religious and philosophical boundaries. The book reads the period against spatial thought’s history (spatial sciences such as geography or Euclidean geometry) to argue that Europe cannot be understood as a continent in intellectual terms or its history organized with respect to traditional spatial-geographic categories. Instead we need to understand European intellectual history in terms of a culture that defined its own place, as opposed to a place that produced a given culture. It then builds on this idea to argue that Europe’s overweening drive to know more about humanity and the cosmos continually breached the boundaries set by venerable religious and philosophical traditions. In this respect, spatial thought foregrounded the human at the unchanging’s expense, with European thought slowly becoming unmoored, as it doggedly produced knowledge at wisdom’s expense. Michael J. Sauter illustrates this by pursuing historical themes across different chapters, including European thought’s exit from the medieval period, the Renaissance, the Reformation, the Scientific Revolution, the Enlightenment and Romanticism, the Industrial Revolution, and war and culture, offering a thorough overview of European thought during this period. The book concludes by explaining how contemporary culture has forgotten what early modern thinkers such as Michel de Montaigne still knew, namely, that too little skepticism toward one’s own certainties makes one a danger to others. Offering a comprehensive introduction to European thought that stretches from the late fourteenth to the late twentieth century, this is the perfect one-volume study for students of European intellectual history.
This volume brings into being the field of Byzantine intellectual history. Shifting focus from the cultural, social, and economic study of Byzantium to the life and evolution of ideas in their context, it provides an authoritative history of intellectual endeavors from Late Antiquity to the fifteenth century. At its heart lie the transmission, transformation, and shifts of Hellenic, Christian, and Byzantine ideas and concepts as exemplified in diverse aspects of intellectual life, from philosophy, theology, and rhetoric to astrology, astronomy, and politics. Case studies introduce the major players in Byzantine intellectual life, and particular emphasis is placed on the reception of ancient thought and its significance for secular as well as religious modes of thinking and acting. New insights are offered regarding controversial, understudied, or promising topics of research, such as philosophy and medical thought in Byzantium, and intellectual exchanges with the Arab world.
Daniel Power traces the history of Europe in the central Middle Ages (950-1320), an age of far-reaching change for the continent. Seven contributors consider the history of this period from a variety of perspectives, including political, social, economic, religious and intellectual history.
In three wide-ranging case studies Mark A. Garcia offers a comprehensive yet focused analysis of the centrality of union with Christ in Calvin's thought. It explains not only the distinctive nature of Calvin's response to Rome on justification, but why this response must be carefully distinguished from that of his Lutheran counterparts. The fruit of these investigations is the first extensive demonstration that Calvin's exposition of union with Christ in relating justification and sanctification points to an emerging Reformed theology of justification that diverges from the Lutheran tradition. Calvin's exegetical and theological model of union with Christ accents the importance in the early Reformed tradition of the relationship between Christology and salvation.
Contemporary worship music is ubiquitous in many Protestant Christian communities today. Rather than debating or decrying this post–worship-wars reality, David Lemley accepts it as a premise and examines what it means for us to be singing along with songs that aren’t so different from the pop genre. How do we cope with the consumerism embedded in the mentality that catchy is good? How do we stay committed to subverting cultural norms, as Christians are called to do, when our music is modeled after those cultural norms? How do we ensure that the way we participate in the liturgy of contemporary worship music rehearses a cruciform identity? Becoming What We Sing draws on cultural criticism, ethnomusicology, and liturgical and sacramental theology to process the deluge of the contemporary in today’s worship music. Lemley probes the thought of historical figures, such as Augustine, Hildegard of Bingen, Martin Luther, and the Wesleys, while also staying situated in the current moment by engaging with cultural philosophers such as James K. A. Smith and popular artists such as U2. The result is a thorough assessment of contemporary worship music’s cultural economy that will guide readers toward greater consciousness of who we are becoming as we sing “our way into selves, societies, and cosmic perspectives.”
This elegantly written book explores the history of ideas in Europe from the revolutions of 1848 to the beginning of the First World War. Broader than a straight survey, deeper and richer than a textbook, this work seeks to place the reader in the position of an informed eavesdropper on the intellectual conversations of the past. J. W. Burrow first outlines the intellectual context of the mid-nineteenth century, using ideas taken from physics, social evolution, and social Darwinism, and anxieties about modernity and personal identity, to explore the impact of science and social thought on European intellectual life. The discussion encompasses powerful and fashionable concepts in evolution, art, myth, the occult, and the unconscious mind; the rise of the great cities of Berlin, Paris, and London; and the work of literary writers, philosophers, and composers. Most of the great intellectual figures of the age—and many of the lesser known—populate the book, among them Mill, Bakunin, Nietzsche, Bergson, Renan, Pater, Proust, Clough, Flaubert, Wagner, and Wilde. The author wears his erudition lightly, and this distinguished book will be both entertaining and accessible to scholars, students, and general readers alike.
TWENTY-THREE. The Age of Devils -- TWENTY-FOUR. The Age of Reasonable Doubt -- TWENTY-FIVE. The Age of Outcomes -- TWENTY-SIX. The Spirit of the Age -- EPILOGUE. Assessing the Reformations -- Notes -- Bibliography -- Illustration Credits -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z
This title was first published in 2002: Christine de Pizan held no political office and her work was not influencial on any political theorist living today. However, in the disciplines of women's studies and French literature she has inspired intellectual debate, so much that the two sides of the debate are referred to as Christinophiles and Christinoclasts. This book persents the political paradoxes of Christine de Pizan. She was a woman in a man's world, an Italian at a French court, and the daughter of a civil servant in a world structured by social class. Her corpus of political works include five works designed to educate the male ruling class, two works expressly princesses and a treatise on warfare. The goal of this book is to outline the political theory of Christine de Pizan and situate her ideas within the history of political ideas in general.
The essays in this volume form a new cultural history focused round, but not confined to, the presence and interactions of francophone speakers, writers, readers, texts and documents in England from the 11th to the later 15th century.