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Translated by E. M. Macierowski Originally published in French, de Lubac's four-volume study of the history of exegesis and theology is one of the most significant works of biblical studies to appear in modern times. Still as relevant and luminous as when it first appeared, the series offers a key resource for the renewal of biblical interpretation along the lines suggested by the Second Vatican Council in Dei Verbum. This second volume, now available for the first time in English, will fuel the currently growing interest in the history and Christian meaning of exegesis.
Originally published in French as Exégèse médiévale, Henri de Lubac's multivolume study of medieval exegesis and theology has remained one of the most significant works of modern biblical studies. Available now for the first time in English, this long-sought-after volume is an essential addition to the library of those whose study leads them into the difficult field of biblical interpretation. The first volume in de Lubac's multivolume work begins his comprehensive historical and literary study of the way Scripture was interpreted by the church of the Latin Middle Ages. Examining the prominent commentators of the Middle Ages and their texts, de Lubac discusses the medieval approach to biblical interpretation that sought "the four senses" of Scripture, especially the dominant practice of attempting to uncover Scripture's allegorical meaning. Though Bible interpreters from the Enlightenment era on have criticized such allegorizing as part of the "naivete of the Middle Ages," de Lubac insists that a full understanding of this ancient Christian exegesis provides important insights for us today.
Originally published in French as Exgse mdivale,Henri de Lubac s monumental, multivolume study of medieval exegesis and theology has remained one of the most significant works of modern biblical studies. Examining the prominent commentators of the Middle Ages and their texts, de Lubac elucidates the medieval approach to biblical interpretation that sought the four senses of Scripture, especially the dominant practice of attempting to uncover Scripture s allegorical meaning.
This introductory guide, written by a leading expert in medieval theology and church history, offers a thorough overview of medieval biblical interpretation. After an opening chapter sketching the necessary background in patristic exegesis (especially the hermeneutical teaching of Augustine), the book progresses through the Middle Ages from the eighth to the fifteenth centuries, examining all the major movements, developments, and historical figures of the period. Rich in primary text engagement and comprehensive in scope, it is the only current, compact introduction to the whole range of medieval exegesis.
Through countless retellings, from the Talmud to Archibald MacLeish and since, the story of Job has been a fixture in the cultural imagination of the West, captivating the human imagination and forcing its readers to wrestle with the most painful realities of human existence. In this study, Susan E. Schreiner analyzes interpretations of the Book of Job by Gregory the Great, Maimonides, Thomas Aquinas, and particularly John Calvin. Reading Calvin's interpretation against the background of his medieval predecessors, she shows how central Job is to Calvin's struggles with some basic theological issues. Calvin and his predecessors put forth a variety of explanations for Job's wisdom, focusing on discussions of suffering, inferiority, enlightenment, union with the Active Intellect, immortality, providence, and faith. The one unifying feature of these precritical Joban commentaries is a concern with intellectual perception - in particular, with what Job saw or understood. What did the friends, who defended God, misperceive? Why did they not see the situation correctly? How does one explain Job's perceptual superiority over his friends? These texts raise basic questions about the human capacity for knowledge: Can suffering, particularly inexplicable suffering, elevate human understandings about God and self? Can humans truly perceive the workings of providence in their personal lives? Are evil and injustice a reality that we must confront before finding wisdom? In her final chapter, Schreiner shows that such concerns are not abandoned in modern critical commentaries and literary transformations of the Joban legend. Her study concludes by tracing the trajectory of these concerns through thewide array of twentieth-century interpretations of Job, including modern biblical commentaries, the work of Carl Jung, and literary transfigurations by Wells, MacLeish, Wiesel, and Kafka. The result is a compelling demonstration of the vital insights the history of exegesis can yield for contemporary culture.
This volume is the first trilateral exploration of medieval scriptural interpretation. The vast literature written during the medieval period is one of both great diversity and numerous cross-cultural similarities. These essays explore this rich heritage of biblical and qur'anic interpretation.
From the beginning of the Christian era and throughout the Middle Ages, biblical interpretation was the field where theological, philosophical and political matters were discussed. At the same time Scripture’s interpretation required the exploration of hermeneutical positions about how a literal and a hidden meaning could be established and how they related to each other. Ranging from early-Christian concerns about the text of the Bible itself, via Carolingian biblical commentaries, and the ever more diverse interpretations from the twelfth century and onwards, to the literary implications of (Jewish) commentary, the articles in this volume examine biblical exegesis both as a discourse on theology, philosophy and politics, and as the context for discussions on its underlying interpretative principles. Contributors are J. K. Kitchen, Katja Vehlow, Caroline Chevalier-Royet, Sumi Shimahara, Ian Christopher Levy, Pierre Boucaud, Elisabeth Mégier, Cédric Giraud, Wanda Zemler-Cizewski, Ineke van ’t Spijker, Eva De Visscher, Alexander Fidora, Frans van Liere, and Robert A. Harris.
An accessible account of the Bible in the Middle Ages that traces the formation of the medieval canon.
An accessible point of entry into the rich medieval religious landscape of Jewish biblical exegesis s Medieval Judeo-Arabic translations of the Hebrew Bible and their commentaries provide a rich source for understanding a formative period in the intellectual, literary, and cultural history and heritage of Jews in Islamic lands. The carefully selected texts in this volume offer intriguing insight into Arabic translations and commentaries by Rabbanite and Karaite Jewish exegetes from the tenth to the twelfth centuries CE, arranged according to the three divisions of the Torah, the Former and Latter Prophets, and the Writings. Each text is embedded within an essay discussing its exegetical context, reception, and contribution. Features: Focus on underrepresented medieval Jewish commentators of the Eastern world A list of additional resources, including major Judeo-Arabic commentators in the medieval period Previously unpublished texts from the Cairo Geniza
Thirteenth- and fourteenth-century Latin Bibles survive in hundreds of manuscripts, one of the most popular books of the Middle Ages. Their innovative layout and organization established the norm for Bibles for centuries to come. This volume is the first study of these Bibles as a cohesive group. Multi- and inter-disciplinary analyses in art history, liturgy, exegesis, preaching and manuscript studies, reveal the nature and evolution of layout and addenda. They follow these Bibles as they were used by monks and friars, preachers and merchants. By addressing Latin Bibles alongside their French, Italian and English counterparts, this book challenges the Latin-vernacular dichotomy to show links, as well as discrepancies, between lay and clerical audiences and their books. Contributors include Peter Stallybrass, Diane Reilly, Paul Saenger, Richard Gameson, Chiara Ruzzier, Giovanna Murano, Cornelia Linde, Lucie Doležalová, Laura Light, Eyal Poleg, Sabina Magrini, Sabrina Corbellini, Margriet Hoogvliet, Guy Lobrichon, Elizabeth Solopova, and Matti Peikola.