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In Anglophone literature, historical questions about urban, socio-economic, political, religious, and cultural development have often been answered using Anglo-French, Anglo-Low Countries, and Anglo-Italian paradigms and sources. Medieval Germany has been largely overlooked, seen as a peripheral and irrelevant anomaly. Conversely, scholars from the German Rhineland have mostly remained within the traditions of civic public history and Landesgeschichte. As a result, they rarely engage with the historical questions raised in wider European discourses. This volume challenges these historiographical propensities by offering a fresh perspective on medieval urban Germany. It aims to integrate Cologne and the Rhineland more accurately and equitably into the wider histories of medieval Europe. The book engages with historical questions of wider relevance across both German and European medieval histories. It invites all scholars and students of medieval Europe to utilize Cologne as a key source for their research and writing.
Cologne in the later Middle Ages was an elegant and wealthy mercantile city much favoured by popes and emperors. The largest town in Northern Europe, the site of an important university and seat of a major archbishopric, it had a cosmopolitan population of painters, illuminators, sculptors and goldsmiths and a patrician class who were sophisticated collectors and knowledgeable patrons of art. This book - the first such study in English - traces the development of the Cologne school of painting over two centuries. It begins with the period before 1400, when the adaption of French ideas to the indige- nous tradition produced an elegant, genteel art, characterized by elongated figures and graceful gestures. A change was heralded by the Veronica Master's introduction of the International Courtly Style around 1400, with its sophisticated iconography, costly pigments, exquisite punchwork, gesso jewels and precious brocade fabrics, and by the Dombild Master's introduction around 1440 of Eyckian proportions and realism. In the final phase of this development, the Master of the St Bartholomew Altarpiece opened the door to the Renaissance with his highly distinctive style and innovative iconography. The book is fully illustrated and accompanied by a translation of the guild regulations; a biographical index of archbishops and lay patrons; and a hand- list of cited panels grouped according to location.
This book explores the contacts between England and Cologne during the central Middle Ages.
The Imperial City of Cologne: From Roman Colony to Medieval Metropolis (19 B.C.-1125 A.D.) is an urban history of Cologne from its imperial Roman origins as a northeastern frontier military outpost to a medieval metropolis on the German Empire's northwestern border. This first history of Cologne, available in English, challenges received notions of late Roman ethnic identities, a Dark Age collapse of urban life, devastating Viking and Magyar incursions, and the origins of medieval urban government.
Medieval art survives today as fragments of larger works, usually displayed by historical period, geographic location, artistic medium, or iconographic theme. Fragmented Devotion is the first exhibition to explore the meanings these fragments have in our understanding of medieval art and religious life from the Middle Ages to the present. Most of these objects have never been shown before in North America, and many have not been published since the beginning of the twentieth century. The catalog includes essays by historians, art historians, philosophers, and theologians. The writings discuss the meanings these objects had in medieval religious practice. The essays then go on to trace how those original meanings changed when the objects were collected and installed by Alexander Schnutgen within the larger context of Catholicism and nationalism in nineteenth century Germany. Finally, the contributors look at the 1920s and 1930s when the objects were installed in a museum-like setting and consider this installation in light of the developments in medieval art history and the policies of national socialism.
The first part of David Nicholas's massive two-volume study of the medieval city, this book is a major achievement in its own right. (It is also fully self-sufficient, though many readers will want to use it with its equally impressive sequel which is being published simultaneously.) In it, Professor Nicholas traces the slow regeneration of urban life in the early medieval period, showing where and how an urban tradition had survived from late antiquity, and when and why new urban communities began to form where there was no such continuity. He charts the different types and functions of the medieval city, its interdependence with the surrounding countryside, and its often fraught relations with secular authority. The book ends with the critical changes of the late thirteenth century that established an urban network that was strong enough to survive the plagues, famines and wars of the fourteenth and fifteenth centuries.
In this bold reinterpretation of Women's changing labor status during the late medieval and early modern period, Martha C. Howell argues that women's work was the product of the intersection of two systems, one cultural and one economic. Howell shows forcefully that patriarchal family structure, not capitalist development per se, was a decisive factor in determining women's work. Women could enjoy high labor status if they worked within a family production unit or if their labor did not interfere with their domestic responsibilities or threaten male control of a craft or trade.
An encyclopedia covering the political, social, intellectual, religious and cultural history of the German- and Dutch-speaking medieval world, between 500 and 1500. Entries cover individuals and their deeds as well as broader historical topics.
In seventeenth-century German Catholic Cologne, Ruth bas Elazar Saul's interest in the Kabbalah and her skills as a successful midwife earn her the label of "witch" and threaten her future.
Documents recording the interrogation of sixteen women and the nature of their unusual spiritual practices, now available in a full edition and, for the first time, a full English translation. In September 1332, in the town of Świdnica, an important economic and communication centre of what was then Silesia, a group of sixteen women stood before the Dominican inquisitor, John of Schwenkenfeld, to testify about the local community of beguines, who called themselves the Hooded Sisters or the Daughters of Odelindis. We are fortunate that the original records of this heresy interrogation have survived, preserved as a notarial instrument drawn up shortly afterwards, eventually transferred to the Papal Curia, and now kept in the Vatican Library. The documents provide unique insights into the everyday life and spirituality of this group of lay women, as they attempted to adopt the ideals of vita apostolica. They lived in the strict poverty they thought necessary for spiritual perfection, and took part in austere ascetic practices, including regular flagellation and a strict diet regime, aiming to mortify sinful flesh and help them achieve mystical union with God. Using this evidence, the authors of this book piece together a sense of who these interrogated beguines were and the nature of their spiritual practices. Were they pious illiterates, or self-trained theologians, keenly interested in debates around the doctrine of such intellectuals as Master Eckhart, John Duns Scotus and Thomas Aquinas? The book also addresses the nature of their interrogation and the conduct of Friar John of Schwenkenfeld. And it contains a full edition and, for the first time, a full English translation of the documents themselves.