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Medieval Buda in Context discusses the character and development of Buda and its surroundings between the thirteenth and the sixteenth centuries, particularly its role as a royal center and capital city of the medieval Kingdom of Hungary. The twenty-one articles written by Hungarian and international scholars draw on a variety of primary sources: texts, both legal and literary; archaeological discoveries; architectural history; art history; and other studies of material culture. The essays also place Buda in the political, social, cultural and economic context of other contemporary central and eastern European cities. By bringing together the results of research undertaken in recent decades for an English-language readership, this volume offers new insights into urban history and the culture of Europe as a whole. Contributors are János M. Bak, Zoltán Bencze, Judit Benda, István Draskóczy, Antonín Kalous, István Kenyeres, Gábor Klaniczay, András Kubinyi, József Laszlovszky, Károly Magyar, Balázs Nagy, Szilárd Papp, James Plumtree, Martyn Rady, Valery Rees, Orsolya Réthelyi, Beatrix F. Romhányi, Enikő Spekner, Péter Szabó, Katalin Szende, András Vadas, András Végh, and László Veszprémy.
This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king.
Medieval East Central Europe in a Comparative Perspective draws together the new perspectives concerning the relevance of East Central Europe for current historiography by placing the region in various comparative contexts. The chapters compare conditions within East Central Europe, as well as between East Central Europe, the rest of the continent, and beyond. Including 15 original chapters from an interdisciplinary team of contributors, this collection begins by posing the question: "What is East Central Europe?" with three specialists offering different interpretations and presenting new conclusions. The book is then grouped into five parts which examine political practice, religion, urban experience, and art and literature. The contributors question and explain the reasons for similarities and differences in governance and strategies for handling allies, enemies or subjects in particular ways. They point out themes and structures from town planning to religious orders that did not function according to political boundaries, and for which the inclusion of East Central European territories was systemic. The volume offers a new interpretation of medieval East Central Europe, beyond its traditional limits in space and time and beyond the established conceptual schemes. It will be essential reading for students and scholars of medieval East Central Europe.
Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
This is Volume Two of a two-volume collection that brings together contributions from cultural and military history to offer an examination of religious rites employed in connection with warfare as well as their transformative and power- and identity-building potential across political communities of medieval Northern, Central, and Eastern Europe. Covering the period ca. 900 and 1500, the work takes theoretical, textual and practical approaches to the research on religious warfare, and investigates the connections between, and significance and function of crucial war rituals such as pre-, intra- and postbellum rites, as well as various activities surrounding the military life of individuals, polities, and corporates. Contributors are Robert Antonín, Robert Bubczyk, Dariusz Dąbrowski, Jesse Harrington, Carsten Selch Jensen, Sini Kangas, Radosław Kotecki, Gregory Leighton, Kyle C. Lincoln, Jacek Maciejewski, Yulia Mikhailova, Max Naderer, László Veszprémy, and Dušan Zupka.
There is a widespread concern today with the role and experiences of ethnic and religious minorities, and their potential for conflict and harmony with 'host communities' and with each other, especially in towns. Interest in historical aspects of these phenomena is growing rapidly, not least in studies of the long and complex history of the towns of Central and Eastern Europe. Most such studies focus on particular places or on particular groups, but this volume offers a broader view covering the period from the tenth to the sixteenth century and regions from Germany to Dalmatia and from Epirus to Livonia, with an emphasis on the territory of medieval Hungary. The focus is on the changing nature of identity, perception and legal status of groups, on relations within and between them, and on the ways in which these elements were affected by the external political regimes and ideologies to which the towns were subjected. Many of the places examined were notable for the complexity of their ethnic and religious composition, and for their exposure to a wide range of external influences, including long-distance trade and tensions between settled and semi-nomadic ways of life. Overall the volume illustrates the variety of ways in which minorities found a place in towns - as citizens, outsiders, or in some other role - and how that could vary according to local circumstances and over time. Dealing with the formative period for modern European towns, this volume not only reveals much about medieval society and urban history, but poses questions still relevant today.
The Oxford Handbook of Medieval Central Europe summarizes the political, social, and cultural history of medieval Central Europe (c. 800-1600 CE), a region long considered a "forgotten" area of the European past. The 25 cutting-edge chapters present up-to-date research about the region's core medieval kingdoms -- Hungary, Poland, and Bohemia -- and their dynamic interactions with neighboring areas. From the Baltic to the Adriatic, the handbook includes reflections on modern conceptions and uses of the region's shared medieval traditions. The volume's thematic organization reveals rarely compared knowledge about the region's medieval resources: its peoples and structures of power; its social life and economy; its religion and culture; and images of its past.
A painstaking look into everything that has to do with medieval towns in the lesser-known Romanian Principalities of Wallachia and Moldavia. A new and fascinating perspective on the history of the urban world in Central and South-Eastern Europe.
The Political Philosophy of the European City is a courageous and wide-ranging panorama of the political life and thought of the European city. Its novel hypothesis is that modern Western political thought, since the time of Hobbes and Locke, underestimated the political significance and value of the community of urban citizens, called ‘civitas’, united by local customs, or even a formal or informal urban constitution at a certain location, which had a recognizable countenance, with natural and man-made, architectural marks, called ‘urbs’. Recalling the golden age of the European city in ancient Greece and Rome, and offering a detailed description of its turbulent life in the Renaissance Italian city-states, it makes a case for the city not only as a hotbed of modern democracy, but also as a remedy for some of the distortions of political life in the alienated contemporary, centralized, Weberian bureaucratic state. Overcoming the north-south divide, or the core and periphery partition, the book’s material is particularly rich in Central European case studies. All in all, it is an enjoyable read which offers sound arguments to revisit the offer of the small and middle-sized European town, in search of a more sustainable future for Europe.