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Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work. The chapters in this volume cover a broad array of medieval, and later, buildings and objects in the city and its immediate surrounds, both from archaeological and thematic approaches. In addition, a number of chapters reflect on the legacy and influence medieval art and architecture had on the later city. Along with medieval colleges, chapels, and churches, buildings in villages outside the city are discussed and analysed. The volume also provides detailed studies of some of the most important master masons, glassmakers, and carpenters in the medieval city, as well as of patrons, building types, and institutional development. Both objects and makers, patrons, and users are represented by its contents. The volume sets the archaeological and art historical analysis in its socio-economic context; medieval Cambridge was a city located on major trade routes and with complex social and institutional differences. In an academic field increasingly shaped by interdisciplinary interest in material culture, Medieval Art, Architecture and Archaeology in Cambridge marks a major new contribution to the field, focussing on the complexity, variety, and specificity of the buildings and objects that define our understanding of Cambridge as a medieval city.
"From the time of the foundation of its cathedral in 597, Canterbury has been the epicentre of Britain's ecclesiastical history, and an exceptionally important centre for architectural and visual innovation. Focusing especially but not exclusively on Christ Church cathedral, this legacy is explored in seventeen essays concerned with Canterbury's art, architecture and archaeology between the early Anglo-Saxon period and the close of the middle ages. Papers consider the relationship between between architectural setting and liturgical practice, and between stationary and movable fittings, while fresh insights are offered into the aesthetic, spiritual, and pragmatic considerations that shaped the fabric of Christ Church and St Augustine's abbey, alongside critical reflections on Canterbury's historiography and relationship to the wider world. Taken together, these studies demonstrate the richness of the surviving material, and its enduring ability to raise new questions.
This book demonstrates success of the academically-concentrated conferences studying important medieval buildings and their associated art and archaeology in a cathedral city or town, which had been initiated by Dr R. D. H. Gem at Worcester in 1975.
The fourteen papers collected in this volume explore the medieval art, architecture and archaeology of King's Lynn and the Fens. They arise out of the Association's 2005 conference, and reflect its concern to engage with a broad range of monuments and themes, rather than focusing on a single major building. Within King's Lynn contributors consider the superb 14th-century enamelled drinking vessel popularly known as 'King John's Cup', the former Hanseatic 'Steelyard', the Red Mount Chapel, and the oak furnishings of the chapel of St Nicholas, while the pine standard chest from St Margaret's church is assessed in terms of the importation and distribution of similar chest across England as a whole.Outside King's Lynn there are articles on the historical manipulation of landscapes and buildings at Kirkstead, the 13th-century architecture and sculpture of Croyland Abbey, the 14th-century parish church of St Mary at Snettisham, the tomb of Sir Humphrey de Littlebury at All Saints, Holbeach, the overlooked medieval wall paintings in the Prior's Chapel at Castle Acre, and the late medieval stained glass at Wiggenhall St Mary Magdalen. Finally, there are three papers that look at particular aspects of the ways in which parish churches were financed, embellished and used across the region - in terms of late-12th and early-13th-century patronage, their 12th-century deployment of architectural sculpture, and the types and arrangements of choir stalls that appeared at a parochial level during the later Middle Ages.
This book focuses on art, palaeography, bindings and the monastic library. It is based on lectures given at the Association's Annual Conference, the 20th in the present series, which was held at Bury St Edmunds, from 16 to 20 April 1994: three specially commissioned articles are also included.
"From the time of the foundation of its cathedral in 597, Canterbury has been the epicentre of Britain's ecclesiastical history, and an exceptionally important centre for architectural and visual innovation. Focusing especially but not exclusively on Christ Church cathedral, this legacy is explored in seventeen essays concerned with Canterbury's art, architecture and archaeology between the early Anglo-Saxon period and the close of the middle ages. Papers consider the relationship between between architectural setting and liturgical practice, and between stationary and movable fittings, while fresh insights are offered into the aesthetic, spiritual, and pragmatic considerations that shaped the fabric of Christ Church and St Augustine's abbey, alongside critical reflections on Canterbury's historiography and relationship to the wider world. Taken together, these studies demonstrate the richness of the surviving material, and its enduring ability to raise new questions.
Taken from the twenty-three papers given at the conference held in Hereford in June 1990, contents of this sixteenth volume include: the origins of the diocese, Hereford Cathedral - architecture and restoration, early churches in Herefordshire, the fourteenth-century stained glass of Madley, fourteenth century tombs for women in Herefordshire, the rings of John Stanbury and Richard Mayo; bishops of Hereford, the college of the vicars choral, and Bishop Spofford's glass at Ross-on-Wye.
This collection of papers, first delivered at the BAA's annual conference in 2002, celebrates medieval Rochester, including both cathedral and castle, an outstanding pair of surviving monuments to the power of contemporary church and state. The contributions demonstrate the great interest of these understudied buildings, their furnishings, and historical and archaeological contexts: from the rich documentary evidence for the Anglo-Saxon town to the substantial surviving fabric of the 11th, 12th and 13th centuries. Shrines, monuments, woodwork and seals are all fully covered, as well as the medieval monks themselves. There is also a piece on Archbishop Courtenay's foundation of the nearby collegiate church at Maidstone, Kent.
Contents: The Contribution of Archaeology to our Understanding of re-Norman London, 1973-1988; Medieval and Tudor Domestic Buildings in the City of London; Shops and Shopping in Medieval London; The Romanesque Architecture of Old St Paul's Cathedral and its late eleventh-century Context.; The First Facade of Old St Paul's Cathedral and its Place in English Thirteenth - Century Architecture; Restorations of the Temple Church, London; 'Liber Horn', 'Liber Custumarum' and Other Manuscripts of the Queen Mary Psalter Workshops; London, Londoners and Opus Anglicanum; Some New Types of Late Medieval Tombs in the London Area.
The papers in this volume, which were presented in 2011, at the first conference the British Archaeological Association held in Poland, explore the medieval art, architecture and archaeology of the city of Cracow and the surrounding region of Lesser Poland, as well as venturing into southern Silesia and the Baltic coast of the country. The contributors study a wide range of subjects, from the Italian influences on Polish Romanesque architecture and the originality of Cracow's Romanesque churches to the impact of astronomical treatises on ecclesiastical sculpture and patronage. The cultural influence of the Cistercians is considered in four papers that highlight the contribution of the abbeys in Lesser Poland to the study of Cistercian monasticism and architecture, and the life of the Order. The fascinating topics of patronage, ceremony and power politics are studied in papers that explore foundations connected to Casimir the Great, the most celebrated of the Polish kings, and Zbigniew OleÅ_nicki, one of the most prolific episcopal patrons of the era. The volume highlights the role of Cracow and Lesser Poland as a vibrant artistic centre fostering links with Italy, Bohemia, Germany and France, but also touches on the cultural significance of two other important Hanseatic cities of medieval Poland â__ WrocÅ_aw and GdaÅ_sk. The contributors embrace a wide selection of media and approaches, from church architecture and monastic archaeology to sculpture, micro-architecture, manuscripts, and even medieval clocks. The papers raise issues not only of style, iconography, ceremony and patronage, but also of politics, economy, law, philosophy and theology, as well as horology, trade and shipbuilding. This collection, which brings together the work of British, Polish, French, German and Italian scholars on this artistically important yet little-studied region of medieval Europe, will be of lasting value to scholarship.