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Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum. The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.
"From the time of the foundation of its cathedral in 597, Canterbury has been the epicentre of Britain's ecclesiastical history, and an exceptionally important centre for architectural and visual innovation. Focusing especially but not exclusively on Christ Church cathedral, this legacy is explored in seventeen essays concerned with Canterbury's art, architecture and archaeology between the early Anglo-Saxon period and the close of the middle ages. Papers consider the relationship between between architectural setting and liturgical practice, and between stationary and movable fittings, while fresh insights are offered into the aesthetic, spiritual, and pragmatic considerations that shaped the fabric of Christ Church and St Augustine's abbey, alongside critical reflections on Canterbury's historiography and relationship to the wider world. Taken together, these studies demonstrate the richness of the surviving material, and its enduring ability to raise new questions.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
First published in 1991, this book contains papers on various topics including the contribution of archaeology for understanding re-Norman London; medieval and Tudor domestic buildings in the city of London; shops and shopping in medieval London; and the Romanesque architecture of Old St Paul's Cathedral.
This volume explores the importance of Norwich as the second city of England for 500 years. It addresses two of the most ambitious Romanesque buildings in Europe: cathedral and castle, and illuminates the role of Norwich-based designers and makers in the region.
This is a collection of eighteen papers presented at a conference that was held at the Hatfield Campus of the University of Hertfordshire with 122 members and guests from the United Kingdom, the United States of America, Germany and Norway were present. The papers are on the research on various aspects of the art and architecture of the abbey, at St Albans and provides an ideal forum for bringing together many aspects of the abbey’s history.
Contents include: Cultural Transition at Worcester in the Anglo-Norman Period, Notes on the Norman Chapterhouse at Worcester, Manuscript Illumination at Worcester in the Eleventh and Twelfth Centuries, and Psalter Illustration for the Diocese of Worcester in the Thirteenth Century.
The British Archaeological Association's 2007 conference celebrated the material culture of medieval Coventry, the fourth wealthiest English city of the later middle ages. The nineteen papers collected in this volume set out to remedy the relative neglect in modern scholarship of the city's art, architecture and archaeology, as well as to encompass recent research on monuments in the vicinity. The scene is set by two papers on archaeological excavations in the historic city centre, especially since the 1970s, and a paper investigating the relationships between Coventry's building boom and economic conditions in the city in the later middle ages. Three papers on the Cathedral Priory of St Mary bring together new insights into the Romanesque cathedral church, the monastic buildings and the post-Dissolution history of the precinct, derived mainly from the results of the Phoenix Initiative excavations (19992003). Three more papers provide new architectural histories of the spectacular former parish church of St Michael, the fine Guildhall of St Mary and the remarkable surviving west range of the Coventry Charterhouse. The high-quality monumental art of the later medieval city is represented by papers on wall-painting (featuring the recently conserved Doom in Holy Trinity church), on the little-known Crucifixion mural at the Charterhouse, and on a reassessment of the working practices of the famous master-glazier, John Thornton. Two papers on a guild seal and on the glazing at Stanford on Avon parish church consider the evidence for Coventry as a regional workshop centre for high quality metalwork and glass-painting. Beyond the city, three papers deal with the development of Combe Abbey from Cistercian monastery to country house, with the Beauchamp family's hermitage at Guy's Cliffe, and with a newly identified stonemasons' workshop in the 'barn' at Kenilworth Abbey. Two further papers concern the architectural patronage of the earls and dukes of Lancaster in the 14th century at Kenilworth Castle and in the Newarke at Leicester Castle.
This book explores the remarkable flourishing of art and architecture in Bohemia, and Prague as it became the political centre of Charles IV's Holy Roman Empire. It focuses on cultural exchange and the links that can be traced through the artwork across Europe.