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Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them. Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over seventy original documents are transcribed and translated, including wills, inventories, letters and chronicle accounts, from a period which saw rapid advances in military technology. The book also includes an extensive glossary, lavishly illustrated with forty images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.
Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them. Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with forty-six images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.ence, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.ence, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.ence, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.
Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them."A substantial and impressive piece of scholarship, one that will serve scholars and enthusiasts of medieval arms and armour very well indeed". Dr Robert W. Jones, Franklin and Marshall CollegeMedieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with fifty-two images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.
Medieval warfare on both land and sea examined by leading scholars in the field. Different aspects of medieval warfare form the focus for this collection of essays by both established and new scholars. They range from a reconsideration of several problems of military historiography to explorations of the medieval view of divine influence on the battlefield, and the emergence of complex strategic and tactical norms of naval warfare in the medieval Mediterranean. Other topics examined include the role of mercenaries; crusader warfare; and Anglo-Norman women at war.Contributors: BERNARD S. BACHRACH, THERESA M. VANN, PAUL E. CHEVEDDEN, STEPHEN MORILLO, EDWARD G. SCHOENFELD, KENT G. HARE, KELLY DEVRIES, STEVEN ISAAC, JEAN A. TRUAX, STEVEN G. LANE, DOUGLAS C. HALDANE, LAWRENCE V. MOTT
Flemish townspeople defeat the cream of French nobility, and explode the myth of knightly invincibility for ever. Discussion of bias in sources and difficulties of interpretation preface careful account of what actually happened during the three-hour battle. On 11 July 1302, below the town walls of Courtrai, the most splendid army of knights in Christendom, the flower of the French nobility, was utterly defeated by Flemish rebels, common workers and peasants. The French knights, products of a lifetime's training, were ably led; but so too were the Courtrai townspeople, in addition to being well-armed, and their victory, despite their lack of military skills (and golden spurs), put an end to the enduring myth of the invincibility of the knight. A French explanation of the terrible defeat was immediately given, intended to save the honour and pride of the French nobility; in Flanders the victory was glorified as a just reward for the bravery of the townsmen and the competence of their commanders. Unfortunately there were no impartial witnesses. Any account of the battle must therefore pay careful attention to the personalities of the chroniclers, their nationality, and their political and social leanings, as well as their personal sympathies. Verbruggen's study is prefaced by discussion of the problems of reconstruction and extensive consideration of the sources, showing the difficultiesfaced by medieval military historians in attempts to interpret them. He then offers his own account of the events of that dramatic day, a case study in the reconstruction of events in one of the greatest battles of the middle ages.J.F. VERBRUGGEN lectured at the Royal Military School in Brussels, and then taught in Africa, retiring as Professor of History, University of Congo, and University of Bujumbura (Burundi). He is also the author of The Art ofWarfare in Western Europe. Originally published in Dutch in 1954, translated and updated.
Byblos, Lebanon: An early twelfth-century crusader castle with donjon. --Book Jacket.
DIVRichly detailed images of authentic shields, swords, crossbows, helmets, and ornate suits of body armor for knights and their steeds. Descriptive notes. 100 black-and-white illustrations. /div
Studies of ways in which the rapidly evolving society of medieval Europe developed social, legal and practical responses to public and private violence. Violence was endemic in the medieval world, to an extent most modern people find shocking. Violence was part and parcel of the public world of institutions [church, state, chivalry] and the private world of households. In an age of dynamic expansion it was present everywhere, and contemporary response to it was contradictory: it was both wrong and at the same time a regulatory feature of society. This book brings together the views of a number of scholarson aspects of violence in medieval society, in England and the larger canvas of western Europe, from the eleventh to the fifteenth century. There is analysis of the tension between the practice of violence and hopes for reform; discussion of violence in literature; examination of assertive political acts and judicial duels and tournaments; and observations on the domestic scene and resistance to seigneurial impositions. Professor RICHARD W. KAEUPER teaches in the Department of History at the University of Rochester. Contributors: SARAH KAY, RICHARD W. KAEUPER, MATTHEW STRICKLAND, SEYMOUR PHILLIPS, M.L. BOHNA, PAUL HYAMS, AMY PHELAN, JULIET VALE, MALCOLM VALE, JAMES A.BRUNDAGE, BARBARA A. HANAWALT, EDMUND FRYDE