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In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
"This scholarly publication 'The Felton illuminated manuscripts in the National Gallery of Victoria' celebrates the Gallery's small but distinguished collection of illuminated manuscripts and eloquently comments on the development of the handwritten and ornamented book from the twelfth century to the advent of printing in the late fifteenth century."--Page 5.
Susanna Fein’s long and distinguished scholarly career has helped to redefine how we understand the role of scribes and manuscripts from late medieval England. She has carried out groundbreaking research on seminal manuscripts (e.g., Harley 2253, the Thornton Manuscripts, John Audley’s autograph manuscript, and the Auchinleck Manuscript). She has written extensively on the more complex and challenging metrical forms the period produced. And she has edited foundational primary texts and collections of essays. A wide range of scholars have been influenced by Fein’s work, many of whom present original research—much of it following trails first laid down by Fein—in this volume.
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