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On the large eastern edge of the Mediterranean, the period from the start of the Crusades through the Ottoman era knew - and brought into mutual contact - a truly remarkable array of performances and performers, of a multitude of types. But of course examination of performance in the Eastern Mediterranean during the medieval and early modern era requires some careful conceptualization: of 'performance' and 'performer'; of 'the Mediterranean' as well - this region also often being termed the 'Muslim world', the 'Middle East', or the 'Ottoman domain'. This book represents a preliminary attempt to lay out and analyse a broad set of performance genres in this particular geographical setting.
Insights into power, spectacle, and performance in the courts of Middle Eastern rulers In recent decades, scholars have produced much new research on courtly life in medieval Europe, but studies on imperial and royal courts across the Middle East have received much less attention, particularly for courts before 1500AD. In the Presence of Power, however, sheds new light on courtly life across the region. This insightful, exploratory collection of essays uncovers surprising commonalities across a broad swath of cultures. The pre-modern period in this volume includes roughly seven centuries, opening with the first dynasty of Islam, the Umayyads, whose reign marked an important watershed for Late Antique culture, and closing with the rule of the so-called “gunpowder” empires of the Ottomans and Safavids over much of the Near East in the sixteenth century. In between, this volume locates similarities across the Western Medieval, Byzantine and Islamicate courtly cultures, spanning a vast history and geography to demonstrate the important cross-pollinations that occurred between their literary and cultural legacies. This study does not presume the presence of one shared courtly institution across time and space, but rather seeks to understand the different ways in which contemporaries experienced and spoke about these places of power and performance. Adopting a very broad view of performances, In the Presence of Power includes exuberant expressions of love in Arabic stories, shadow plays in Mamluk Cairo, Byzantine storytelling, religious food traditions in Christian Cyprus, advice, and political and ethnographic performances of power.
In a world that is constantly awake, illuminated and exposed, there is much to gain from looking into the darkness of times past. This fascinating and vivid picture of nocturnal life in Middle Eastern cities shows that the night in the eighteenth-century Ottoman Empire created unique conditions for economic, criminal, political, devotional and leisurely pursuits that were hardly possible during the day. Offering the possibility of livelihood and brotherhood, pleasure and refuge; the darkness allowed confiding, hiding and conspiring - activities which had far-reaching consequences on Ottoman state and society in the early modern period. Instead of dismissing the night as merely a dark corridor between days, As Night Falls demonstrates how fundamental these nocturnal hours have been in shaping the major social, cultural and political processes in the early modern Middle East.
From Constantinople to the Frontier: The City and the Cities provides twenty-five articles addressing the concept of centres and peripheries in the late antique and Byzantine worlds, focusing specifically on urban aspects of this paradigm. Spanning from the fourth to thirteenth centuries, and ranging from the later Roman empires to the early Caliphate and medieval New Rome, the chapters reveal the range of factors involved in the dialectic between City, cities, and frontier. Including contributions on political, social, literary, and artistic history, and covering geographical areas throughout the central and eastern Mediterranean, this volume provides a kaleidoscopic view of how human actions and relationships worked with, within, and between urban spaces and the periphery, and how these spaces and relationships were themselves ideologically constructed and understood. Contributors are Walter F. Beers, Lorenzo M. Bondioli, Christopher Bonura, Lynton Boshoff, Averil Cameron, Jeremiah Coogan, Robson Della Torre, Pavla Drapelova, Nicholas Evans, David Gyllenhaal, Franka Horvat, Theofili Kampianaki, Maximilian Lau, Valeria Flavia Lovato, Byron MacDougall, Nicholas S.M. Matheou, Daniel Neary, Jonas Nilsson, Cecilia Palombo, Maria Alessia Rossi, Roman Shliakhtin, Sarah C. Simmons, Andrew M. Small, Jakub Sypiański, Vincent Tremblay and Philipp Winterhager.
Introduction : taming the Messiah : the formation of an Ottoman political public sphere, 1600-1700 -- Politics and spectacle : changing norms of political participation in the seventeenth century -- Ottoman anti-puritanism : communal privacy and limits to public authority -- Sufi sovereignties in the Ottoman world : Sufi orders as dynasties -- A new volume for the old Mesnevī : reviving the dual caliphate in the age of decentralization -- Language and historical consciousness : theories of progress in Ottoman early modernity -- Of coffeehouse saints : contesting surveillance in the early modern city -- Epilogue.
Using the Braudelian concept of the Mediterranean this volume focuses on the condition of “coastal exchanges” involving the Dalmatian littoral and its Adriatic and more distant maritime network. Spalato and Ragusa intersect with Constantinople, Cairo and Spanish Naples just as Sinan, Palladio and Robert Adam cross paths in this liquid expanse. Concentrating on materiality and on the arts, architecture in particular, the authors identify portability and hybridity as characteristic of these exchanges, and tease out expected and unexpected serendipitous moments when they occurred. Focusing on translation and its instruments these essays expand the traditional concept of influence by thrusting mobility and the "hardware" of cultural transmission, its mechanisms, rather than its effects, into the foreground. Contributors include: Doris Behrens-Abouseif, SOAS, University of London; Joško Belamarić, Institute of Art History, Split; Marzia Faietti, Uffizi, Florence; Jasenka Gudelj, University of Zagreb; Cemal Kafadar, Harvard University; Ioli Kalavrezou, Harvard University; Suzanne Marchand, State University of Louisiana; Erika Naginski, Harvard University; Gülru Necipoğlu, Harvard University; Goran Nikšić, City of Split, Split; Alina Payne, Harvard University; Avinoam Shalem, Columbia University and David Young Kim, University of Pennsylvania
Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.
The nature, conditions and place of medieval theatre performance remain somewhat mysterious, with scholarship in the field tending to be devoted to its context, and to the texts themselves. The essays in this volume seek to address this omission. They consider such matters as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, and what conditioned these relationships.
Approaching Ottoman social history through the lens of entertainment, this volume considers the multi-faceted roles of entertainment within society. At its most basic level entertainment could be all about pleasure, leisure and fun. But it also played a role in socialisation, gender divisions, social stratification and the establishment of moral norms, political loyalties and social, ethnic or religious identities. By addressing the ways in which entertainment was employed and enjoyed in Ottoman society, Entertainment Among the Ottomans introduces the reader to a new way of understanding the Ottoman world. Contributors are: Antonis Anastasopoulos, Tülay Artan, Ebru Boyar, Palmira Brummett, Kate Fleet, James Grehan, Svetla Ianeva, Yavuz Köse, William Kynan-Wilson, Milena Methodieva and Yücel Yanıkdağ.
Paul M. Love, Jr. explores the history of the minority Ibadi Muslim community in Cairo from the seventeenth to the early twentieth centuries. Using a unique range of sources, Love both illuminates the events of Egyptian history and highlights the role of the Ibadis in shaping political, religious, and commercial life in Ottoman-era Cairo.