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The late-17th and 18th centuries represent a golden age in terms of the design and construction of hospitals in Britain and its US colonies. This account of this period of planning and construction considers both the architecture and function of the hospitals and public response to them.
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
Standing armies and navies brought with them military medical establishments, shifting the focus of disease management from individuals to groups. Prevention, discipline, and surveillance produced results, and career opportunities for physicians and surgeons. All these developments had an impact on medicine and society, and were in turn influenced by them. The essays within examine these phenomena, exploring the imperial context, nursing and medicine in Britain, naval medicine, as well as the relationship between medicine, the state and society. British Military and Naval Medicine challenges the notion that military medicine was, in all respects, ‘a good thing’. The so-called monopoly of military medicine and the authoritarian structures within the military were complex and, at times, successfully contested. Sometimes changes were imposed that cannot be characterised as improvements. British Military and Naval Medicine also points to opportunities for further research in this exciting field of study.
The early modern period saw the proliferation of religious, public and charitable institutions and the emergence of new educational structures. By bringing together two areas of inquiry that have so far been seen as distinct, the study of institutions and that of the house and domesticity, this collection provides new insights into the domestic experience of men, women and children who lived in non-family arrangements, while also expanding and problematizing the notion of 'domestic interior'. Through specific case studies, contributors reassess the validity of the categories 'domestic' and 'institutional' and of the oppositions private public, communal individual, religious profane applied to institutional spaces and objects. They consider how rituals, interior decorations, furnishings and images were transferred from the domestic to the institutional interior and vice versa, but also the creative ways in which the residents participated in the formation of their living settings. A variety of secular and religious institutions are considered: hospitals, asylums and orphanages, convents, colleges, public palaces of the ducal and papal court. The interest and novelty of this collection resides in both its subject matter and its interdisciplinary and Europe-wide dimension. The theme is addressed from the perspective of art history, architectural history, and social, gender and cultural history. Chapters deal with Italy, Britain, the Netherlands, Flanders and Portugal and with both Protestant and Catholic settings. The wide range of evidence employed by contributors includes sources - such as graffiti, lottery tickets or garland pictures - that have rarely if ever been considered by historians.
The first wide-ranging collection of articles on the history of hospitals in the Mediterranean, northern Europe, and the Americas for over 17 years. The contributions present a nuanced approach to the impact of hospitals on society over a very long time period and an exceptional geographical range.
The Spaces of the Hospital explores the role and significance of hospitals as agents of change in London c1680-1820.
Liz Miller knew something strange had happened when, after collapsing into a past-life memory, she began hearing a voice. But when she saw translucent, sandaled feetthe beginnings of the body that belonged to the voiceshe knew her life had changed. Join Liz and her friends, Sheri, Robert, and an irresistibly endearing angel, on the adventure of their lives as they travel to Peru and back in time to the ancient civilization of the Incas. A journey of self-discovery, with wisdom and humor they teach each other the passage to self-realizationon the way fulfilling a remarkable ancient prophecy that will help transform humanity into a magnificent new world.
The sequel to the highly acclaimed The House of God. Years later, the Fat Man has been given leadership over a new Future of Medicine Clinic at what is now only Man's 4th Best Hospital, and has persuaded Dr. Roy Basch and some of his intern cohorts to join him to teach a new generation of interns and residents.
Rise of the Modern Hospital is a focused examination of hospital design in the United States from the 1870s through the 1940s. This understudied period witnessed profound changes in hospitals as they shifted from last charitable resorts for the sick poor to premier locations of cutting-edge medical treatment for all classes, and from low-rise decentralized facilities to high-rise centralized structures. Jeanne Kisacky reveals the changing role of the hospital within the city, the competing claims of doctors and architects for expertise in hospital design, and the influence of new medical theories and practices on established traditions. She traces the dilemma designers faced between creating an environment that could function as a therapy in and of itself and an environment that was essentially a tool for the facilitation of increasingly technologically assisted medical procedures. Heavily illustrated with floor plans, drawings, and photographs, this book considers the hospital building as both a cultural artifact, revelatory of external medical and social change, and a cultural determinant, actively shaping what could and did take place within hospitals.
Building Types and Built Forms weaves two books together in alternating chapters: one about the history of building types, the other about their geometry. The first book follows the histories of some common types of building: houses, hospitals, schools, offices and prisons. Examples are drawn from the 19th and early 20th centuries in France, America and Britain, with the central focus on London. They include the 'pavilion hospitals' associated with the name of Florence Nightingale, English Board and Modernist schools of the 1920s and 30s, tall office buildings in Chicago and New York, Jeremy Bentham's Panopticon penitentiary, and 'radial prisons' on the model of Cherry Hill and Pentonville. The second book takes these histories and uses them to explore how the forms of these buildings are constrained by some of the basic functions of architecture: to provide daylight and ventilation to the interior, to provide access to all rooms, or to allow occupants to see from one part of a building to another. A new way of thinking about these 'worlds of geometrical possibility' is introduced, in which the forms of many buildings can be catalogued and laid out systematically in 'morphospaces', or theoretical spaces of forms. As building types change over time, they come to occupy different positions within the worlds of possible forms. Building Types and Built Forms is filled with over 400 illustrations, many drawn especially for the book. It offers a new theoretical approach, combined with a series of historical accounts of building types, some well known, some less familiar. It should appeal to academics, practitioners, historians and students of architecture.