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Distinguishing figural or typological allegory—a method adapted from the Christian exegesis of the Old Testament—from the broader Hellenistic concept of allegory, this book examines its use in representative poems of early Hispanic literature. The author focuses on the thematic and structural employment of this originally nonliterary device and comments on the literary problems it posed and the artistic effects which were achieved by it. The development of this particular allegorical method in medieval Hispanic literature—works in Spanish, Portuguese, Galician, and Catalan—he shows, was fully equal to that found in the medieval Latin, Italian, and English literatures, and an understanding of its use serves to clarify the interpretation of many individual poems.
Differences in attitudes to death and dying in two distinct social classes, the ecclesiastics and the nobility. The theory of the three estates made clear distinctions between the functions of the two estates which comprised the elite of medieval society: the oradores (ecclesiastics) and the defensores (warriors or nobility).They had different lifestyles, clothing and ways of thinking about life. With regard to death, the responses dictated by Christian theology conflicted with the demands of the defensor ideology, based on the defence of individual honour, the pursuit of fama and the display of earthly power. This book charts the progress of the dying from their preparations for death, through their 'good' or 'bad' deaths, to their burials and otherworldly fates and also analyses the responses of the bereaved. Through the use of pre-fifteenth-century texts it is possible to demonstrate that the conflict between the orador and defensor ideologies did not begin in the fifteenth century, but rather had a much older origin, and it is suggested that the conflict continued after 1500. Textual sources include the Siete partidas, wills, chronicles, religious works such as the Arte de bien morir and literary works such as Cárcel de Amor and Celestina.
The Bible and Jews in Medieval Spain examines the grammatical, exegetical, philosophical and mystical interpretations of the Bible that took place in Spain during the medieval period. The Bible was the foundation of Jewish culture in medieval Spain. Following the scientific analysis of Hebrew grammar which emerged in al-Andalus in the ninth and tenth centuries, biblical exegesis broke free of homiletic interpretation and explored the text on grammatical and contextual terms. While some of the earliest commentary was in Arabic, scholars began using Hebrew more regularly during this period. The first complete biblical commentaries in Hebrew were written by Abraham Ibn ‘Ezra, and this set the standard for the generations that followed. This book analyses the approach and unique contributions of these commentaries, moving on to those of later Christian Spain, including the Qimhi family, Nahmanides and his followers and the esoteric-mystical tradition. Major topics in the commentaries are compared and contrasted. Thus, a unified picture of the whole fabric of Hebrew commentary in medieval Spain emerges. In addition, the book describes the many Spanish Jewish biblical manuscripts that have remained and details the history of printed editions and Spanish translations (for Jews and Christians) by medieval Spanish Jews. This book will appeal to scholars and students of medieval Spain, as well as those interested in the history of religion and cultural history.