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This anthology contains representative selections from the verse of Minnesingers, nuns, priests, goliards, Spielleute, middle-class singers, and noblemen from the twelfth to the fifteenth century together with historical background, biographical sketches, and comments on individual poems. At the time of its original publication it was the largest such collection in English.
This anthology contains representative selections from the verse of Minnesingers, nuns, priests, goliards, Spielleute, middle-class singers, and noblemen from the twelfth to the fifteenth century together with historical background, biographical sketches, and comments on individual poems. At the time of its original publication it was the largest such collection in English.
New essays on the first flowering of German literature, in the High Middle Ages and especially during the period 1180-1230.
This comprehensive survey examines Germanic literature from the eighth century to the early fifteenth century. The authors treat the large body of late-medieval lyric poetry in detail for the first time.
Contains over 180 poems, songs, and carols of medieval England in Middle English with extensive linguistic and critical notes.
This book offers the first complete English translation of the poems by the late-medieval German (Tyrolean) Oswald von Wolkenstein (1376/1377-1445). Oswald von Wolkenstein was one of the leading poets of his time and created some of the most exciting, experimental, and also deeply religious-conservative poetry of the entire Middle Ages and far beyond. German scholarship and musicologists have long recognized the extraordinary strength and power of Oswald s Middle High German songs, both in terms of his poetic imagery and his musical performance. This book proves Oswald's uvre to be one of the most idiosyncratic and individualistic in the entire late Middle Ages. Classen reveals how Oswald continued the medieval tradition, yet was a true innovator, exploring new attitudes toward love, sexuality, travel, war, politics, language, music, and, above all, his own individuality.
An encyclopedia covering the political, social, intellectual, religious and cultural history of the German- and Dutch-speaking medieval world, between 500 and 1500. Entries cover individuals and their deeds as well as broader historical topics.
He shows the men and women who sang and played in medieval Europe as the heirs of both a Roman and a Germanic lyric tradition, united but differentiated from country to country; he introduces the scholars and musicians from the Byzantine world and the Paris schools, the German courts and Italian city-states, and he brilliantly presents their work, both sacred and profane.
Comprehensive anthology contains exquisite cross-section of Western medieval literature, from Boethius and Augustine to Dante, Abelard, Marco Polo, and Villon, in masterful translations. "No better anthology exists." — Commonweal.