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Academic Paper from the year 2021 in the subject Communications - Journalism, Journalism Professions, , language: English, abstract: The relation between media and society is very interesting and complex in its nature. As society is dynamic and heterogeneous, and as well media technology is non sleeping and pluralistic, it needs always research to understand the relationship between the two. Thus, no theory solely can describe the relation between media and society. The available evidences shows the connection between media and society are contextual across time and place and heterogeneous across societies and media type. The following six perspectives summarizes the nexus between media and society. Firstly, Media created the notion of mass society; secondly, as critical school thought based on Marxist view media are capitalist controlled for suppressing the poor. Thirdly , media are functioning or dysfunction institution of society. Fourthly, media is a social conscience which constructs reality. Fifthly, media technology effects change in society. Lastly, media transformed the human history to the new stage called Information society. In a true pluralist environment media has power to serve as a public sphere to control powerful groups, the problem is media could be dominated by other powerful groups and may serve as suppression tool. Media fail to represent all cultures, cultural groups and individuals from the processes and the contents of media production, if it is dominated by the oppressors. This marginalization is continuing in the new media (virtual world) too. Thus, the media and society relations always needs research and critical understanding as their power functions and dysfunctions societies across time and geography, as a societal phenomenon are very dynamic.
Women, Politics, and Power provides a clear and detailed introduction to women's political participation and representation across a wide range of countries and regions. Using broad statistical overviews and detailed case-study accounts, authors Pamela Paxton and Melanie Hughes document both historical trends and the contemporary state of women's political strength across diverse countries. In addition to describing worldwide themes, the book acknowledges differences among women through attention to intersectionality and heterogeneity among women. Dedicated chapters on six geographic regions highlight the distinct paths women may take to political power in different parts of the world. There is simply no other book that offers such a thorough and multidisciplinary synthesis of research on women's political power around the world.
A critical introduction to meaning and power in an age of participatory culture, social media and digital platforms. Helps students to understand the central role media play in the social world, and how they can become informed media citizens themselves.
This broad-ranging text offers a comprehensive outline of how visual images, language and discourse work as `systems of representation'. Individual chapters explore: representation as a signifying practice in a rich diversity of social contexts and institutional sites; the use of photography in the construction of national identity and culture; other cultures in ethnographic museums; fantasies of the racialized `Other' in popular media, film and image; the construction of masculine identities in discourses of consumer culture and advertising; and the gendering of narratives in television soap operas.
Studies of race and media are dominated by textual approaches that explore the politics of representation. But there is little understanding of how and why representations of race in the media take the shape that they do. How, one might ask, is race created by cultural industries? In this important new book, Anamik Saha encourages readers to focus on the production of representations of racial and ethnic minorities in film, television, music and the arts. His interdisciplinary approach combines critical media studies and media industries research with postcolonial studies and critical race perspectives to reveal how political economic forces and legacies of empire shape industrial cultural production and, in turn, media discourses around race. Race and the Cultural Industries is required reading for students and scholars of media and cultural studies, as well as anyone interested in why historical representations of 'the Other' persist in the media and how they are to be challenged.
The Routledge Handbook of English Language Studies provides a comprehensive overview of English Language Studies. The book takes a three-pronged approach to examine what constitutes the phenomenon of the English language; why and in what contexts it is an important subject to study; and what the chief methodologies are that are used to study it. In 30 chapters written by leading scholars from around the world, this Handbook covers and critically examines: English Language Studies as a discipline that is changing and evolving in response to local and global pressures; definitions of English, including world Englishes, contact Englishes, and historical and colonial perspectives; the relevance of English in areas such as teaching, politics and the media; analysis of English situated in wider linguistics contexts, including psycholinguistics, sociolinguistics and linguistic ethnography. The Routledge Handbook of English Language Studies is essential reading for researchers and students working in fields related to the teaching and study of the English language in any context.
This book analyzes how the media covers women leaders and reinforces gendered evaluations of their candidacies and performance. It deals with current transformations in political communication that may change the nature and scope of leadership in contemporary democracies with implications for relations between female leaders, media and citizens.
In focusing on the practices, politics and ethics of listening, this wide-ranging book offers an important new perspective on questions of media audiences, publics and citizenship. Listening is central to modern communication, politics and experience, but is commonly overlooked and underestimated in a culture fascinated by the spectacle and the politics of voice. Listening Publics restores listening to media history and to theories of the public sphere. In so doing it opens up profound questions for our understanding of mediated experience, public participation and civic engagement. Taking a cross-national and interdisciplinary approach, the book explores how listening publics have been constituted in relation to successive media technologies from the invention of writing to the digital age. It asks how new practices of listening associated with sound and audiovisual media transform a public world forged in the age of print. Through detailed histories and sophisticated theoretical analysis, Listening Publics demonstrates the embodied and critical activity of listening to be a rich concept with which to rethink the practices, politics and ethics of media communication.
This book is a clear, systematic, original and lively account of how media representations shape the way we see our and others’ lives in a global age. It provides in-depth analysis of a range of international media representations of disaster, war, conflict, migration and celebration. The book explores how images, stories and voices, on television, the Internet, and in advertisements and newspapers, invite us to relocate to distant contexts, and to relate to people who are remote from our daily lives, by developing ‘mediated intimacy’ and focusing on the self. It also explores how these representations shape our self-narratives. Orgad examines five sites of media representation – the other, the nation, possible lives, the world and the self. She argues that representations can and should contribute to fostering more ambivalence and complexity in how we think and feel about the world, our place in it and our relation to far-away others. Media Representations and the Global Imagination will be of particular interest to students and scholars of media and cultural studies, as well as sociology, politics, international relations, development studies and migration studies.
Pierre Bourdieu was a brilliant sociologist and social thinker; he was also an intensely political man whose work is of profound significance for rethinking democracy. This original volume presents and develops Bourdieu's distinctive contribution to the theory and practice of democratic politics. It explicates and illustrates his core concepts of political field and field of power, his historical model of the bureaucratic state, and his influential analyses of the practices and institutions involved in the paradoxical phenomenon of political representation - starting with the enigma of delegation, or what he called the "mystery of ministry." The fruitfulness of Bourdieu's approach is demonstrated in a series of integrated studies of voting, public opinion polls, party dynamics, class rule, and state-building, as well as by careful analyses of Bourdieu's own civic engagements and his theoretical treatment of the politics of reason and recognition in contemporary society. Charting the connections between Bourdieu's political views, the main nodes of his sociology of democratic representation, and the implications of this sociology for progressive civic thought and action, this book will be of interest to students and scholars across the gamut of disciplines as well as to citizens concerned with renewing struggles for social justice.