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Stockmann argues that the consequences of introducing market forces to the media depend on the institutional design of the state.
In most liberal democracies commercialized media is taken for granted, but in many authoritarian regimes the introduction of market forces in the media represents a radical break from the past with uncertain political and social implications. In Media Commercialization and Authoritarian Rule in China, Daniela Stockmann argues that the consequences of media marketization depend on the institutional design of the state. In one-party regimes such as China, market-based media promote regime stability rather than destabilizing authoritarianism or bringing about democracy. By analyzing the Chinese media, Stockmann ties trends of market liberalism in China to other authoritarian regimes in the Middle East, North Africa, sub-Saharan Africa and the post-Soviet region. Drawing on in-depth interviews with Chinese journalists and propaganda officials as well as more than 2000 newspaper articles, experiments and public opinion data sets, this book links censorship among journalists with patterns of media consumption and the media's effects on public opinion.
In most liberal democracies commercialized media is taken for granted, but in many authoritarian regimes the introduction of market forces in the media represents a radical break from the past with uncertain political and social implications. In Media Commercialization and Authoritarian Rule in China, Daniela Stockmann argues that the consequences of media marketization depend on the institutional design of the state. In one-party regimes such as China, market-based media promote regime stability rather than destabilizing authoritarianism or bringing about democracy. By analyzing the Chinese media, Stockmann ties trends of market liberalism in China to other authoritarian regimes in the Middle East, North Africa, sub-Saharan Africa, and the post-Soviet region. Drawing on in-depth interviews with Chinese journalists and propaganda officials as well as more than 2,000 newspaper articles, experiments, and public opinion data sets, this book links censorship among journalists with patterns of media consumption and media's effects on public opinion.
Using interviews, newspaper articles, online texts, official documents, and national surveys, Lei shows that the development of the public sphere in China has provided an unprecedented forum for citizens to organize, influence the public agenda, and demand accountability from the government.
For several decades, the city-state of Singapore has been an international anomaly, combining an advanced, open economy with restrictions on civil liberties and press freedom. Freedom from the Pressanalyses the republic's media system, showing how it has been structured - like the rest of the political framework - to provide maximun freedom of manoeuvre for the People's Action Party (PAP) government. Cherian George assessed why the PAP's "freedom from the press" model has lasted longer than many other authoritarian systems. He suggests that one key factor has been the PAP's recognition that market forces could be harnessed as a way to tame journalism. Another counter-intuitive strategy is its self-restraint in the use of force, progressively turning to subtler means of control that are less prone to backfire. The PAP has also remained open to internal reform, even as it tries to insulate itself from political competition. Thus, although increasingly challenged by dissenting views disseminated through the internet, the PAP has so far managed to consolidate its soft-authoritarian, hegemonic form of electoral democracy. Given Singapore's unique place on the world map of press freedom and democracy, this book not only provides a constructive engagement with ongoing debates about the city-state but also makes a significant contribution to the comparative study of journalism and politics.
Maria Repnikova offers an innovative analysis of the media oversight role in China by examining how a volatile partnership is sustained between critical journalists and the state.
This book examines the various stages of China’s development, in the economic, social, and political fields, relating theories and models of development to what is actually occurring in China, and discussing how China’s development is likely to progress going forward. It argues that China’s modernization hitherto can be characterized as "authoritarian development" – a fusion of mixed economic institutions of varying types of ownership with social stability and political cohesiveness – and that the present phase, where more emphasis is being given to social issues, is likely to lead on to a new phase where a more mature civil society and a more extensive middle class are likely to look for greater democratization. It presents an in-depth analysis of China’s changing social structure and civil society, explores the forces for and processes of democratization, and assesses the prospects for further democratization in the light of changing social structures.
This book offers an analytical account of the consensus and contestations of the politics of Chinese media at both institutional and discursive levels. It considers the formal politics of how the Chinese state manages political communication internally and externally in the post-socialist era, and examines the politics of news media, focusing particularly on how journalists navigate the competing demands of the state, the capital and the urban middle class readership. The book also addresses the politics of entertainment media, in terms of how power operates upon and within media culture, and the politics of digital networks, highlighting how the Internet has become the battlefield of ideological contestation while also shaping how political negotiations are conducted. Bearing in mind the contemporary relevance of China’s socialist revolution, this text challenges both the liberal universalist view that presupposes ‘the end of history’ and various versions of China exceptionalism, which downplay the impact of China’s integration into global capitalism.
This collection of essays-- written by pioneering Chinese journalists and Western experts--explores how transformations in China's media--from a propaganda mouthpiece into an entity that practices watchdog journalism--are changing the country. In detailed case studies, the authors describe how politicians are reacting to increased scrutiny from the media, and how television, newspapers, magazines, and Web-based news sites navigate the cross currents between the market and the CCP censors.
China is more than a socialist market economy led by ever more reform-minded leaders. It is a country whose people seek liberty on a daily basis. Th eir success has been phenomenal, despite the fact that China continues to be governed by a single party. Clear distinctions between the people and the government are emerging, underlining the fact that true liberalization cannot be imposed from above. Although a large percentage of the Chinese people have been part of China's long march to freedom, farmers, entrepreneurs, migrants, Chinese gays, sex pleasure seekers, and black-marketers played a particularly important role in the beginning. Lawyers, scholars, journalists, and rights activists have jumped in more recently to ensure that liberalization continues. Social dissatisfaction with the government is now published in the media, addressed in public forums, and deliberated in courtrooms. Intellectuals devoted to improvement in human rights and continued liberalization are part of the process. This grassroots social revolution has also resulted from the explosion of information available to ordinary people (especially via the Internet) and far-reaching international influences. All have fundamentally altered key elements of the moral and material content of China's party-state regime and society at large. Th is social revolution is moving China towards a more liberal society despite its government. Th e Chinese government reacts, rather than leads, in this transformative process. Th is book is a landmark--a decade in the making.