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"The first 23 medals in Medals of Dishonour create a fascinating commentary on events and issues of the 16th-20th centuries, and include Dutch medals satirizing kings; German and British medals on financial scandal and political corruption; a French medal showing a future emperor as an insect; German medals of the First World War period lambasting war; and two 1939 American medals protesting against racism and capitalism." "The second part of the book focuses on medals recently commissioned by the British Art Medal Trust from 16 celebrated contemporary artists. Their brief was to tackle the global issues of our time. Jake and Dinos Chapman graphically expose the banality of war, while the allied invasion of Iraq in 2003 is addressed in differing but equally powerful ways by Steve Bell, Richard Hamilton, Yun-Fei Ji and Cornelia Parker. Geo-politics, oppression and the abuse of power are the subjects of medals by Mona Hatoum, Ilya and Emilia Kabakov, William Kentridge and Langlands and Bell. Ellen Gallagher confronts the horrors of racial exploitation, Michael Landy turns anti-social behaviour on its head, and Grayson Perry mocks western consumerism. In the final medal, Felicity Powell pours scorn on the responses of public figures to environmental issues." "With over 170 illustrations, including details and accompanying drawings as well as the actual medals themselves, Medals of Dishonour provides an intriguing exploration into a darker tradition of medal-making." --Book Jacket.
Spencer McCain is the CEO of an international oil company. He also is a personal friend of Pres. Lyndon B. Johnson, for whom he served as a major fundraiser. In the late 1960s the oil industry is under pressure from Middle Eastern oil producers who threaten to cut oil supplies to the US because of support for Israel. To deal with the threat, McCain hopes to rejuvenate oil production domestically, estimated to cost two billion dollars. McCain knows that several of his board members oppose the plan, especially the senior member who wants his job. Cordell Jackson, an African-American in his early sixties, has shined shoes in the headquarters for twenty years. A WWII veteran, Jackson was seriously wounded. Oliver Crawford, recently named by the president to be secretary of the army, asked McCain to hire Jackson. During the war, McCain served with Crawfords father. Crawford and Jackson served together during the Battle of the Bulge, for which Crawford received the Medal of Honor. However, due to an incident that considerably raises Jacksons profile, there is some evidence that Crawford may have received the medal that Jackson deserved. The controversy raises tensions between McCain and his board, President Johnson, and Crawford.
The flawed characters of 27 men who were awarded the world’s most prestigious bravery award, some of whom ended up in prison or were shunned by officialdom and a once adoring public.
"Dissent is an essential part of keeping democratic societies healthy, and our ability as citizens to voice our opinions is not only our privilege, it is our responsibility. Most importantly, it is a human right, one which must be fervently fought for, protected, and defended. Many of the issues and conflicts visited in the first edition of this book remain vividly present today. They are reminders of how democracy and social change are often incremental, requiring patience, diligence, hope, and the continuing brave voices of designers whose skillful imagery emboldens in the face of struggle. The 160-plus new works in this edition document the Arab Spring, the Obama presidency, Occupy Wall Street, Black Lives Matter, the election of Donald Trump, Vladimir Putin’s continuing influence, the Women’s March, the ongoing refugee crises, the environment, and much more. This powerful collection, totaling well over 550 images, stands not only as a testament to the power of imagery, but also as an urgent call to action. This edition includes the original Foreword by Tony Kushner as well as Steven Heller's interview of Milton Glaser entitled, "Dissenting Conditions.""--provided by Amazon.com.
The emblem, a Renaissance literary genre which combined text and image, conveyed erudition, admonishment, propaganda, and piety with unparalleled concision and economy. It arose out of humanist circles in the early sixteenth century and quickly became established as a staple tool in religious, political, and social discourses across the major European languages. In recent years the emblem has come to be regarded by scholars working in all areas of the humanities and cultural studies as an interdisciplinary matrix of extraordinary utility in gaining insights into the mentalities and preoccupations of the early modern era. Within its apparently slender frame, the emblem embraces questions of foremost philological, semiotic, and iconographical importance, and encompasses ideas and assumptions of exceedingly far range and reach. This collection of essays attests to the pervasiveness of the emblem, both within Renaissance and Baroque Europe, and in those parts of the wider world where European influence came to bear. It seeks to follow the development of the emblem from its beginnings in various forms of bimedial artefact, from early illustrated books and hieroglyphs, to medals and ancient coins; we then witness its deployment as a propagandistic tool in the temporal and confessional disputes of Europe. Thereafter, the emblem appears in non-European contexts, emerging as a place of cultural exchange as it became assimilated within indigenous visual traditions. The latter parts of the book concentrate on the often subliminal role emblems played in diverse literary texts, as well as their ongoing vitality in praxis or in the burgeoning area of emblem scholarship within early modern studies.
Fully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice – from fine art and furniture-design to film-making – Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creative industries.