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In the late nineteenth and early twentieth centuries, technology and spirituality formed uncanny alliances in countless manifestations of automatism. From Victorian mediums to the psychiatrists who studied them, from the Fordist assembly line to the Hollywood studios that adopted its practices, from Surrealism on the left to Futurism and Vorticism on the right, the unpredictable paths of automatic practice and ideology present a means by which to explore both the utopian and dystopian possibilities of technological and cultural innovation. Focusing on the poetry of T. S. Eliot, Ezra Pound, and William Butler Yeats, Alan Ramon Clinton argues that, given the wide-reaching influence of automatism, as much can be learned from these writers' means of production as from their finished products. At a time when criticism has grown polarized between political and aesthetic approaches to high modernism, this book provocatively develops its own automatic procedures to explore the works of these writers as fields rich in potential choices, some more spectral than others.
"Searching for a deeper understanding of the power and influence of surrealist art, Nadia Choucha clearly confirms that many surrealists and their predecessors were steeped in magical ideas. The Theosophical involvement of Kandinsky, the visionary paintings of Salvador Dali, the alchemy of Pablo Picasso, and the shamanism of Max Ernst and Leonora Carrington all demonstrate the fundamental and dynamic impact of magic and mysticism on surrealism. Surrealist artists believed that society had much to learn from the unconditioned, spontaneous forms of art produced by spiritual mediums, children, untutored artists, and the insane. In their attempt to tap the unconscious regions of the mind, the surrealists borrowed imagery from alchemy, the Tarot, Gnosticism, Tantra, and other esoteric traditions and sought inspiration from ancient myths, 'irrational' thought, and ethnic art. Enhanced by both color and black-and-white reproductions of fine art, Choucha's account explains the intimate connections between occult and surrealist philosophies and provides an essential key to the mysteries of the surrealist movement and the forces that give it life" --Back cover.
Helena Blavatsky's 'The Secrets of Spirituality & Occult' is a groundbreaking exploration into the mystical world of spirituality and occult practices. Blavatsky delves deep into esoteric traditions, providing readers with a comprehensive understanding of the hidden knowledge that has been passed down through the ages. Through her intricate prose and detailed research, Blavatsky unveils the secrets of the spiritual realm, offering profound insights into the nature of reality and consciousness. Her literary style is both captivating and profound, making this book a must-read for anyone interested in the metaphysical realm. Helena Blavatsky, a prominent Theosophist and occultist, was deeply immersed in the study of ancient wisdom and esoteric teachings. Her dedication to uncovering the truths of the universe led her to write this seminal work, blending scholarship with personal insights to create a truly enlightening read. Blavatsky's passion for spiritual exploration shines through in 'The Secrets of Spirituality & Occult', making her a respected figure in the field of mysticism. I highly recommend 'The Secrets of Spirituality & Occult' to all seekers of truth and spiritual knowledge. Blavatsky's profound wisdom and in-depth analysis make this book a valuable resource for those looking to expand their understanding of the hidden dimensions of existence.
* A descriptive and analytical guide to the development of Western science from AD 1500, and to the diversity and course of that development first in Europe and later across the world * Presented in clear, non-technical language * Extensive indexes of Subjects and Names `Indeed a companion volume whose 67 essays give pleasure and instruction ... an ambitious and successful work.' - Times Literary Supplement `This work is an essential resource for libraries everywhere. For specialist science libraries willing to keep just one encyclopaedic guide to history, for undergraduate libraries seeking to provide easily accessible information, for the devisers of university curricula, for the modern social historian or even the eclectic scientist taking a break from simply making history, this is the book for you.' - Times Higher Education Supplement `A pleasure to read with a carefully chosen typeface, well organized pages and ample margins ... it is very easy to find one's way around. This is a book which will be consulted widely.' - Technovation `This is a commendably easy book to use.' - British Journal of the History of Science `Scholars from other areas entering this field, students taking the vertical approach and teachers coming from any direction cannot fail to find this an invaluable text.' - History of Science Journal
"The documents gathered in this volume cut a winding path through the tumultuous final thirty-three months of Leibniz's life, from March 1714 to his death on 14 November 1716. The disputes with Newton and his followers over the discovery of the calculus and, later, over the issues in natural philosophy and theology that came to dominate Leibniz's correspondence with Samuel Clarke certainly loom large in the story of these years. But as the title of this volume is intended to convey, the letters exchanged between Leibniz and Caroline of Brandenburg-Ansbach, Electoral Princess of Braunschweig-Luneburg and later Princess of Wales, also figure prominently in their telling, and I have included their complete extant correspondence from 1714 to 1716. These letters are of particular interest inasmuch as they provide valuable insights into how and why Leibniz's correspondence with Clarke arose, and why it developed as it did, with Caroline in the role of influential go-between; whence the title, The Leibniz-Caroline-Clarke Correspondence. But there is more; for these letters provide a window into the evolving personal relationship between Leibniz and Caroline. Much of the early correspondence between Leibniz and Caroline after her arrival in England is filled with thoughtful and engaging exchanges about philosophy, literature, and politics, about people Caroline was meeting in England, about those known by Leibniz far and wide, about the new royal family in England, headed by George I (Georg Ludwig of Braunschweig-Luneburg), as well as gossip about affairs of state in both England and Europe at large. Beyond the interest they hold for Leibniz scholars in particular, many of these exchanges should also be of interest to historians of early 18th-century England and Europe, and especially to those interested in the period immediately preceding and following the Hanoverian succession to the throne of England. But even quite early on in their correspondence Leibniz seemed to sense a threat to his relationship with Caroline, and a worrisome paranoia began to creep into some of his letters to her, letters in which he expressed concerns about her continuing allegiance to him now that she had been installed in England amongst his rivals. As the correspondence progressed, Leibniz's paranoia only deepened; but it was nevertheless prophetic of a tragic truth to come. For the letters exchanged between Leibniz and Caroline document the rather sad story of the slow but steady erosion of Caroline's loyalty to Leibniz after she departed Hanover on 12 October 1714 and landed in England at Margate in Kent on 22 October as the new Princess of Wales and future Queen of England. In 1727 the Scottish poet James Thomson penned A Poem Sacred to the Memory of Sir Isaac Newton, calling him "our philosophic sun," and it was by force of the political and cultural mass of this sun that Caroline was eventually, and inexorably, drawn into its orbit, and away from Leibniz"
Science is said to be on the verge of achieving the ancient dream of making objects invisible. Invisible is a biography of an idea, tied to the history of science over the "longue duree." Taking in Plato to today s science, Ball shows us that the stories we have told about invisibility are not in fact about technical capability but about power, sex, concealment, morality, and corruption. Precisely because they refer to matters that lie beyond our senses, unseen beings and worlds have long been a repository for hopes, fears, and suppressed desires. Ideas of invisibility are, like all ideas rooted in legend, ultimately parables about our own potential and weaknesses. Invisible presents the first comprehensive survey of the roles that the idea of invisibility has played throughout time and culture. This territory takes us from medieval grimoires to cutting-edge nanotechnology, from fairy tales to telecommunications, from camouflage to early cinematography, and from beliefs about ghosts to the dawn of nuclear physics and the discovery of dark energy. Invisible reveals what our age-old fantasies about what lurks unseen, and whether we can enter that realm ourselves, truly say about us. "
In 1896, a young Genevan medium named Hélène Smith perceived in trance the following words from a Martian inhabitant: "michma michtmon mimini thouainenm mimatchineg." Those attending her séance dutifully transcribed these words and the event marked the beginning of a series of occult experiences that transported her to the red planet. In her state of trance, Smith came to produce foreign conversations, a new alphabet, and paintings of the Martian surroundings that captured the popular and scientific imagination of Geneva. Alongside her Martian travels, she also retrieved memories of her past lives as a fifteenth-century "Hindoo" princess and as Queen Marie Antoinette. Today, Smith's séances may appear to be nothing more than eccentric practices at the margins of modernity. As author Claudie Massicotte argues, however, the medium came to embody the extreme possibilities of a new form of subjectivity, with her séances becoming important loci for pioneering authors' discoveries in psychology, linguistics, and the arts. Through analyses of archival documents, correspondences, and publications on the medium, Massicotte sheds light on the role of women in the construction of turn-of-the-century psychological discourses, showing how Smith challenged traditional representations of female patients as powerless victims and passive objects of powerful doctors. She shows how the medium became the site of conflicting theories about subjectivity--specifically one's relationship to embodiment, desire, language, art, and madness--while unleashing a radical form of creativity that troubled existing paradigms of modern sciences. Massicotte skillfully retraces the story of this prolific figure and the authors, scientists, and artists she inspired in order to bring to light a forgotten chapter in modern intellectual history.
Alfred Percy Sinnett was one of the most significant members of the Theosophical Society. In "The Occult World," he gave long extracts from his early correspondence with Mahatma Koot Hoomi, describing the higher mysteries of nature possessed by the Indian "Mahatmas." In addition, he explained in detail many of the occult phenomena that Madame Blavatsky performed while she was in Simla. The readers will not leave this fantastic work without spiritual growth. Contents include: Preface Introduction Occultism and the Adepts The Theosophical Society First Occult Experiences Teachings of Occult Philosophy Later Occult Phenomena Appendix