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Can plain old Average Me fix the rip in the multiverse? The Mes are back in this hilarious second book in the sci-fi comedy series for fans of Stuart Gibb's Moon Base Alpha and quirky animated shows like Rick and Morty and Regular Show. Saving the multiverse starts with another origami note: Make it here, pronto. This time Meade Macon, aka Average Me, knows that parallel dimensions are real. He's met dozens of his counterparts from other Earths. What he doesn't know is that they're all about to get zapped out of existence. On Earth Zero, a rip in the multiverse is spreading to other realities and causing chaos wherever it appears. And the different versions of Meade--the Mes--are caught in the middle! Motor Me, Resist Me, and Hollywood Me just want to go back home to their own Earths. The only way to do that is to repair the rip. Once again, it's up to Average Me! But if Average is going to fix the multiverse, he just might have to team up with his archnemesis . . . Meticulous Me.
What if you suddenly met someone who's you--only better? That's what happens in this hilarious new series for fans of Stuart Gibb's Moon Base Alpha and quirky sci-fi animated shows like Rick and Morty and Regular Show. It all starts with a note folded into the shape of an origami octopus: "Hi, Me. Yes, you. You're me, and I'm you." If you believe this and the other origami notes that follow--which middle schooler Meade Macon absolutely, positively does NOT--the concept of parallel dimensions is true, and there is a convention full of alternate versions of Meade waiting for his RSVP. It's got to be a joke. Except . . . the octopus is an origami fold Meade thought he invented. And the note writer has a lot of intel on him that nobody else should know. I mean, he's told his best friend Twig a lot about himself, but he's definitely kept mum about that time he sleepwalk-peed into his Lego container when he was six. Could Me Con be a real thing? And why does the origami stalker want him to go so badly anyway?
First in a duology that reimagines fairy tale tropes within a space opera—The Princess Bride meets Princess Leia. Rory Thorne is a princess with thirteen fairy blessings, the most important of which is to see through flattery and platitudes. As the eldest daughter, she always imagined she’d inherit her father’s throne and govern the interplanetary Thorne Consortium. Then her father is assassinated, her mother gives birth to a son, and Rory is betrothed to the prince of a distant world. When Rory arrives in her new home, she uncovers a treacherous plot to unseat her newly betrothed and usurp his throne. An unscrupulous minister has conspired to name himself Regent to the minor (and somewhat foolish) prince. With only her wits and a small team of allies, Rory must outmaneuver the Regent and rescue the prince. How Rory Thorne Destroyed the Multiverse is a feminist reimagining of familiar fairytale tropes and a story of resistance and self-determination—how small acts of rebellion can lead a princess to not just save herself, but change the course of history.
What if you suddenly met someone who's you--only better? That's what happens in this hilarious new series for fans of Stuart Gibb's Moon Base Alpha and quirky sci-fi animated shows like Rick and Morty and Regular Show. It all starts with a note folded into the shape of an origami octopus: "Hi, Me. Yes, you. You're me, and I'm you." If you believe this and the other origami notes that follow--which middle schooler Meade Macon absolutely, positively does NOT--the concept of parallel dimensions is true, and there is a convention full of alternate versions of Meade waiting for his RSVP. It's got to be a joke. Except . . . the octopus is an origami fold Meade thought he invented. And the note writer has a lot of intel on him that nobody else should know. I mean, he's told his best friend Twig a lot about himself, but he's definitely kept mum about that time he sleepwalk-peed into his Lego container when he was six. Could Me Con be a real thing? And should he go?
"The clever, fast-moving plot features a strong, appealing heroine, Sylvia Plath's poetry, romance, betrayal, and heart-stopping suspense." - Kirkus Reviews "This ambitious sci-fi novel, filled with multiverses and what-ifs... contains complex world building that would appeal to fans of TV's Orphan Black." - Booklist Almost fifteen, Alicia is smart and funny with a deep connection to the poet Sylvia Plath, but she’s ultimately failing at life. With a laundry list of diagnoses, she hallucinates different worlds—strange, decaying, otherworldly yet undeniably real worlds that are completely unlike her own with her single mom and one true friend. In one particularly vivid hallucination, Alicia is drawn to a boy her own age named Jax who’s trapped in a dying universe. Days later, her long-lost father shows up at her birthday party, telling her that the hallucinations aren’t hallucinations, but real worlds; she and Jax are bound by a strange past and intertwining present. This leads her on a journey to find out who she is while trying to save the people and worlds she loves. J.Q. Coyle’s The Infinity of You & Me is a wild ride through unruly hearts and vivid worlds guaranteed to captivate.
The fate of the multiverse rests in Marguerite’s hands in the final installment of the Firebird trilogy by New York Times bestselling author Claudia Gray. Ever since she used the Firebird, her parent’s invention, to cross through alternate dimensions, Marguerite has been at the center of a cross-dimensional feud. Now she has learned that the evil Triad Corporation plans to destroy hundreds of universes, using their ultimate weapon: another dimension’s Marguerite who is wicked, psychologically twisted, and always one step ahead. Even though her boyfriend Paul has always been at Marguerite’s side, the Triad’s last attack has left him a changed man, and he may never be the same again. Marguerite alone must stop Triad and prevent the destruction of the multiverse. It’s a battle of the Marguerites . . . and only one can win. In the epic conclusion to the sweeping series that kicked off with A Thousand Pieces of You, fate and family will be questioned, loves will be won and lost, and the multiverse will be forever changed.
Cloud Atlas meets Orphan Black in this epic dimension-bending trilogy by New York Times bestselling author Claudia Gray about a girl who must chase her father's killer through multiple dimensions. Marguerite Caine's physicist parents are known for their groundbreaking achievements. Their most astonishing invention, called the Firebird, allows users to jump into multiple universes—and promises to revolutionize science forever. But then Marguerite's father is murdered, and the killer—her parent's handsome, enigmatic assistant Paul— escapes into another dimension before the law can touch him. Marguerite refuses to let the man who destroyed her family go free. So she races after Paul through different universes, always leaping into another version of herself. But she also meets alternate versions of the people she knows—including Paul, whose life entangles with hers in increasingly familiar ways. Before long she begins to question Paul's guilt—as well as her own heart. And soon she discovers the truth behind her father's death is far more sinister than she expected. A Thousand Pieces of You explores an amazingly intricate multi-universe where fate is unavoidable, the truth elusive, and love the greatest mystery of all.
NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • An outsider who can travel between worlds discovers a secret that threatens the very fabric of the multiverse in this stunning debut, a powerful examination of identity, privilege, and belonging. WINNER OF THE COMPTON CROOK AWARD • FINALIST FOR THE LOCUS AWARD • “Gorgeous writing, mind-bending world-building, razor-sharp social commentary, and a main character who demands your attention—and your allegiance.”—Rob Hart, author of The Warehouse ONE OF THE BEST BOOKS OF THE YEAR—NPR, Library Journal, Book Riot Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total. On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works—and shamelessly flirts—with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security. But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined—and reveal her own role in a plot that endangers not just her world but the entire multiverse. “Clever characters, surprise twists, plenty of action, and a plot that highlights social and racial inequities in astute prose.”—Library Journal (starred review)
Space pirate Rory Thorne and her crew trace an abandoned ship to vicious advanced alien tech and a sentient floral plant designed to be a massive biological weapon.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.