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Life at Deacon Smith's Home for Waifs would be completely dreary if it weren't for Possum's best friend, Billy, who "thinks up lies faster than he can talk" and provides plenty of excitement for the other boys. When Billy hears that gold is hidden in the mountains—"Great big chunks of it, some of 'em big as your fist"—he plans to escape, taking Possum with him. The two runaways embark on a journey in search of their dream—the gold that will lead to a better life. To earn enough money for their adventure, they join Professor Alberto Santini, "savant of the healing arts," and his road show. The professor teaches the boys how "spieling" can make a buck, but it's only the professor who seems to be earning any money. Just as Possum and Billy realize that they've been conned, they get tangled up in a murder. The boys try to keep ahead of the law as they continue their search for gold, but their friendship becomes strained as Possum begins to feel more and more different from Billy. Is the boys' friendship strong enough to carry them through to the end of their journey?
In this sweet Cinderella story, a celebrity heartthrob stirs up drama for a shy, reserved young woman who only knows the quiet life of her English village. Sophie May is content with her life in her small English village, working in the local coffee shop and living with her mom. But when famous actor Billy comes to town to play Mr. Darcy in a new film adaptation of Pride and Prejudice, Sophie’s quiet life is quickly turned on its head. Billy is adored by women around the world, but he only wants Sophie on his arm. But being with Billy comes at a price, and Sophie is thrown in the spotlight after years of shying away from attention. Can she handle the constant scrutiny that comes with being with Billy? Brimming with humor, wit, and genuine warmth, Billy and Me is a book about taking a chance on life and on love.
In this sequel to Bandita Bonita, Romancing Billy the Kid, the Lincoln County War is far from over and William H. Bonney is now the most wanted, notorious outlaw in the New Mexico Territory. Elucia Howard, now christened with the celebrated moniker, Lucy “Lucky Lu” Howard, has settled into her new role as the Kid’s notorious outlaw sweetheart. With Billy condemned to death as a murderer, Lucy stands by him in his fight to clear his name, and with the few remaining Regulators, they embark on a journey that places Billy deeper within the clutches of the crooked law they had tried to destroy. Includes Readers Guide.
The story of Billy Childish, the most famous artist you’ve never heard of, by legendary music journalist Ted Kessler In 1977, seventeen-year-old Steven Hamper was a stonemason in the dockyards of Chatham, Kent, in England. His heart, however, beat in sync with the punk rock tremors of the era, seduced by its celebration of amateurism. So, in a gesture of revolutionary defiance, he took a three pound club hammer and smashed his hand, vowing to never work again. In doing so, Steven Hamper metamorphosed into Billy Childish, a true Renaissance man. Childish has since remained steadfastly true to punk’s DIY cred, becoming one of the most recognizable and authentic voices in whichever artistic endeavor he undertakes. He has released over 150 albums of raw rock and roll, punk, blues, and folk; and has written many volumes of searing poetry as well as several autobiographical novels. But what he is perhaps best known for in recent years is his painting, for which he is now critically, commercially, and internationally feted. He hasn’t changed course in any of his disciplines, though. The world just caught up with the sheer volume of his brutally honest work. To Ease My Troubled Mind is a mosaic portrait collated over a year of interviews with Childish, as well as with close family, ex-girlfriends, band members past and present, friends, foes, collaborators, even his therapist. It is an unflinching, yet frequently spiritual and funny portrait of an artist who is now one of the most prolific and uncompromising of his generation. The volume also includes a foreword by British comedian Stewart Lee.
Nicola Streeten's little boy, Billy, was two years old when he died following heart surgery for problems diagnosed only ten days earlier. Thirteen years later, able finally to revisit a diary written at the time, Streeten begins translating her notes into a graphic novel. The result, a retrospective reflection from a 'healed' perspective and gut wrenchingly sad at moments, is an unforgettable portrayal of trauma and our reaction to it - and, especially, the humour or absurdity so often involved in our responses. As Streeten's story unfolds and we follow her and her partner's heroic efforts to cope with well-meaning friends and day-to-day realities, we begin to understand what she means by her aim to create a 'dead baby story that is funny'.
Some people know exactly who they are. As a matter of fact, some people can’t help being who they are even if it doesn’t fit into a conventional world. Other people struggle to figure out what that even means. Dan is the first. Billy is the second. Together, they are exactly what each one needs. When a horrible roommate forces Dan—a theatre major and the apple of his family’s collective eye—to desperate measures, he turns to Billy to save him. What he doesn’t know is that Billy needs him just as much. Billy, the staunch, upright, gay Republican who has secrets of his own, is bowled over by the bright, forthright Dan, and finds himself inconveniently in love. Dan adores a man of conviction, and he’ll force himself to settle for friendship if he must…but as fate has it, things are about to change…
Long before Sam Peckinpah finished shooting his 1973 Western, Pat Garrett and Billy the Kid, there was open warfare between him and the studio. In this scrupulously researched new book Paul Seydor reconstructs the riveting history of a brilliant director fighting to preserve an artistic vision while wrestling with his own self‐destructive demons. Meticulously comparing the film five extant versions, Seydor documents why none is definitive, including the 2005 Special Edition, for which he served as consultant. Viewing Peckinpah’s last Western from a variety of fresh perspectives, Seydor establishes a nearly direct line from the book Garrett wrote after he killed Billy the Kid to Peckinpah’s film ninety-one years later and shows how, even with directors as singular as this one, filmmaking is a collaborative medium. Art, business, history, genius, and ego all collide in this story of a great director navigating the treacherous waters of collaboration, compromise, and commerce to create a flawed but enduringly powerful masterpiece.