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The Broadway Books Library of Larceny Luc Sante, General Editor McGoorty is master billiards writer Robert Byrne’s racy account of the life of Danny McGoorty, a billiards champion of that bygone era when cue artists were often scam artists and pool rooms were held to be dens of iniquity. Hustler and hobo, womanizer and fashion plate, McGoorty was at once eyewitness to Capone’s Chicago and the feats of greats like Willie Hoppe and Willie Mosconi. In an all-American voice at once sarcastic, profane, humorous, and chock full of colorful lingo, he relates his colorful and seedy life and times with a unique style and brio.
The first statewide history of the Irish in the Prairie State Today over a million people in Illinois claim Irish ancestry and celebrate their love for Ireland. In this concise narrative history, authors Mathieu W. Billings and Sean Farrell bring together both familiar and unheralded stories of the Irish in Illinois, highlighting the critical roles these immigrants and their descendants played in the settlement and the making of the Prairie State. Short biographies and twenty-eight photographs vividly illustrate the significance and diversity of Irish contributions to Illinois. Billings and Farrell remind us of the countless ways Irish men and women have shaped the history and culture of the state. They fought in the French and Indian War, the American Revolution, the Civil War, and two world wars; built the state’s infrastructure and worked in its factories; taught Illinois children and served the poor. Irish political leaders helped to draw up the state’s first constitution, served in city, county, and state offices, and created a machine that dominated twentieth-century politics in Chicago and the state. This lively history adds to our understanding of the history of the Irish in the state over the past two hundred fifty years. Illinoisans and Midwesterners celebrating their connections to Ireland will treasure this rich and important account of the state’s history.
The legendary Harry Greb stepped into the ring more than 300 times from 1913 to 1926, defeated opponents who outweighed him by more than 30 pounds, held the middleweight and light heavyweight titles and beat every Hall of Fame boxer he ever fought. Dubbed "the Pittsburgh Windmill" because of his manic, freewheeling style in the ring, Greb also crossed racial lines, taking on all comers regardless of color. An injury in the ring led to Greb's gradually going blind in one eye and should have ended his career, but he kept his condition secret and fought on. Tragically, the indomitable fighter would be dead by the age of 32, felled by complications during minor surgery. This biography of one of the toughest boxers of all time includes interviews, family recollections, modern doctors' analyses of Greb's eye injury and more than 120 rare photographs, as well as a complete fight record and round-by-round descriptions of his most famous fights.
Mechanical Witness is the first cultural and legal history charting the changing role and theoretical implications of film and video use as courtroom evidence. Schwartz moves from the earliest employment of film in the courts of the 1920s to the notious 1991 Rodney Kind video, revealing how the courts have developed a reliance on film and video technologies and contributed to the growing influence of visual media as a dominant mode of knowledge formation. At the same time, film and video in juridical contexts has developed a distinct theoretical legacy. The particular qualities of film as evidence both resonate with and contradict existing scholarship-focusing on economic, social, or aesthetic factors-which hitherto has defined film's status and cultural contribution. In the context of a trial, the possible meanings of a film change from its meanings when shown in a movie theater or broadcast on television, yet the public (and cinema scholars) tend to assume that the two are the same. Mechanical Witness demonstrates that we must understand evidentiary film and video's institutional specificity if we are to understand the full effects of motion picture technologies on our culture. This study sets the terms for a long overdue assessment of how the entertainment industry has shaped our film viewing practices, the place of moving picture evidence in the courtroom, and the social and cultural consequences of these intertwined histories.