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From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD. In other essays where he combines memoir and criticism, Corbett considers the current vinyl boom, explains why vinyl is his preferred medium, profiles collector subcultures, and recounts his adventures assembling the Alton Abraham Sun Ra Archive, an event so all-consuming that he claims it cured his record-collecting addiction. Perfect for vinyl newbies and veteran crate diggers alike, Vinyl Freak plumbs the motivations that drive Corbett and collectors everywhere.
The first comprehensive history of the Obama administration's evidence-based initiatives. From its earliest days, the Obama administration planned and enacted several initiatives to fund social programs based on rigorous evidence of success. Ron Haskins and Greg Margolis tell the story of six—spanning preschool and K-12 education, teen pregnancy, employment and training, health, and community-based programs. Readers will appreciate the fast-moving descriptions of the politics and policy debates that shaped these federal programs and the analysis of whether they will truly reshape federal social policy and greatly improve its impacts on the nation's social problems. Based on interviews with 134 individuals (including advocates, officials at the Office of Management and Budget and the Domestic Policy Council, Congressional staff, and officials in the federal agencies administering the initiatives) as well as Congressional and administration documents and news accounts, the authors examine each of the six initiatives in separate chapters. The story of each initiative includes a review of the social problem the initiative addresses; the genesis and enactment of the legislation that authorized the initiative; and the development of the procedures used by the administration to set the evidence standard and evaluation requirements—including the requirements for grant applications and awarding of grants.
Community-based participatory research (CBPR) emerged in response to the longstanding tradition of "top-down" research-studies in which social scientists observe social phenomena and community problems as outsiders, separate from the participants' daily lives. CBPR is more immersive, fostering partnerships between academic and community organizations that increase the value and consequence of the research for all partners. The current perspectives gleaned from this school of research have been wildly well-received, in no small part because they address the complexity of the human experience in their conclusions. HANDBOOK OF COMMUNITY-BASED PARTICIPATORY RESEARCH codifies the methods and theories of this research approach and articulates an expansive vision of health that includes gender equality, safe and adequate housing, and freedom from violence. Topic-based chapters apply the theory and methods of CBPR to real world problems affecting women, ethnic and racial minorities, and immigrant communities such as sexual violence, exposure to environmental toxins, and lack of access to preventive care as well as suggesting future directions for effective, culturally sensitive research. HANDBOOK OF COMMUNITY-BASED PARTICIPATORY RESEARCH is required reading for academics, policy makers, and students seeking meaningful social change through scholarship.
The Opium Wars of 1840-1860 were dark chapters of history. Britain went to war to force China to import thousands of tons of opium, to cripple and impoverish that nation. The Opium Wars never really ended. The U.S., like China, was too great for the London money lords to occupy by force. One way America is being brought to heel is by the drug trade. Crime and other social problems in the U.S. and Mexico are massively influenced by drugs and drug dealing. Illicit drugs may now account for as much as $1 trillion annually in financing for criminal activity and corruption. TOPICS: The East India Company; British role in the drug trade, from the wars on China, the HongShanghai Bank, Bronfmans, Prohibition, and Organized Crime in the U.S. Financial derivatives; Wall St., money laundering; medical marijuana. decriminalization; Soros and IMF links to drugs. Afghan opium; Colombian cartel; terrorism. Russia targeted by Dope, Inc. cocaine, heroin, amphetamines. More than 30 years have passed since the first edition of Dope, Inc. was published, in 1978. Commissioned by Lyndon Larouche, it threatened the world's power structure. It became America's underground best-seller. Dope, Inc. drew the line between American patriots and the British apparatus destroying the USA. The London and Wall Street bankers ran for cover. A mammoth campaign of slander and government dirty tricks tried to bury the authors, because Dope, Inc. revealed the most deeply held secrets of the big names behind the world's illegal narcotics trade. In Venezuela, the leading drug-running families who were exposed in the Spanish-language version, Narcotrafico, S.A., used their political influence to have it banned and confiscated. Financiers scrambled to control the damage of this unprecedented exposure. The Hongkong and Shanghai Banking Corporation was denied a license in New York State because it failed to refute the charges in Dope, Inc, when the state demanded accounting of its hidden profits, silent subsidiaries, and paraphernalia of money-laundering. Now in 2010, Dope, Inc. is completely updated: Soros - Afghanistan - the government and bankers behind the cartels. Today the British-controlled dope trade finances the world's leading terrorist entities - Afghanistan's Taliban, the Chechen rebels, the FARC guerrillas of Colombia. Dope money supports the bankrupt world financial system. A trillion dollars goes through the Cayman Islands, the Isle of Man, Dubai. Speculation makes it trillions more. It sucks the blood of the real economy; and the dope destroys mankind's powers of reason.
"Classroom Pivotal Response Teaching, or CPRT, was developed to help meet the educational needs of young children with autism. CPRT (originally called Pivotal Response Training or Treatment) is a form of naturalistic behavioral intervention, based on theprinciples of applied behavior analysis (ABA), and is soundly supported in the scientific literature. This manual will describe the components of CPRT and how to implement the approach in your classroom. Although this manual is geared primarily toward preschool through grade 3 teachers, CPRT strategies can be used by a variety of professionals. Speech and language pathologists, occupational therapists, behavior specialists, psychologists and other teaching professionals may all find CPRT a valuable strategy. Additionally, the techniques in this manual may be useful with typically developing children and those with a variety of special needs. Most children can benefit from this structured, systematic approach that utilizes naturally occurring teaching opportunities. One of the strengths of this approach is that it is adaptable to a wide range of teaching goals and service settings. All who teach are encouraged to integrate CPRT into their existing strategies as often as possible"--Provided by publisher.
Phil Woods was an American original. One of the greatest saxophonists of all time, he was the first call for Quincy Jones, Dizzy Gillespie, Thelonious Monk, and Oliver Nelson. His iconic improvisation on Billy Joel's hit song "Just the Way You Are" is quite likely the most played instrumental solo in the world. His popularity soared while an expat in Europe during the cultural revolution of the late sixties and early seventies. Upon his return to the States, Woods formed a band that would perform together for four decades. Grammy Awards, dozens of DownBeat Readers Poll victories, and designation as a National Endowment of the Arts Jazz Master would follow. Life in E Flat is the unvarnished self-portrait of an artist who loved and lived a life of bebop. "I would have to give Phil Woods' sax solo on "Just The Way You Are" credit for making that a hit record." - Billy Joel "Life in E Flat is a gift, a compelling and entertaining memoir by one of the leading alto saxophonists in jazz for 60 years. Woods is a charismatic storyteller-literate, funny, insightful, self-aware, with a keen eye and ear for details that reveal character and wise observations about the music business and the jazz life laced with sardonic wit." - Mark Stryker, author of Jazz From Detroit ""Someone spotted me fondling the saxophone and misinterpreted my avaricious intent as musical interest..." So Phil Wood's lifelong journey began-a saga he relates with an irreverent, self-deprecating wit, from his earliest days in Western Massachusetts to recording timeless music and traveling the world with jazz legends. Time and again, he sets up a story like a punchline's coming, and often they do. What you always get is history rich in detail and long in feeling and self-honesty - the personal stumbles and the musical triumphs. Phil left us in 2015; this book he left us is a gift that shows how so much of him is still here." - Ashley Kahn, music historian and author of A Love Supreme: The Story of John Coltrane's Signature Album & Kind of Blue: The Making of the Miles Davis Masterpiece "Growing up a New York jazz fan, Phil Woods was always a favorite. He was straight ahead, personal but in control, brimming with ideas: solid in every way. This account of the late jazz man's American journey, assembled with a loving, light touch by the always discerning critic Ted Panken, is like a Woods' gig. Full of the right information, things you thought you knew but didn't (the stories of often being the only white man in the room especially after marrying Charlie Parker's widow are instructive), heartbreaking and triumphant, Life in E-Flat is 100% solid." - Mark Jacobson, author of The Lampshade and Pale Horse Rider, former staff writer of the Village Voice and New York Magazine, and contributing editor for Rolling Stone and Esquire