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Mazy and Snub are delightful beings of light, traveling unencumbered by bodies, time, space, and gravity until an innocent ride on the arms of the Milky Way spins them into Earths atmosphere and changes everything. Both are overwhelmed and amazed by their cumbersome bodies, emotions, and pesky gravity, so they set out on adventures equally comical and dangerous. Readers of all ages will appreciate the metaphorical conundrums of these delightful and endearing creatures as they evolve into earthlings.
Elizabeth von Arnim’s novel "Elizabeth and Her German Garden" was first published in 1898. It was instantly popular and has gone through numerous reprints ever since. This story is the main character Elizabeth’s diary, where she relates stories from her life, as she learns to tend to her garden. Whilst the novel has a strongly autobiographical tone, it is also very humorous and satirical, due to Elizabeth’s frequent mistakes and her idiosyncratic outlook on life. She comments on the beauty of nature and shares her view on society, looking down on the frivolous fashions of her time and writing "I believe all needlework and dressmaking is of the devil, designed to keep women from study." The book is the first in a series about the same character. Elizabeth von Arnim (1866–1941), née Mary Annette Beauchamp, was a British novelist. Born in Australia, her family returned to England when she was three years old; and she was Katherine Mansfield’s cousin. She was first married to a Prussian aristocrat, the Graf von Arnim-Schlagenthin, and later to the philosopher Bertrand Russel’s older brother, Frank, whom she left a year later. She then had an affair with the publisher Alexander Reeves, a man thirty years her junior, and with H.G. Wells. Von Arnim moved a lot, living alternatively in the United Kingdom, Switzerland, Germany, Poland, before dying of influenza in South Carolina during the Second War. Elizabeth von Arnim was an active member of the European literary scene, and entertained many of her contemporaries in her Chalet Soleil in Switzerland. She even hired E. M. Forster and Hugh Walpole as tutors for her five children. She is famous for her half-autobiographical, satirical novel "Elizabeth and her German Garden" (1898), as well as for "Vera" (1921), and "The Enchanted April" (1922).
Their lives would be tempered by adversity, expanded by faith, polished by perseverance. Based on an actual 1852 Oregon Trail incident, All Together in One Place, Book One in the Kinship and Courage series, speaks to the strength in every woman and celebrates the promise of hope that unfailingly blooms amidst tragedy and challenge. For Madison "Mazy" Bacon, a young wife living in southern Wisconsin, the future appears every bit as promising as it is reassuringly predictable. A loving marriage, a well-organized home, the pleasure of planting an early spring garden--these are the carefully-tended dreams that sustain her heart and nourish her soul. But when her husband of two years sells the homestead and informs her that they are heading west, Mazy's life is ripped down the middle like a poorly mended sheet forgotten in a midwestern storm. Her love is tried, her boundaries stretched, and the fabric of her faith tested. At the same time, she and eleven extraordinary women are pulled toward an uncertain destiny--one that binds them together through reluctance and longing and into acceptance and renewal.
A masterpiece from one of the greatest poets of the century In a momentous publication, Seamus Heaney's translation of Book VI of the Aeneid, Virgil's epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, Heaney acknowledged the significance of the poem to his writing, noting that "there's one Virgilian journey that has indeed been a constant presence, and that is Aeneas's venture into the underworld. The motifs in Book VI have been in my head for years--the golden bough, Charon's barge, the quest to meet the shade of the father." In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and sophisticated poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of James Wood, "created something imperishable and great that is stainless--stainless, because its force as poetry makes it untouchable by the claw of literalism: it lives singly, as an English language poem."
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.