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A New York Times Best Book of the Year Nobel Prize Laureate Mazurka for Two Dead Men, the culmination of Camilo José Cela‘s literary art, opens in 1936 at the beginning of the Spanish Civil War: Lionheart Gamuzo is savagely murdered. In 1939, as the war ends, his brother avenges his death. For both deaths, the blind accordion player Gaudencio plays the same mazurka. Set in backward rural Galicia, Cela’s excellent novel portrays a reign of fools, and works like contrapuntal music, its themes calling and responding, alternately brutal, melancholy, funny, lyrical, and coarse.
Reader bear with him. There's gold to mine!
Widely regarded as one of the best works by the winner of the 1989 Nobel Prize for Literature, San Camilo, 1936 appears here for the first time in English translation. One of Spain's most popular writers, Camilo José Cela is recognized for his experiments with language and with difficult subject matter. In San Camilo, 1936, first published in 1969, these concerns converge in a fascinating narrative that is as challenging as it is rewarding, as troubling as it is compelling. A story of history as it happens, by turns confusing and startingly clear, echoing with news and rumors, defined by grand gestures and intimate pauses, the novel leads the reader into the ordinary life of extraordinary times. Beginning on the eve of the Spanish Civil War, San Camilo, 1936 follows a twenty-year-old student's attempts to sort out his private affairs (sex, money, career) in the midst of the turmoil overtaking his country. In vivid and richly textured prose that distinguishes Cela's work, the emotional reality of civil war takes on a vibrant immediacy that is humorous, tender, and ultimately transforming as a young man tries to come to terms with the historical moment he inhabits--and hopes to survive. Readers new to Cela will find in this novel ample reason for the author's growing reputation among audiences worldwide.
Celebrating Leonard Bernstein's centenary with an intimate and detailed look at the public and private life of the Maestro written by his former assistant. Foreword by Broadway legend Harold Prince. "An affectionate portrait of an eminent musician who was driven by demons." —Kirkus Reviews "Harmon’s personable and warm account of what it was like to work for one of the twentieth century’s musical giants casts new light on Bernstein and his world." —Booklist "This multifaceted perspective gives readers plenty of salacious gossip paired with insight into Leonard Bernstein’s remarkable artistic achievements later in life." —Library Journal On the Road is a colorfully written, unforgettably entertaining and unputdownable book, and is available just in time for LB’s 100th birthday. Unreservedly recommended. —Fanfare Magazine Leonard Bernstein reeked of cheap cologne and obviously hadn't showered, shaved, or slept in a while. Was he drunk to boot? He greeted his new assistant with "What are you drinking?" Yes, he was drunk. Charlie Harmon was hired to manage the day-to-day parts of Bernstein's life. There was one additional responsibility: make sure Bernstein met the deadline for an opera commission. But things kept getting in the way: the centenary of Igor Stravinsky, intestinal parasites picked up in Mexico, teaching all summer in Los Angeles, a baker's dozen of young men, plus depression, exhaustion, insomnia, and cut-throat games of anagrams. Did the opera get written? For four years, Charlie saw Bernstein every day, as his social director, gatekeeper, valet, music copyist, and itinerant orchestra librarian. He packed (and unpacked) Bernstein's umpteen pieces of luggage, got the Maestro to his concerts, kept him occupied changing planes in Zurich, Anchorage, Tokyo, or Madrid, and learned how to make small talk with mayors, ambassadors, a chancellor, a queen, and a Hollywood legend or two. How could anyone absorb all those people and places? Because there was music: late-night piano duets, or the Maestro's command to accompany an audition, or, by the way, the greatest orchestras in the world. Charlie did it, and this is what it was like, told for the first time.
This book traces the origins of a faith--perhaps the faith of the century. Modern revolutionaries are believers, no less committed and intense than were Christians or Muslims of an earlier era. What is new is the belief that a perfect secular order will emerge from forcible overthrow of traditional authority. This inherently implausible idea energized Europe in the nineteenth century, and became the most pronounced ideological export of the West to the rest of the world in the twentieth century. Billington is interested in revolutionaries--the innovative creators of a new tradition. His historical frame extends from the waning of the French Revolution in the late eighteenth century to the beginnings of the Russian Revolution in the early twentieth century. The theater was Europe of the industrial era; the main stage was the journalistic offices within great cities such as Paris, Berlin, London, and St. Petersburg. Billington claims with considerable evidence that revolutionary ideologies were shaped as much by the occultism and proto-romanticism of Germany as the critical rationalism of the French Enlightenment. The conversion of social theory to political practice was essentially the work of three Russian revolutions: in 1905, March 1917, and November 1917. Events in the outer rim of the European world brought discussions about revolution out of the school rooms and press rooms of Paris and Berlin into the halls of power. Despite his hard realism about the adverse practical consequences of revolutionary dogma, Billington appreciates the identity of its best sponsors, people who preached social justice transcending traditional national, ethnic, and gender boundaries. When this book originally appeared The New Republic hailed it as "remarkable, learned and lively," while The New Yorker noted that Billington "pays great attention to the lives and emotions of individuals and this makes his book absorbing." It is an invaluable work of history and contribution to our understanding of political life.
Challenging Theodor Adorno's famous statement that "writing poetry after Auschwitz is barbaric," Beyond Lament is a rich and varied anthology consisting of new and previously published poems about the atrocity of the Holocaust. Marguerite M. Striar has arranged the nearly 300 poems by the likes of Paul Celan, Nelly Sachs, Czeslaw Milosz, Dannie Abse, and Robert Pinsky, as well as many others, to tell the story of the Holocaust.
The novel depicts the hardship borne by the lower-middle class following the Spanish Civil War.
Welcome to the gripping world of "Crime and Punishment" by Fyodor Dostoevsky, a timeless masterpiece of Russian literature that delves deep into the complexities of human psychology, morality, and redemption. Prepare to be enthralled by the riveting tale of a young man's descent into darkness and his journey towards spiritual awakening and redemption. Follow the compelling story of Rodion Raskolnikov, a troubled former student who wrestles with his own inner demons as he navigates the harsh realities of life in 19th-century St. Petersburg. As Raskolnikov grapples with poverty, despair, and moral ambiguity, you'll find yourself drawn into a world of moral ambiguity and psychological intrigue. Explore the rich tapestry of characters that populate Dostoevsky's world, from the enigmatic Raskolnikov himself to the colorful cast of friends, family, and acquaintances who shape his destiny. Through their interactions and experiences, you'll gain insight into the complexities of human relationships and the eternal struggle between good and evil. Themes of guilt, redemption, and the nature of justice permeate the narrative, inviting readers to confront their own moral beliefs and wrestle with the consequences of their actions. As Raskolnikov grapples with the consequences of his crime and seeks absolution for his sins, you'll find yourself pondering the nature of forgiveness and the possibility of redemption. The overall tone and mood of "Crime and Punishment" are imbued with a sense of darkness and despair, as Dostoevsky's evocative prose and vivid descriptions transport you to the gritty streets and dimly lit alleys of St. Petersburg. From the bustling markets to the squalid tenements, you'll experience the full spectrum of human emotion and experience. Critically acclaimed for its psychological depth, philosophical insight, and masterful storytelling, "Crime and Punishment" has earned its place as a classic of world literature. Its enduring relevance and universal themes continue to resonate with readers of all ages, inspiring them to confront their own inner demons and seek redemption in the face of adversity. Whether you're a fan of classic literature, a student of human nature, or simply someone looking for a compelling story that will stay with you long after you've turned the final page, "Crime and Punishment" promises to captivate and inspire. Its timeless exploration of guilt, morality, and the human condition will leave you pondering the mysteries of existence and the nature of redemption. Don't miss your chance to experience the power of "Crime and Punishment" by Fyodor Dostoevsky. Secure your copy now and discover why this timeless masterpiece continues to captivate readers around the world.