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I like you, you know that? I know we've only just met, but you're my favourite abortionist. Maz and Bricks is a passionate, angry, funny and touching play which tells the story of two young people who meet over the course of a day in Dublin. Maz is attending a 'Repeal the Eighth' demonstration, while Bricks is going to meet the mother of his young daughter. As the day unfolds, the two become unlikely friends, changing each other in ways they never thought possible. Maz and Bricks delves deep into the issue of reproductive rights in Ireland to ask what does it mean to be alive in Ireland today and what really makes it all worthwhile? Maz and Bricks was published to coincide with the premiere production and tour by Olivier Award-winning Fishamble: The New Play Company in April 2017.
I like you, you know that? I know we've only just met, but you're my favourite abortionist. Maz and Bricks is a passionate, angry, funny and touching play which tells the story of two young people who meet over the course of a day in Dublin. Maz is attending a 'Repeal the Eighth' demonstration, while Bricks is going to meet the mother of his young daughter. As the day unfolds, the two become unlikely friends, changing each other in ways they never thought possible. Maz and Bricks delves deep into the issue of reproductive rights in Ireland to ask what does it mean to be alive in Ireland today and what really makes it all worthwhile? Maz and Bricks was published to coincide with the premiere production and tour by Olivier Award-winning Fishamble: The New Play Company in April 2017.
I am getting nearer to something. The answer to the question. Who am I? A woman who leaves her husband very suddenly for an old lover and heads to a cottage in Kerry? I needed someone strong. Someone who would sweep me along. Keep me here. In this world. Not allow me to wander down below, and I wanted a child. I dearly wanted a child. Mairead and Mal are struggling to keep their marriage together. Perhaps attending a wedding will help, or it might raise questions that are difficult to answer. Poignant, funny, and beautiful, Heaven is a new play that is full of humanity. It is presented by the Olivier Award-winning Fishamble, and written by Eugene O'Brien (winner of the Rooney Prize for Literature). This edition was published to coincide with the world premiere at the Dublin Theatre Festival, followed by an Irish tour, in Autumn 2022.
Some folk are impossible to buy for. Mama said it's because they are usually the ones who are impossible to know... Before is set in Clerys of Dublin, on the very day this iconic department store shuts - for good. Pontius is inside, trying to choose a gift for his estranged daughter, whom he hasn't seen for almost 20 years. He will meet her in an hour. This father's journey is both beautiful and strange, from the isolation of his Midlands home to the madness of O'Connell Street. Before is a new play with much music, which follows the runaway international success of Fishamble's Pat Kinevane Trilogy (Forgotten, Silent and Underneath), which have won Olivier, Scotsman Fringe First, Herald Angel, Argus Angel, Adelaide Fringe and Stage Raw LA awards. This edition was published to coincide with the original production which was first produced by Fishamble: The New Play Company in November 2018.
Do you still love me? Yeah. You sure? In this groundbreaking work, seven scenes drag us further down the stages of coercive-control: but who is manipulating and who is being manipulated? Only two characters appear - Sam and Charlie – played by an ensemble cast. When scenes are replayed in different combinations, do we interpret them differently? Does gender, class, age, or ethnicity, alter our perception? What does that say about how we perceive the world? How do we find solid ground to judge? Breaking is Amy Kidd's exciting debut play, commissioned by Olivier award-winning Fishamble Theatre. This edition was published to coincide with the world premiere and Fishamble tour starting in September 2024.
In October 1921, a delegation of the Dáil left by boat and train for London, where they were to negotiate with the British government for peace, unity and a republic. They came back with just one of those; and that peace didn't last long, as war with Britain was replaced by war with their own. Were the Irish outclassed or outgunned? Were they lied to? Did they lie to their own colleagues back in Dublin? Or did they achieve the best that could be achieved, an incremental step on the way to fuller sovereignty? The Treaty tells the story of what happened inside those negotiations, as Arthur Griffith, Michael Collins and colleagues faced off against one of the most formidable negotiating teams ever assembled, headed by David Lloyd George and with Winston Churchill often at his side. This edition is published to coincide with Fishamble's production in November 2021.
A housing crisis, a hung Dáil and an unlikely alliance. Haughey|Gregory follows the deal made between Tony Gregory and Charles Haughey in 1982, when Gregory took a surprise Dáil seat - and suddenly found himself holding the balance of power. Dublin's Inner City is devastated by unemployment and addiction – and the planners' solution is simply to bulldoze it. But the general election results in the novice TD, Tony Gregory, holding the balance of power. Can Gregory use his vote to achieve something for his constituents? To do so, he will have to face off against the dominant personality of Irish politics - Charles J Haughey.
No Man or Woman should have to suffer oppression Luther. It's your Birthright to be free, my Love. KING tells the story of Luther, a man from Cork named in honour of his Granny Bee Baw's hero, Dr Martin Luther King Jr.. Luther only leaves his apartment for essential journeys, and to perform as an Elvis impersonator. The play explores oppression, privilege, and resilience, as Luther struggles to live life to the full. This edition is published to coincide with the premiere production by Fishamble in February 2023. It is the fifth solo play by Pat Kinevane, following Forgotten, Silent, Underneath, and Before, which are the winners of many international awards, including the Olivier, Helen Hayes, Herald Archangel, and Scotsman Fringe Firsts.
We share a history, we share a memory and they both share my heart. It's that time of the year. A time that Eoin, Mary Anne and Jack all remember. Having grown up together in various care homes for the disabled, they now rely on each other in adulthood for support, friendship and love. But when young film-maker Eleanor arrives, struggling with hidden issues and agendas of her own, to make a documentary about their lives together, the examination and attention she brings threatens to disrupt the long-term relationships and friendships at the heart of their group. Mainstream is a complex drama about truth, lies and the mainstreaming of Travellers with disabilities. It was produced in November 2016 in a co-production between Fishamble Theatre Company and Project Arts Centre, Dublin.
This hilarious volume brings together three funny, vibrant and theatrical monologue plays for female performers. The Wheelchair on My Face by Sonya Kelly Sonya tells her story about growing up with poor vision that went undiagnosed until she was seven years old. Combining memoir, theatre and stand-up comedy, this delightful story of a myopic child shows us how we can better the world even if we cannot see the world. Charolais by Noni Stapleton A dark comedy of love, longing and an intense rivalry with a Charolais cow. Siobhán is forced to share the affections of her farmer boyfriend with his beloved, prize-winning French heifer. Overcome with desire, Siobhán develops a homicidal jealousy for this cow, while feeling equally murderous towards her snobbish, soon-to-be mother in law. The Humours of Bandon by Margaret McAuliffe Nobody knows where their five year old will take that first after-school activity. To the surprise of her mother, Annie takes it all the way to the top – of the Irish Open Dancing Championships. Armed with optimism, drive and passion, Annie's about to learn that life doesn't always go according to plan. Developed as part of Show in a Bag, an artist development initiative of Dublin Fringe Festival; Fishamble: The New Play Company; and Irish Theatre Institute to resource theatre makers and actors. The plays were then produced by Fishamble, touring throughout Ireland, the UK, USA and Europe.