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The sketchbook is an ideal gift for yourself, your children or friends who love to draw and sketch everything. Can be used with graphite, pencils or pens, and is perfect for students of art and hobbyists everywhere. From painting, and drawing to doodling, this 100 page 8.5" x 11" sketchpad will suit your needs.Each page has a frame in case you decide to cut the page out and mount it. The cover design is unique to you and is appealing to anybody who sees your book. Enjoy the experience.
A unique guide to over 40 of the most popular places around the fabulous Cornish coastline, one of the UK's best-loved tourist destinations. There are maps shoing you how to get there, where to park and what to look out for. You'll also discover unexpected, hidden delights, plus the secrets of cornish pasties, cream teas, cornish palms and much more.--Cover.
Since winning the Turner Prize in 2003, Grayson Perry has become as famous for his monumental tapestries and outrageous dress designs as his richly decorated ceramic vases. Behind the allure of the colourful and brazen decoration in his works, however, lies a wry commentary on the darker aspects of society - such as child abuse, social hierarchies and environmental disaster. Bringing us closer to both the artist and the themes that mark his work, Sketchbooks is a first-time collection of drawings which demonstrates the evolution of Grayson's creative processes as well as his career, following his journey from art school to the present day. With over 100 double-page illustrations selected by the artist himself, this is a funny, revealing and personal book that bursts at the seams with gorgeous art.
This highly original book explores the working methods and creative philosophy of one of the UK's greatest landscape photographers. Over a three-year period, Joe Cornish and his co-author Eddie Ephraums, have created a unique documentary record of Joe's photography in a variety of locations, from the Scottish Highlands to the north Conwall coast, via Northumberland and Joe's much-loved North Yorkshire. Each location is used to address a particular aspect of the art and craft of landscape photography, through conversations between the authors, images of Cornish at work, plus his own pictures from each location. The pictures show us not one, definitive interpretation of each scene but alternative compositions and the development of photographic ideas, giving revealing insights into the photographer's creative process. The book also documents Cornish's gradual transition from a traditional, exclusively film-based way of working to one that now embraces the use of digital compact cameras, digital SLRs and, most recently, a large format digital camera. He describes the opportunities that each of these new tools has opened up, for example he now uses a digital compact both as a sketchbook and for exhibition-quality prints. Full of informative and inspirational images, fascinating insights and professional tricks of the trade, this book will appeal to Joe Cornish's legions of fans and anyone with an interest in photographing the landscape.
Collects excerpts from the personal travel journal sketchbooks of forty-three artists, illustrators, and designers.
William Cumming began as a self-taught artist who grew up in Tukwila, a small town outside Seattle. In 1937, at the age of twenty, he met Morris Graves, who was at that time working in Seattle for the Federal Art project of the Works Progress Administration. Through Graves he soon became part of the circle of friends who came to be known as the Northwest School of artists: Mark Tobey, then nearing fifty, the patriarchal leader of the group; Kenneth Callahan and his wife Margaret, a writer and critic who became Cumming's particular mentor; Guy Anderson, Lubin Petric, and others. He has taught for many years at the Art Institute of Seattle and Cornish College of the Arts. "Bill Cumming is at once an exceptional and successful regional artist and one of the most erudite, perceptive, and entertainingly cantankerous characters in this part of the world. [He] tells what it was like to be an artist in the Great Depression, tells tales out of school about such international luminaries as Mark Tobey and Morris Graves, tells how the Northwest School (of which he was the youngest member) developed, tells about the early success -- and ultimate failure -- of the Communist movement in the Far West, and shows how the political, economic, and cultural events of a half-century affected the life of a region and of its creative minority. Cumming is a natural raconteur, equipped with more literary wit and charm than most professional writers." -- Tom Robbins "Besides being one of the Northwest's best painters, Bill Cumming has certainly had a knack for being, historically speaking, in the right place at the right time. Beyond being good local history, hisSketchbookis a moving, sometimes chillingly perceptive, and certainly fascinating glimpse into the nature of artists themselves." -- Wesley Wehr
The exhibited works of Kurt Jackson (b.1961) do not necessarily reveal his day-to-day working practice. Behind his finished canvases are hundreds of sketchbooks borne out of his continual routine of making drawings, marks, notes, poems and scribbles. This book examines the importance of the sketchbook to Jackson. For Jackson, his sketchbooks are vital to the development and completion of his paintings. Often sketching while a painting evolves, the artist values each medium equally - the pages of his sketchbooks reveal how the hastily executed images can help him to work out what he wants to achieve on canvas, or simply capture a spontaneous image when there is not enough time to paint or draw properly. Illustrating mundane daily events and happenings as well as key moments, journeys and the overlapping ongoing project work, Jackson's sketchbooks are key to understanding his inspirations as an artist. Drawing on a selection of twenty sketchbooks, of differing sizes and a variety of media, this fascinating publication provides a rare insight in to the mind of a highly creative and original artist.
The sketchbook has been the one constant in explorers' kits for centuries of adventure. Often private, they are records of immediate experiences and discoveries, and in their pages we can see what the explorers themselves encountered. This remarkable book showcases 70 such sketchbooks, kept by intrepid men and women as they journeyed perilous and unknown environments—frozen wastelands, high mountains, barren deserts, and dense rainforests—with their senses wide open. Figures such as Charles Darwin and Sir Edmund Hillary are joined here by lesser-known explorers such as Adela Breton, who braved the jungles of Mexico to make a record of Mayan monuments. Here are profiles, expedition details, and the artwork of pioneering explorers and mapmakers, botanists and artists, ecologists and anthropologists, eccentrics and visionaries. Here is the art of discovery.