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Take a look at the science behind the Mayan calendar, prophecies and mythology. The Maya believed multiple cycles governed civilization. They created various calendars to track these cycles. Their short count calendar tracked a 256-year cycle believed to control epidemics, famines, warfare and more. Scientists have found a 250-year solar cycle that also appears to affect epidemics, famines, warfare and more. Their long count calendar tracked a 5000-year cycle related to natural disasters and cosmic catastrophes. Scientists have also discovered that the Earth is subjected to periodic bombardment by comets and asteroids that plunges the world into long periods of darkness and cold. Mayan mythology appears to record such events and in some instances even the exact dates on which these catastrophes occurred in the past. By comparing these dates with ice core records, sedimentary records, and climate records, this book reveals the truth about civilization's darkest days. And what may lie ahead in the future.
In "Earth Under Fire, " Paul LaViolette investigates the connection between ancient world catastrophe myths and modern scientific evidence of a galactic destruction cycle, demonstrating how past civilizations accurately recorded the causes of these cataclysmic events, knowledge of which may be crucial for the human race to survive the next catastrophic superwave cycle.
Explores the central role played by the galaxy in both ancient and modern times in the transformation of the human spirit. • Extends Jenkins' groundbreaking research in Maya Cosmogenesis 2012. • Reveals how the coming Galactic Alignment of era-2012 promises a renewal of human consciousness. • Uncovers the galactic vision of Mayan, Egyptian, Greek, and Vedic cosmologies. The Galactic Alignment is a rare astronomical event that brings the solstice sun into alignment with the center of the Milky Way galaxy every 12,960 years. Building on the discoveries of his book Maya Cosmogenesis 2012, Jenkins demonstrates that the end-date of 2012 does not signal the end of time but rather the beginning of a new stage in the development of human consciousness. He recovers a striking common thread that connects the ancient cosmological insights of the Maya not only to Egyptian thought and Vedic philosophy but also to the diversity of humankind's metaphysical traditions ranging from Celtic sacred topography and Medieval alchemy to the Kabbalah and Islamic astrology. His work presents us with a groundbreaking synthesis of lost wisdom once common to ancient cosmologies that will help us understand the significance of this transformative cosmic milestone.
Who were the Maya? How were these ancient astronomers able to precisely measure time over thousands of years? What happened to the Mayan civilization? Gilbert and Cotterell, both scientists and writers, unlock the mysteriesof the May a, explore their beliefs, and reveal their accomplishments in this international bestseller--now in paperback. of color plates. Illustrations and charts.
In his #1 New York Times bestseller Agents of the Apocalypse, noted prophecy expert Dr. David Jeremiah explored the book of Revelation through the lens of its major players. Now, in the much-anticipated follow-up, Agents of Babylon, Dr. Jeremiah examines prophecy through the eyes of the characters in the book of Daniel, explains what the prophecies mean, and helps us understand how these prophetic visions and dreams apply to our lives today. Written in the same highly engaging half dramatization, half Bible teaching format as Agents of the Apocalypse, Agents of Babylon is not only an in-depth exploration of the characters and prophecies contained in the book of Daniel but also a dramatic retelling of Scripture that is sure to bring ancient prophecy to light like never before.
According to José Stevens and Lena Stevens, business leaders and shamans share many important traits: the abilities to solve problems, to achieve goals, to see the big picture, and to forecast events. What their previous book, Secrets of Shamanism, did for the growth of the individual, The Power Path does for the growth of business managers and entrepreneurs. On the basis of years of study with shamans, the authors share a new way of thinking about the nature of power. By applying shamanic traditions of power to the workplace, readers learn how to improve work relationships, to understand employees' strengths and limitations, and to inspire effective teamwork — techniques aimed ultimately toward increasing business success.
Reveals the Mayan calendar to be a spiritual device that describes the evolution of human consciousness from ancient times into the future • Shows the connection between cosmic evolution and actual human history • Provides a new science of time that explains why time not only seems to be speeding up in the modern world but is actually getting faster • Explains how the end of the Mayan calendar is not the end of the world, but a path toward enlightenment The prophetic Mayan calendar is not keyed to the movement of planetary bodies. Instead, it functions as a metaphysical map of the evolution of consciousness and records how spiritual time flows--providing a new science of time. The calendar is associated with nine creation cycles, which represent nine levels of consciousness or Underworlds on the Mayan cosmic pyramid. Through empirical research Calleman shows how this pyramidal structure of the development of consciousness can explain things as disparate as the common origin of world religions and the modern complaint that time seems to be moving faster. Time, in fact, is speeding up as we transition from the materialist Planetary Underworld of time that governs us today to a new and higher frequency of consciousness--the Galactic Underworld--in preparation for the final Universal level of conscious enlightenment. Calleman reveals how the Mayan calendar is a spiritual device that enables a greater understanding of the nature of conscious evolution throughout human history and the concrete steps we can take to align ourselves with this growth toward enlightenment.
Uleyli is a princess--but she isn't happy. She'd rather create art and make crafts than rule. When the Spanish boy Juan Ortiz is captured by Uleyli's father, she sees a way to escape her life in the village. But when an attempt to flee to Cuba with Juan brings more problems than solutions, Uleyli will need to use the power of her creativity to rescue her new friend, her village...and herself. Uleyli: The Princess and Pirate is based on the true story of a young woman known as Florida's Pocahontas. The beautiful line art and evocative text paint a vivid picture of life in the Native American villages of what is now the southeastern United States. Uleyli: The Princess and Pirate is also available as a graphic novel--don't miss seeing Uleyli's adventures in full color!
Two leading Maya scholars tell this story of the rediscovery of the queen of Maya cities--Palenque--deep in the forest-clad mountains of southeastern Mexico. 150 illustrations.
"...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.