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At the center of Mayakovsky s Revolver is the suicide of Matthew Dickman's older brother. Known for poems of universality of feeling, expressive lyricism of reflection, and heartrending allure (Major Jackson), Dickman is a powerful poet whose new collection explores how to persevere in the wake of grief.
From a dazzling, award-winning young poet, a collection that paints life as a celebration in the dark. At the center of Mayakovsky’s Revolver is the suicide of Matthew Dickman’s older brother. “Known for poems of universality of feeling, expressive lyricism of reflection, and heartrending allure” (Major Jackson), Dickman is a powerful poet whose new collection explores how to persevere in the wake of grief. from “Mayakovsky’s Revolver” I keep thinking about the way blackberries will make the mouth of an eight year old look like he’s a ghost that’s been shot in the face. In the dark I can see my older brother walking through the tall brush of his brain. I can see him standing in the lobby of the hotel, alone, crying along with the ice machine.
All American Poem embraces the ecstatic nature of our daily lives. Introduction by Tony Hoagland.
"Their verse . . . is strikingly different. Michael's poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew's are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." —The New Yorker Identical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. Pointed, comic, and surreal, these one-page vignettes feature unusual staging and an eclectic cast of characters—landforms, lobsters, and historical figures including Duke Ellington, Sacajawea, Judy Garland, and Kenneth Koch, the avant-garde spirit informing this book introduced by playwright John Guare. "Lucky in Kansas" Judy Garland: This is always the worst part Tin Man: The coming back Judy Garland: Yes, it fucking sucks, it's depressing as shit The Lion: Well, we're lucky to still be employed at this farm Straw Man: I wouldn't call it lucky The Lion: We were lucky to get back Straw Man: That's not really lucky either I don't think you know what lucky means Judy Garland: It's funny what you miss Tin Man: The running Judy Garland: The flying Tin Man: The flying monkeys Judy Garland: The beautiful flying monkeys above the endless emeralds the unbelievably green world Michael Dickman and Matthew Dickman are identical twins who were born and raised in Portland, Oregon. Michael received the 2010 James Laughlin Award for his second collection Flies (Copper Canyon Press, 2011). Matthew won the prestigious APR/Honickman Award for his debut volume, All-American Poem.
Luminous and hypnotic, this dynamic collection explores the dark edges of childhood, violence, race, class, and masculinity, by one of the most fearless poets of his generation. "Known for poems of universality of feeling, expressive lyricism of reflection, and heartrending allure" (Major Jackson), award-winning poet Matthew Dickman returns with a collection that engages the traces of his own living past, suffusing these poems with ghosts of longing, shame, and vulnerability. In the southeast Portland neighborhood of Dickman’s youth, parents are out of control and children are in chaos. With grief, anger, and, ultimately, understanding, Dickman confronts a childhood of ambient violence, well-intentioned but warped family relations, confining definitions of identity, and the deprivation of this particular Portland neighborhood in the 1980s. Wonderland reminds us that, while these neighborhoods are filled with guns, skateboards, fights, booze, and heroin, and home to punk rockers, skinheads, poor kids, and single moms, they are also places of innocence and love.
A play and selected poetry by Russian author Vladimir Mayakovsky.
Nance Van Winckel's wry, provocative slant on the world and her command of images and ideas enliven these stunning poems. Presented in two parts, Pacific Walkers first gives imagined voice to anonymous dead individuals, entries in the John Doe network of the Spokane County Medical Examiner's Records. The focus then shifts to named but now-forgotten individuals in a discarded early-1900s photo album purchased in a secondhand store. We encounter figures devoid of history but enduring among us as lockered remains, and figures who come with histories--first names and dates, and faces preserved in photographs--but who no longer belong to anyone.
Matthew has been a rising star in American poetry. At the center of Mayakovsky's Revolver is the suicide of Dickman's older brother. But the book is also an exploration of love: how to love the unknown and how to celebrate life despite grief. These are elegies and love poems, verses about and for the body of the beloved. This book finds the connection between grief and joy, comfort and rage, and confirms Dickman's standing as a major young poet.
Winner of the Ohioana Book Award in Poetry (2014) Drunk on the sun and the sea, Kazim Ali's new poems swoop linguistically but ground themselves vividly in the daily and real. Both imprisoned by endlessness and dependent on it for nurturing and care, in Sky Ward Ali goes further than ever before in sounding out the spaces between music and silence, between sky and ocean, between human and eternal. "Daily I wish stitched here to live," moans his Prometheus, wondering what release from familiar bondage might actually portend. "So long liberation," his Icarus sings as he plummets from the sky with desperation and grace, ready to unfeather and plunge into the everything-new. Whether in the extended poem-prayer to Alice Coltrane or in the "deleted scenes" and "alternate endings" to his critically acclaimed volume Bright Felon, or in the spirit-infused and multi-faceted lyrics he has become known for, Ali once again reinvents possibilities for the personal lyric and narrative.
A Life at Stake is the first serious biography of the legendary Russian poet Vladimir Mayakovsky. Physically imposing, crude, a sexual adventurer and ex-convict, Mayakovsky rose to fame between 1912 and 1917 as a Futurist agitator and the author of radical poems and plays. He embraced the Russian Revolution and became one of its most passionate propagandists, then at the age of thirty-six took his own life, disappointed in the course of Soviet society and ravaged by private conflicts. Mayakovsky s poems are as exhilarating today as when he declaimed them for friends in smoky flats in Moscow, Berlin, Paris, and New York. In Bengt Jangfeldt s propulsive biography, Mayakovsky s life, too, is compelling: a story of constant, passionate upheaval against the background of the First World War, the Russian Revolution, Stalin s terror, and cycles of anti-Semitism. Mayakovsky emerges from this biography a highly vulnerable figure, more a dreamer than a revolutionary, more a political romantic than a hardened Communist."