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Dystopia, Utopia and the realm of gods intersect through the inter-dimensional seeings of one girl, Maya, The In-between. She is humanity's channel between life & death.
The Cabinet of Earths, Anne Nesbet’s debut novel for tweens, blends fantasy, science, and horror into an irresistible story in the vein of the classic His Dark Materials series. Twelve-year-old Maya is miserable when she has to move from California to Paris. Not speaking French at a school full of snobby French girls is bad enough, but Maya believes there is something sinister going on in her new city. A purple-eyed man follows Maya and her younger brother, James. Statues seem to have Maya’s face. And an eerie cabinet filled with mysterious colored bottles calls to her. When James becomes the target of dark forces, Maya decides she must answer the call of the Cabinet of Earths, despite the danger.
Fans of Philip Pullman’s The Golden Compass will love Anne Nesbet’s middle-grade fantasy A Box of Gargoyles. In this sequel to The Cabinet of Earths, twelve-year-old Maya is feeling more at home in Paris, a city filled with old magic. Her little brother, James, is safe, and the terrible man with purple eyes is gone. At least Maya believed he was until a person-sized column of dust and leaves with hints of purple where its eyes should be begins following her. Maya suspects the strange, shadowy column is what’s left of the purple-eyed man, and that it—he—is behind the eerie changes in Paris, including the appearance of flying, talking stone gargoyles. She’s right. Worse, he has bound Maya to make him whole again, even if it kills her.
From Maya Soetoro-Ng, sister of President Obama, comes a lyrical story relaying the loving wisdom of their late mother to a young granddaughter she never met. (Ages 4-8) Features an audio read-along performed by the author! Little Suhaila wishes she could have known her grandma, who would wrap her arms around the whole world if she could, Mama says. And one night, Suhaila gets her wish when a golden ladder appears at her window, and Grandma Annie invites the girl to come along with her on a magical journey. In a rich and deeply personal narrative, Maya Soetoro-Ng draws inspiration from her mother’s love for family, her empathy for others, and her ethic of service to imagine this remarkable meeting. Evoking fantasy and folklore, the story touches on events that have affected people across the world in our time and reaffirms our common humanity. Yuyi Morales’s breathtaking artwork illuminates the dreamlike tale, reminding us that loved ones lost are always with us, and that sometimes we need only look at the moon and remember.
Before Stella's father comes in to tell her a bedtime story, Stella takes a little trip in a spaceship.
Renowned artist and architect Maya Lin's visual and verbal sketchbook—a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.
A personal exploration of the conjunction between ancient Mesoamerican prophesy and New Age higher consciousness. • Selected by the Independent Publisher's Book Awards as one of the top two New Age books of the year. • Explores ancient prophesies and their relevance in the contemporary world. The Incan and Mayan cultures saw themselves as “children of light”--descended from celestial realms--and their prophecies foretell a time of great spiritual awakening. They prophesied a time when the gateways to higher consciousness would open once again. That time is now. Award-winning author Judith Bluestone Polich draws on her extensive research in quantum physics, archeoastronomy, holography, cosmology, and pioneering studies of human consciousness to show how science and contemporary thought are consistent with this ancient knowledge. As the ancients predicted, the human god-seed is beginning to awaken, and modern civilization is finally beginning to perceive human potential in ways that the ancient cultures accepted as truth. Polich introduces techniques for awakening our own human potential through dreaming, meditations, and the power of sacred sites.
Mayas, and indeed all Guatemalans, are currently experiencing the collapse of their way of life. This collapse is disrupting ideologies, symbols, life practices, and social structures that have undergirded their society for almost five hundred years, and it is causing rapid and massive religious transformation among the K’iche’ Maya living in highland western Guatemala. Many Maya are converting to Christian Pentecostal faiths in which adherents and leaders become bodily agitated during worship. Drawing on over fifty years of research and data collected by field-school students, Hawkins argues that two factors—cultural collapse and systematic social and economic exclusion—explain the recent religious transformation of Maya Guatemala and the style and emotional intensity through which that transformation is expressed. Guatemala serves as a window on religious change around the world, and Hawkins examines the rapid pentecostalization of Christianity not only within Guatemala but also throughout the global South. The “pentecostal wail,” as he describes it, is ultimately an acknowledgment of the angst and insecurity of contemporary Maya.
Provides a framework and an example for studying diverse cultures in a respectful manner, using the thematic focus of corn to examine the Haudenosaunee (Iroquois) culture.