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Mass Observation was founded by Tom Harrisson, Charles Madge and Humphrey Jennings in 1937. Its purpose was to create 'an anthropology of ourselves' in other words, to study the everyday lives of ordinary people in Britain. Discounting an initial pamphlet, this was the first book to be published. It appears in Faber Finds as a part of an extensive reissue programme of the original Mass Observation titles. May the Twelfth is a portrait of life on a single day, the day of the Coronation of George V1 in 1937. Compiled from the individual reports of hundreds of people, the Mass Observers, from all walks of life, it vividly recreates the atmosphere and excitement of a great national occasion. When first published it received a long review from Evelyn Waugh in the short-lived Night and Day. One might have imagined it wouldn't have been to his taste but he was won round. Having congratulated Faber on the price of 12s 6d he goes on to say, '. . . it would be hard to find any recent work of the same length which had so little that was dull and so much that was highly amusing.' He especially praises the London section, 'The succeeding section on London's May 12 could scarcely be better. It provides a real documentary survey of the event as seen by the crowds.'
The image of Coventry in flames was one of the most haunting of the Second World War. Yet the excitement and optimism of the 1950s and 1960s were succeeded by a quarter century of urban blight and economic slump. The collapse of manufacturing industry - machine tools, aeroplanes, cars - left a proud community adrift and demoralised. Today a revitalised twenty-first century city, Coventry has embraced the new millennium and evolved from bleak post-industrial desert to vibrant cultural oasis, in the process rediscovering a sense of purpose and a vision for the future. "The City of Coventry" tells the story of an experiment in social democracy carried out by a Labour-controlled council which envisaged the bomb shattered city as a model of urban regeneration and imaginative planning. Post-war reconstruction could be a striking success, as in the pedestrian-friendly Precinct and the bold new cathedral, or a notable failure as in the ever more intrusive ring roads and grim high-rise flats. In offering a fresh perspective on the city, this innovative volume of essays rediscovers Coventry as an inspiration for poets and painters such as Philip Larkin and Terry Frost, musicians as varied as Benjamin Britten and The Specials, and film-makers such as Humphrey Jennings, whose "Heart of Britain" was shot in the immediate aftermath of the Blitz. Adrian Smith skilfully mixes memoir, family history and meticulous scholarship to paint a complete and incisive portrait of Coventry. Drawing on new research into topics as diverse as the place of Surrealism in West Midlands culture and the shadowy presence of rugby league in a union bastion, Smith brings a unique insight into the recent history of his native city. Attractively presented, highly readable and with broad appeal, "The City of Coventry" is a lively re-examination of an iconic city of the twentieth century illuminating the profound changes that engulfed industrial England during and after the Second World War.
Love & War in London is rooted in the extraordinary milieu of wartime London. Vibrant and engaging, Olivia Cockett's diary reveals her frustrations, fears, pleasures and self-doubts. She recorded her mood swings and tried to understand them, and wrote of her lover (a married man) and the intense relationship they had. As she and her friends and family in New Scotland Yard were swept up by the momentous events of another European war, she vividly reported on what she saw and heard in her daily life. Hers is a diary that brings together the personal and the public. It permits us to understand how one intelligent, imaginative woman struggled to make sense of her life, as the city in which she lived was drawn into the turmoil of a catastrophic war.
We Europeans is the first book-length study of the original mass observation project. It is also the first detailed historical study of the formation of ordinary people's 'racial' attitudes in Britain. Drawing upon historical, literary, cultural and anthropological approaches, this book examines the sources of cultural identity in Britain in the twentieth century, and how these were shaped through the influences of family, education, and everyday 'high' and 'low' culture. The examination focuses on the archives of the British social-anthropological organization Mass-Observation, and is the first detailed history of it to be published. Founded in the 1930s by poets, psychoanalysts, surrealists, and sociologists, among others, the purpose of the organization was to create an anthropology of the British people by the 'natives' themselves, through the use of diaries, directives and special surveys. The organization was active from 1937 to 1951, then revived in the 1980s, when a new group of Mass-Observers were recruited to keep diaries and respond to directives. Both the historical archive of Mass-Observation and the more recent material provide fascinating insight into the everyday lives and formation of identities of ordinary people in Britain. Kushner places the material from these archives in the context of other contemporary writings; through them he explores grassroots identities in Britain in relation to the outside world, especially Europe but also the former Empire and the USA. This study will be of interest to scholars of sociology, cultural studies, literary studies and history who are particularly interested in 'race', race relations, immigration and cultural difference.
Ethnography is one of the chief research methods in sociology, anthropology and other cognate disciplines in the social sciences. This handbook provides an unparalleled, critical guide to its principles and practice. It is a one-stop critical guide to the past, present and future.