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All her life, May Sarton carried on a voluminous private correspondence with family, friends, and lovers. Early childhood into middle age covers topics of theater, study, travel, teaching, and the anguish as World War II approaches. Later joys of flowers, affection for animals, and illustrious acquaintances and intimates both here and abroad are shown.
The modern American author describes everyday experiences and conveys her feelings of frustration and anger over her attempts to write in solitude.
Includes the page proofs of her novel.
"The plot of this short novel is deceptively simple, the mood subtle, the feeling intense. And the music of Miss Sarton's prose leaves compelling echoes in one's mind." --New York Times Book Review
The poet-novelist describes her daily life in a graceful, eighteenth-century New Hampshire cottage.
Drawing on sixteenth- to twenty-first-century American, British, French, German, Polish, Norwegian and Russian literature and philosophy, this collection teases out culturally specific conceptions of old age as well as subjective constructions of late-life identity and selfhood. The internationally known humanistic gerontologist Jan Baars, the prominent historian of old age David Troyansky and the distinguished cultural historian and pioneer in the field of literature and science George Rousseau join a team of literary historians who trace out the interfaces between their chosen texts and the respective periods’ medical and gerontological knowledge. The chapters’ in-depth analyses of major and less-known works demonstrate the rich potential of fiction, poetry and autobiographical writing in the construction of a cultural history of senescence. These literary examples not only bear witness to longue durée representations of old age, and epochal transitions regarding cultural attitudes to the aged; they also foreground the subjectivities that produced some of these representations and that continue to communicate with readers of other times and places. By casting a net over a variety of authors, genres, periods and languages, the collection gives a broad sense of how literature is among the richest and most engaging sources for historicizing the ageing self.
In this pioneering volume, Peter L. Rudnytsky and Rita Charon bring together distinguished contributors from medicine, psychoanalysis, and literature to explore the multiple intersections between their respective fields and the emerging discipline of narrative medicine, which seeks to introduce the values and methods of literary study into clinical education and practice. Organized into four sections—contextualizing narrative medicine, psychoanalytic interventions, the patient's voice, and acts of reading—the essays take the reader into the emergency room, the consulting room, and the classroom. They range from the panoramas of intellectual history to the close-ups of literary and clinical analysis, and they speak with the voice of the patient as well as the physician or professor, reminding us that these are often the same.
Presents a biographical dictionary profiling important women authors, including birth and death dates, accomplishments and bibliography of each author's work.
Du Bois studied with Franz Boas, a founder of American anthropology, and with some of his most eminent students: Ruth Benedict and Alfred Kroeber. During World War II, she served as a high-ranking officer for the Office of Strategic Services as the only woman to head one of the OSS branches of intelligence, Research and Analysis in Southeast Asia. After the war she joined the State Department as chief of the Southeast Asia Branch of the Division of Research for the Far East. She was also the first female full professor appointed at Harvard University and became president of the American Anthropological Association. Du Bois worked to keep her public and private lives separate, especially while facing the FBI's harassment as an opponent of U.S. engagements in Vietnam and as a "liberal" lesbian during the McCarthy era.
"While representing the best of human endeavor, works of art have become ordinary features of our lives, familiar and reliably present," writes Richard Teleky. "They are, however, extraordinary. So extraordinary, in fact, that in themselves they are a kind of paradise." In Ordinary Paradise, acclaimed author, critic and editor Richard Teleky considers a variety of artistic forms—from novels and poems to paintings and sculptures to movies and musical compositions—in celebration of the creative achievements that surround us and affect our daily lives. He examines, as well, some of the challenges and tensions in any artist’s life. The essays in Ordinary Paradise challenge conventional wisdom and exemplify a dynamic and lively critical approach, pointing out troubling trends in contemporary appreciation of art and culture. They reveal the rewarding complexities of the demanding art of translation, the nostalgic power of re-reading in provoking self-assessment, and the fraught connection between language, silence and identity as they relate to marginalized voices. Teleky immerses himself into ideas of truth, beauty and humanity, and in so doing, provides a compelling exemplar for engaging with contemporary culture and learning the innumerable lessons that artistic accomplishments have to teach us.