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“Inside this mesmerizing tale of sexual desire and discovery, naive newlyweds Henry and Effie are honeymooning in Cape May, N.J., in 1957, tentatively navigating intimacy. Then they meet Clara and Max, hard-partying lovers who dazzle the innocent pair until they’ve lost more than their virginity. Cheek’s sensual first novel leaves you wanting more.” – PEOPLE "Henry and Effie’s honeymoon is meant to be their introduction to the pleasures of the body, but in the company of Clara and her promiscuous cohort they lose all track of boundaries. A dozy, luxurious sense of enchantment comes over the story, until the rude awakening at its finale.... Cape May does something better than critique or satirize: It seduces." – The Wall Street Journal A mesmerizing debut novel by Chip Cheek, Cape May explores the social and sexual mores of 1950s America through the eyes of a newly married couple from the genteel south corrupted by sophisticated New England urbanites. Late September 1957. Henry and Effie, very young newlyweds from Georgia, arrive in Cape May, New Jersey, for their honeymoon only to find the town is deserted. Feeling shy of each other and isolated, they decide to cut the trip short. But before they leave, they meet a glamorous set of people who sweep them up into their drama. Clara, a beautiful socialite who feels her youth slipping away; Max, a wealthy playboy and Clara’s lover; and Alma, Max’s aloof and mysterious half-sister, to whom Henry is irresistibly drawn. The empty beach town becomes their playground, and as they sneak into abandoned summer homes, go sailing, walk naked under the stars, make love, and drink a great deal of gin, Henry and Effie slip from innocence into betrayal, with irrevocable consequences. Erotic and moving, this is a novel about marriage, love and sexuality, and the lifelong repercussions that meeting a group of debauched cosmopolitans has on a new marriage.
“An absorbing, generous, ravishing book by a high priestess of you-have-to-read-this prose." —Cheryl Strayed, author of Wild Pam Houston, an "early master of the art of rendering fiercely independent, brilliant women in love with the wrong men" (Sarah Norris, Barnes & Noble Review), delivers a novel that whisks us from one breathtaking precipice to the next. Along the way, we unravel the story of Pam (a character not unlike the author), a fearless traveler aiming to leave her metaphorical baggage behind as she seeks a comfort zone in the air. With the help of a loyal cast of friends, body workers, and a new partner who helps her to be at home, she finally finds something like ground under her feet.
When a failed wheat crop nearly bankrupts the Betterly family, Pa pulls twelve-year-old May, who suffers from dyslexia, from school and hires her out to a couple new to the Kansas frontier.
NATIONAL BESTSELLER “A finely paced, shrewdly observed, multi-tiered story . . . A thinking (and feeling) reader’s thriller.” –Wall Street Journal "Chilling, thought-provoking, and hauntingly written, Mother May I kept me on the edge of my seat with its breathless race against time." — Megan Miranda, New York Times bestselling author of The Girl from Widow Hills Recommended by Buzzfeed • Parade • Country Living • Atlanta Journal-Constitution • Augusta Chronicle • The Nerd Daily • She Reads • BookBub • and more! The New York Times bestselling author of the critically acclaimed Never Have I Ever returns with an even more addictive novel of domestic suspense in which a mother must decide how far she is willing to go to protect her child and the life she loves—an unforgettable tale of power, privilege, lies, revenge, and the choices we make, ones that transform our lives in unforeseen ways. Revenge doesn’t wait for permission. Growing up poor in rural Georgia, Bree Cabbat was warned that the world was a dark and scary place. Bree rejected that fearful outlook, and life has proved her right. Having married into a family with wealth, power, and connections, Bree now has all a woman could ever dream of. Until the day she awakens and sees someone peering into her bedroom window—an old gray-haired woman dressed all in black who vanishes as quickly as she appears. It must be a play of the early morning light or the remnant of a waking dream, Bree tells herself, shaking off the bad feeling that overcomes her. Later that day though, she spies the old woman again, in the parking lot of her daughters’ private school . . . just minutes before Bree’s infant son, asleep in his car seat only a few feet away, vanishes. It happened so quickly—Bree looked away only for a second. There is a note left in his place, warning her that she is being watched; if she wants her baby back, she must not call the police or deviate in any way from the instructions that will follow. The mysterious woman makes contact, and Bree learns she, too, is a mother. Why would another mother do this? What does she want? And why has she targeted Bree? Of course Bree will pay anything, do anything. It’s her child. To get her baby back, Bree must complete one small—but critical—task. It seems harmless enough, but her action comes with a devastating price. Bree will do whatever it takes to protect her family—but what if the cost tears their world apart?
“The bitingly hilarious, heartfelt This May End Badly takes your favorite fake dating trope and adds plenty of downright delightful shenanigans that’ll have readers tearing through the pages.”—Emma Lord, New York Times bestselling author of You Have a Match Pranking mastermind Doe and her motley band of Weston girls are determined to win the century-long war against Winfield Academy before the clock ticks down on their senior year. But when their headmistress announces that The Weston School will merge with its rival the following year, their longtime feud spirals into chaos. To protect the school that has been her safe haven since her parents’ divorce, Doe puts together a plan to prove once and for all that Winfield boys and Weston girls just don’t mix, starting with a direct hit at Three, Winfield’s boy king and her nemesis. In a desperate move to win, Doe strikes a bargain with Three’s cousin, Wells: If he fake dates her to get under Three’s skin, she’ll help him get back his rightful family heirloom from Three. As the pranks escalate, so do her feelings for her fake boyfriend, and Doe spins lie after lie to keep up her end of the deal. But when a teacher long suspected of inappropriate behavior messes with a younger Weston girl, Doe has to decide what’s more important: winning a rivalry, or joining forces to protect something far more critical than a prank war legacy. This May End Badly is a story about friendship, falling in love, and crossing pretty much every line presented to you—and how to atone when you do.
Includes the page proofs of her novel.
Lonely and shy, ten-year-old May Ellen Bird has no idea what awaits her when she falls into the lake and enters The Ever After, home of ghosts and the Bogey Man.
This third and final installment of Andersons Ever After saga delivers even more of the sly hilarity and horror, original touches, and poignant moments that earned starred reviews for the first two novels of the trilogy.
Marilyn Stasio in The New York Times raved: "Peter May is a writer I'd follow to the ends of the earth." Now Peter May takes us to a small island off the coast of Québec with an emotionally charged new mystery. When a murder rocks the isolated community of Entry Island, insomniac homicide detective Sime Mackenzie boards a light aircraft at St. Hubert airfield bound for the small, scattered chain of Madeline Islands, in the Gulf of St. Lawrence, as part of an eight-officer investigation team from Montréal. Only two kilometers wide and three long, Entry Island is home to a population of just more than 100 inhabitants, the wealthiest of whom has just been discovered murdered in his home. Covered in her husband's blood, the dead man's melancholy wife spins a tale for the police about a masked intruder armed with a knife. The investigation appears to be little more than a formality--the evidence points to a crime of passion, implicating the wife. But Sime is electrified by the widow during his interview, convinced that he has met her before, even though this is clearly impossible. Haunted by this strange certainty, Sime's insomnia is punctuated by vivid, hallucinatory dreams of a distant past on a Scottish island 3,000 miles away, dreams in which he and the widow play leading roles. Sime's conviction soon becomes an obsession. And despite mounting evidence of the woman's guilt, he finds himself convinced of her innocence, leading to a conflict between the professional duty he must fulfill and the personal destiny he is increasingly sure awaits him.