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People tell a lot of outrageous stories about Florida's Ellen Morphonios--most of them true. Known for being tough on crime, she gives long sentences to criminals--in one instance, 1,698 years behind bars--especially if they've hurt children or pets. She has had her own radio talk show and has been seen nationally on 60 Minutes, and now she hands down her gutsy memoir. Photographs.
Now on Netflix, #5 most watched movie on the site in its first week: Speed Kills, the movie adaptation, screen-credited as based on the book Speed Kills, by Arthur J. Harris John Travolta plays Ben Aronoff, a fictionalized Don Aronow. Everybody liked and loved Don Aronow. He was powerboating's favorite, best-known, and most flamboyant racer and boat builder, the brilliant creator and designer of the famous Cigarette go-fast boats that broke speed records on the water. In everything he did, he consistently pushed the limits, always at full throttle, testing himself. In ocean races, in the worst of conditions, he was at his best. A competitor described him: "We'd be taking a terrible pounding and I'd be almost beaten down to my knees when Don would come alongside and grin from ear to ear, then take off. God, he was so demoralizing." That was what won him two world championships. It also carried over to his reputation of being not only a ladies' man, but whose girlfriends were often married. Don was the living sales pitch for his boats - he sold magic. For the price, you could be more than you could ever imagine yourself as. You could be Don Aronow. Who bought from him? Well-off businessmen in middle age crisis - and the CIA and the Israeli Mossad - kings, presidents-for-life - and George Bush. If you're thinking James Bond, so was he - he named one of his winning boats 007. He was also Miami incarnate - everything great and dark and impenetrable and fascinating about the place. He was Bond - except he played on both sides of the law. You probably never would have known about Cigarettes had dope smugglers not preferred them. Nobody could catch them in them. Then came the Reagan-era Drug War, and Bush got Don a high-publicity federal contract to build patrol boats that were faster than those he'd sold to the smugglers. They were named Blue Thunder. The Miami Herald wrote: The man who designed the roaring Cigarette speedboats, favorite vehicle of oceangoing drug smugglers, has built a better boat, one that will snuff the Cigarettes. Watch out dopers. A crack of Blue Thunder, faster than a shiver, stable as a platform, is about to become the state of the salt-watery art on the side of the law. What did the smugglers think? Because then Don quietly and bizarrely sold his company with the contract to the biggest pot smuggler on the East Coast, Ben Kramer. It was a quintessential Miami moment - maybe the Miami moment of all time. Why did he do that? At the time, the public didn't know what he did. Years later, NBC News broke the story. Said Tom Brokaw: By the time drug agents on the trail put it all together, the Kramers and the government were already partners. That's right, the boats the Customs Service uses to catch drug smugglers were built for Customs by convicted drug dealers who used laundered drug money to buy the boat company. And you thought you'd heard everything. Actually, the feds had found out and made Aronow undo the sale. But a year later a grand jury was poised to indict Kramer, and subpoenaed Don to testify. The day before he would have, he was murdered in broad daylight. Nobody saw the shots - but they heard them, and then the high-pitched whine of his shiny white Mercedes sports coupe, the gas pedal floored by his dead foot - full throttle. And they saw the shooter's black Lincoln Town Car get away. Somebody was afraid of what he was going to say. The cops concluded it was Kramer - and everyone who thought that was right. But actually, Kramer seemed the least affected by what Don probably would have testified to - and his absence didn't stop two grand juries from indicting Kramer, and two trial juries from convicting him. Were the waters deeper than that?
From Scarface to Miami Vice, Hollywood has created indelible images of Miamis criminal underworld. Yet beyond the lurid depictions exists a fascinating history of dramatic true-life crimestales of vigilante justice, family tragedies, politically motivated homicides and rampageous cross-country killers. And of course, the inevitable stories of celebrities behaving badlyas when Jim Morrison allegedly exposed himself during a 1969 Doors concertalong with accounts of celebrity murders, such as the shocking 1997 slaying of fashion designer Gianni Versace. Edgy and compulsively readable, Miamis Criminal Past presents the dark acts that have marred Floridas most alluring metropolis.
SPEED KILLS: He built the fastest boats -- for royalty, the rich, spies, smugglers, Feds and a former U.S. President. Then came six shots. THE UNSOLVED MURDER OF ADAM WALSH BOOK 1: It was the crime of the decade -- and the perpetrator may have been the most notorious serial killer in history BOOK 2: 30 years after he was reported as dead, could the Walshes' little boy, Adam, actually be alive?
The life and times of High Times’ enigmatic founder Thomas King Forçade, an underground newspaper editor and marijuana kingpin who—between police raids, smuggling runs, and outrageous stunts—battled both the US government and fellow radicals. Cover illustration by legendary comics artist Bill Sienkiewicz. At the end of the 1960s, the mysterious Tom Forçade suddenly appeared, insinuating himself into the top echelons of countercultural politics and assuming control of the Underground Press Syndicate, a coalition of newspapers across the country. Weathering government surveillance and harassment, he embarked on a landmark court battle to obtain White House press credentials. But his audacious exploits—pieing Congressional panelists, stealing presidential portraits, and picking fights with other activists—led to accusations that he was an agent provocateur. As the era of protest faded and the dark shadows of Watergate spread, Forçade hoped that marijuana could be the path to cultural and economic revolution. Bankrolled by drug-dealing profits, High Times would be the Playboy of pot, dragging a once-taboo subject into the mainstream. The magazine was a travelogue of globe-trotting adventure, a wellspring of news about “the business,” and an overnight success. But High Times soon threatened to become nothing more than the “hip capitalism” Forçade had railed against for so long, and he felt his enemies closing in. Assembled from exclusive interviews, archived correspondences, and declassified documents, Agents of Chaos is a tale of attacks on journalism, disinformation campaigns, governmental secrecy, corporatism, and political factionalism. Its triumphs and tragedies mirror the cultural transformations of 1970s America, wrought by forces that continue to clash in the spaces between activism and power.
In the tradition of The Wire, the harrowing story of the cinematic transformation of Miami, one of America’s most bustling cities—rife with a drug epidemic, a burgeoning refugee crisis, and police brutality—from journalist and award-winning author Nicholas Griffin Miami, Florida, famed for its blue skies and sandy beaches, is one of the world’s most popular vacation destinations, with nearly twenty-three million tourists visiting annually. But few people have any idea how this unofficial capital of Latin America came to be. The Year of Dangerous Days is a fascinating chronicle of a pivotal but forgotten year in American history. With a cast that includes iconic characters such as Jimmy Carter, Fidel Castro, and Janet Reno, this slice of history is brought to life through intertwining personal stories. At the core, there’s Edna Buchanan, a reporter for the Miami Herald who breaks the story on the wrongful murder of a black man and the shocking police cover-up; Captain Marshall Frank, the hardboiled homicide detective tasked with investigating the murder; and Mayor Maurice Ferré, the charismatic politician who watches the case, and the city, fall apart. On a roller coaster of national politics and international diplomacy, these three figures cross paths as their city explodes in one of the worst race riots in American history as more than 120,000 Cuban refugees land south of Miami, and as drug cartels flood the city with cocaine and infiltrate all levels of law enforcement. In a battle of wills, Buchanan has to keep up with the 150 percent murder rate increase; Captain Frank has to scrub and rebuild his homicide bureau; and Mayor Ferré must find a way to reconstruct his smoldering city. Against all odds, they persevere, and a stronger, more vibrant Miami begins to emerge. But the foundation of this new Miami—partially built on corruption and drug money—will have severe ramifications for the rest of the country. Deeply researched and covering many timely issues including police brutality, immigration, and the drug crisis, The Year of Dangerous Days is both a clarion call and a re-creation story of one of America’s most iconic cities.
Most of the studies that discuss offender rehabilitation focus on the debate over whether prison-based education programs work, ignoring the important issues that these programs undertake. Using a critical approach, Offender Rehabilitation Issues: Critical Lessons for Criminology, Criminal Justice, and Public Policy fills the gap by highlighting the offender rehabilitation programs that continue to divide scholars, policy makers, correctional practitioners, students, and the public. This book demonstrates and reaffirms that offender rehabilitation programs and recidivism rates are important and critical social issues that do not exist in a vacuum, are complex interacting social processes and issues with broader social, economic, legal, and political environmental forces and pressures.
True stories of crime in Miami by the Pulitzer Prize–winning author of The Corpse Had a Familiar Face. Set against the neon backdrop of the South Florida city where Miami Herald reporter Edna Buchanan covered the police beat for nearly two decades, this memoir collects true tales of both heroes and villains—from the heartbreaking to the heartwarming to the outright hilarious. “A flurry of cases—of criminal Christmases, historic crimes, homicidal love, cop heroes, rescuers, odd occurrences (such as that of the barbiturate-soaked gunman who took 26 direct hits from cops’ guns and kept shooting until a 27th round took him down) . . . a generous bonanza for crime buffs, presented by one of the sharpest writers in the field.” —Kirkus Reviews
Jump into the wacky, wild world of Florida For more than 30 years, investigative journalist and New York Times bestselling author Craig Pittman has chronicled the wildest stories Florida has to offer. Featuring a selection of columns that have appeared in the Tampa Bay Times and other outlets throughout Pittman’s career, this book highlights just how strange and wonderful Florida can be. With a folksy style, an eye for the absurd, and a passion for the history and environment of his home state, Pittman describes some of Florida’s oddest wildlife as well as its quirkiest people. The State You’re In includes a love story involving the most tattooed woman in the world, a deep dive into the state’s professional mermaid industry, and an investigation of a battle between residents of a nudist resort and the U.S. Postal Service. Pittman introduces readers to a who’s who of Florida crime fiction, a what’s what of exotic animals, and an array of beloved places he’s seen change rapidly in his lifetime. Many of these stories are funny, some are serious, and several offer rare insights into the heart of the Sunshine State. For Pittman, Florida is both inspiring and dangerous—an “evolutionary test” for those who live in it. Together these pieces paint a complex picture of a fascinating state longing for an identity beyond palm trees and punchlines.