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A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs, following the life of a bar dancer raised amid poverty and abuse, opening the door into the inner sanctums of Bollywood, and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks. As each individual story unfolds, Mehta also recounts his own efforts to make a home in Bombay after more than twenty years abroad. Candid, impassioned, funny, and heartrending, Maximum City is a revelation of an ancient and ever-changing world.
An impassioned defence of global immigration from the acclaimed author of Maximum City. Drawing on his family’s own experience emigrating from India to Britain and America, and years of reporting around the world, Suketu Mehta subjects the worldwide anti-immigrant backlash to withering scrutiny. The West, he argues, is being destroyed not by immigrants but by the fear of immigrants. He juxtaposes the phony narratives of populist ideologues with the ordinary heroism of labourers, nannies and others, from Dubai to New York, and explains why more people are on the move today than ever before. As civil strife and climate change reshape large parts of the planet, it is little surprise that borders have become so porous. This Land is Our Land also stresses the destructive legacies of colonialism and global inequality on large swathes of the world. When today’s immigrants are asked, ‘Why are you here?’, they can justly respond, ‘We are here because you were there.’ And now that they are here, as Mehta demonstrates, immigrants bring great benefits, enabling countries and communities to flourish. Impassioned, rigorous, and richly stocked with memorable stories and characters, This Land Is Our Land is a timely and necessary intervention, and literary polemic of the highest order.
Escalations in student violence continue throughout the nation, but inner-city schools are the hardest hit, with classrooms and corridors infected by the anger, aggression, and criminality endemic to street life. Technological surveillance, security personnel, and paramilitary control tactics to maintain order and safety are the common administrative response. Essential educational programs are routinely slashed from school budgets, even as the number of guards, cameras, and metal detectors continues to multiply. Based on years of frontline experience in New York's inner-city schools, Maximum Security demonstrates that such policing strategies are not only ineffectual, they divorce students and teachers from their ethical and behavioral responsibilities. Exploring the culture of violence from within, John Devine argues that the security system, with its uniformed officers and invasive high-tech surveillance, has assumed presumptive authority over students' bodies and behavior, negating the traditional roles of teachers as guardians and agents of moral instruction. The teacher is reduced to an information bureaucrat, a purveyor of technical knowledge, while the student's physical well-being and ethical actions are left to the suspect scrutiny of electronic devices and security specialists with no pedagogical mission, training, or interest. The result is not a security system at all, but an insidious institutional disengagement from the caring supervision of the student body. With uncompromising honesty, Devine provides a powerful portrayal of an educational system in crisis and bold new insight into the malignant culture of school violence.
Every year, U.S. casinos give away more than a billion dollars worth of amenities to customers in return for their gambling action. These giveaways, known as "comps" (short for complimentaries), range from parking and drinks to gourmet meals and airfare. Are you getting your share? From nickel slot players to $500 a hand blackjack high rollers, Comp City has shown tens of thousands of gamblers how to get free casino vacations.
Hawk, the daughter of Maximum Ride, teams with her mother up to help save their beloved but dangerous city in this action-packed thriller. For Hawk, being a hero weighs heavily on her wings. In the City of the Dead, life happens in the shadows. That's why a war is brewing against an enemy no one can see. Hawk and Maximum Ride never back down from a conflict, or from each other, and they argue more than they agree. But as the dead begin to outnumber the living, a mother's experience and a daughter's instinct can make for one powerful arsenal.
When King Charles Ii Of England Married Princess Catherine De Braganza Of Portugal In 1661, He Received As Part Of His Dowry The Isles Of Bom Bahia, The Good Bay. Reclaimed From The Sea, These Would Become The Modern City Of Bombay. A Marriage Of Affluence And Abject Poverty, Where A Grey Concrete Jungle Is The Backdrop To A Heady Potpourri Of Ethnic, Linguistic And Religious Subcultures, Bombay, Renamed Mumbai After The Goddess Mumbadevi, Defies Definition. Bombay, Meri Jaan, Comprising Poems And Prose Pieces By Some Of The Biggest Names In Literature, In Addition To Cartoons, Photographs, A Song And A Bombay Duck Recipe, Tries To Capture The Spirit Of This Great Metropolis. Salman Rushdie, Pico Iyer, Dilip Chitre, Saadat Hasan Manto, V.S. Naipaul, Khushwant Singh And Busybee, Among Others, Write About Aspects Of The City: The High-Rise Apartments And The Slums; Camaraderie And Isolation In The Crowded Chawls; Bhelpuri On The Beach And Cricket In The Gully; The Women'S Compartment Of A Local Train; Encounter Cops Who Battle The Underworld; The Jazz Culture Of The Sixties; The Monsoon Floods; The Shiv Sena; The Cinema Halls; The Sea. Vibrant, Engaging And Provocative, This Is An Anthology As Rich And Varied As The City It Celebrates.
The definitive oral history—with a foreword by Lou Reed—of the center of New York’s 1960s and ’70s underground culture. From its opening in December 1965 on Park Avenue South, Max’s Kansas City, a hybrid restaurant, bar, nightclub, and art gallery, was the boisterous meeting spot for famous—or soon-to-be-famous—figures in New York’s underground art, music, literary, film, and fashion scenes. Max’s regulars included Andy Warhol (and his superstars such as Viva, Ultra Violet, Edie Sedgwick, Gerard Malanga, Holly Woodlawn, and Candy Darling), Mick Jagger, Lou Reed, Patti Smith, Allen Ginsberg, William Burroughs, David Bowie, Iggy Pop, Bob Dylan, Jane Fonda, and dozens more. A hotbed of drugs, sex, and creative collaboration, Max’s was the place to see and be seen among the city’s cultural elite for nearly two decades. With reminiscences from the likes of Alice Cooper, Bebe Buell, Betsey Johnson, Leee Black Childers, Holly Woodlawn, and John Chamberlain, along with Max’s owner Mickey Ruskin and several waitresses and bartenders, this vivid oral history evokes an unforgettable place where a spontaneous striptease, a brawl over the meaning of art, and an early performance by the Velvet Underground were all possibilities on any given night. High on Rebellion dazzles with rare photos and other Max’s memorabilia, and firsthand accounts of legendary nights, chance encounters, romances sparked and extinguished, and stars being born.
Cities around the world are striving to be 'global'. This book tells the story of one of them, and in so doing raises questions of identity, place and political responsibility that are essential for all cities. World City focuses its account on London, one of the greatest of these global cities. London is a city of delight and of creativity. It also presides over a country increasingly divided between North and South and over a neo-liberal form of globalisation - the deregulation, financialisation and commercialisation of all aspects of life - that is resulting in an evermore unequal world. World City explores how we can understand this complex narrative and asks a question that should be asked of any city: what does this place stand for? Following the implosion within the financial sector, such issues are even more vital. In a new Preface, Doreen Massey addresses these changed times. She argues that, whatever happens, the evidence of this book is that we must not go back to 'business as usual', and she asks whether the financial crisis might open up a space for a deeper rethinking of both our economy and our society.
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
When the rapes and murders of three minor girls remain unsolved for months, a frustrated DCP Sawant calls in Police Inspector Waghmare. Renowned as Mumbai police's 'investigation machine', Waghmare is rumoured to solve crimes in his dreams. As the investigation progresses and every promising lead runs into a dead-end, Waghmare gets an uncanny feeling that the killer is watching them closely and anticipating their every move to toy with them. Then, when the body of a fourth girl is found, Waghmare and DCP Sawant are both saddled with doubts about Waghmare's fabled investigation skills. Told from the perspective of rookie crime reporter, Rohan, In Plain Sight is a police procedural set in the terrifyingly surreal world of crime and retribution inhabited by the Mumbai police.