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Maximilian Harden, editor of the magazine Die :(,ukunft (The Future), which appeared weekly from 1892 until 1922, was Wilhelminian Germany's greatest publicist. Bismarck and Clemenceau as well as Max Reinhardt and Pirandello recognized his political and literary genius. Thomas Mann sent early works to him with the inscription: "To the hero and savior";1 and when Paul Valery learned that Harden had attended one of his lectures, he wrote that there was "nothing more flattering and. . . intimi dating than to know that you were among those who had listened to me. "2 Today Harden is misunderstood, if not forgotten. It is known that he was an actor who turned to journalism and became famous as a champion of the retired Bismarck. He was the most persistent and daring critic of Kaiser Wilhelm II. He befriended Friedrich von Holstein, the disgraced "evil genius" of the Foreign Office. He entered the First World War a flaming patriot, but later became the voice of the "good German. " He vainly aspired to a post of high responsibility under the Weimar Repub lic; and he died in 1927, allegedly a bitter, misanthropic radical. His name is associated with the homosexual scandals of 1907-1909, which were the result of his public campaign against Prince Eulenburg, the Kaiser's close friend and advisor. More than anything else, the Eulenburg affair has obscured Harden's accomplishments as the master critic and guide to a generation of German intellectuals and politicians.
Maximilian Harden, editor of the magazine Die :(,ukunft (The Future), which appeared weekly from 1892 until 1922, was Wilhelminian Germany's greatest publicist. Bismarck and Clemenceau as well as Max Reinhardt and Pirandello recognized his political and literary genius. Thomas Mann sent early works to him with the inscription: 'To the hero and savior';1 and when Paul Valery learned that Harden had attended one of his lectures, he wrote that there was 'nothing more flattering and. . . intimi­ dating than to know that you were among those who had listened to me. '2 Today Harden is misunderstood, if not forgotten. It is known that he was an actor who turned to journalism and became famous as a champion of the retired Bismarck. He was the most persistent and daring critic of Kaiser Wilhelm II. He befriended Friedrich von Holstein, the disgraced 'evil genius' of the Foreign Office. He entered the First World War a flaming patriot, but later became the voice of the 'good German. ' He vainly aspired to a post of high responsibility under the Weimar Repub­ lic; and he died in 1927, allegedly a bitter, misanthropic radical. His name is associated with the homosexual scandals of 1907-1909, which were the result of his public campaign against Prince Eulenburg, the Kaiser's close friend and advisor. More than anything else, the Eulenburg affair has obscured Harden's accomplishments as the master critic and guide to a generation of German intellectuals and politicians.
During the past four decades, the international lesbian, gay, bisexual, and transgender rights movement has made significant advances, but millions of LGBT people continue to live in fear in nations where homosexuality remains illegal. The International LGBT Rights Movement offers a comprehensive account of this global force, from its origins in the mid-nineteenth century to its crucial place in world affairs today. Belmonte examines the movement's goals, the disputes about its mission, and its rise to international importance. The International LGBT Rights Movement provides a thorough introduction to the movement's history, highlighting key figures, controversies, and organizations. With a global scope that considers both state and non-state actors, the book explores transnational movements to challenge homophobia, while also assessing the successes and failures of these efforts along the way.
This massive collection includes all important letters, speeches, interviews, press conferences, and public papers on Woodrow Wilson. The volumes make available as never before the materials essential to understanding Wilson's personality, his intellectual, religious, and political development, and his careers as educator, writer, orator, and statesman. The Papers not only reveal the private and public man, but also the era in which he lived, making the series additionally valuable to scholars in various fields of history between the 1870's and the 1920's. -- Publisher.
Vols. for 1970-1973 include: American Society of International Law. Meeting. Proceedings, 64th-67th, previously published separately; with the 68th, resumed being publihsed separately.
The historical novel is a genre which has enjoyed widespread popularity in Germany from its beginnings in the eighteenth century. At that time, increased literacy among the middle and lower classes had resulted in a greater demand for reading material aimed at a general audience. Because of its educational and entertaining characteristics, the historical novel quickly became a dominant genre among other forms of popular literature. To this day, it constitutes a major sector on the German book market and is, together with popular TV series, documentaries, and museum exhibits, an important part of German Geschichtskultur. This collection of essays looks at aesthetic and thematic continuities, as well as changes in the development of the genre in Germany from the late eighteenth century to the present, and gives insights into the novels’ political and socio-cultural implications. The articles investigate historical novels from writers such as Benedikte Naubert, the ‘mother’ of German historical fiction, nineteenth-century popular writers Georg Ebers and Hermann Sudermann, modern writers such as Alfred Döblin, Hermann Hesse, and Hermann Broch, post-Wende works such as those by Thomas Brussig, Christa Wolf, and Ingo Schulze, and contemporary historical fiction by Sabine Weigand, Eveline Hasler and Petra Durst-Benning.
The first monograph to treat comprehensively the epoch-making though now too often forgotten scandal that rocked German political culture from 1906 to 1909, now in English translation.