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Linder's story is both a comedy and a tragedy.
French comedian, actor, director, screenwriter, and producer Max Linder (1883-1925) appeared in hundreds of films, and he was as important a silent movie figure as Charlie Chaplin, Mary Pickford, Buster Keaton, or Harold Lloyd. He predated all of them with his screen debut in 1905, and he became a worldwide favorite, thanks to his top-hatted dandy character, "Max." By 1912, he was the highest-paid film star in the world. Follow his astounding path from anonymous bit-player onstage to his greatest triumphs. The fine line between comedy and tragedy blended into shades of gray, when Max's fame nearly extinguished due to World War One war injuries, but he recovered, returned, and regained his status only to face one of the most terrible tragedies in human existence that shocked the entire world. His hilarious films and heartrending personal tale unfold fully in this richly researched and annotated biography and filmography. Illustrated with dozens of personal and professional photographs. About the author: Snorre Smári Mathiesen is a Norwegian cartoonist. He went to Granum Vocational School in Art 2010-2012. A silent film aficionado since childhood,he has researched Max Linder’s life for the past ten years. He worked as assistant and translator on sociologist Thomas Mathiesen’s autobiography, Cadenza (European Group Press, 2017). He lives in Oslo, Norway.
Although books on the comedies of the silent era abound, few have attempted to survey film comedy as a whole—its history and evolution, how the philosophical visions of its greatest artists and directors have shaped its traditions, and how these visions have informed both the meaning and manner of their work. Blending information with interpretation, description with analysis, Mast traces the development of screen comedy from the first crude efforts of Edison and Lumière to the subtlety and psychological complexity of Annie Hall. As he guides the reader through detailed discussions of specific films, Mast reveals the structures, the values, and the cinematic techniques which have appeared and reappeared in comic cinema. The second edition of The Comic Mind treats the comic developments of the 1970s in terms of the traditions of film comedy set forth in the first edition, including a discussion of the evolution of Jacques Tati and the emergence of Mel Brooks and Woody Allen as the two greatest American comic stylists of the seventies. "The most comprehensive study of film comedy yet written in English. . . .The book's extensive index with references to companies from which 16mm prints of many of the cited films may be rented will be of great value to the film teacher and audiovisual librarian."—Choice
Drawing on a wide range of archival sources, Andrew Shail traces the emergence of film stardom in Europe and North America in the early 20th century. Modifying and supplementing Richard deCordova's account of the birth of the US star system, Shail describes the complex set of economic circumstances that led film studios and actors to consent to the adoption of a star system. He then explores the film industry's turn, from 1908, to making character-based series films. He details how these characters both prefigured and precipitated the star system, demonstrating that series characters and the 'firmament' of film stars are functionally equivalent, and shows how openly fictional characters still provide the model for 'real' film stars.
From the moment films were first produced, comedy has been a key feature of cinema. From just before the turn of the twentieth century until the early 1930s, audiences celebrated the brilliant humor of cinematic clowns who left their marks forever. We still remember—and laugh at—the hilarious antics of Laurel and Hardy, Buster Keaton, Harold Lloyd, and many others. In 100 Essential Silent Film Comedies James Roots identifies the major comedic motion pictures produced in the first few decades of the twentieth century. With a lucid and lively style, Roots takes a look at more than 400 silent comedies and narrows the list to 100 that viewers should consider. Each entry includes cast and crew information, a synopsis, critical evaluation, and additional commentary—all to demonstrate why that particular film is essential viewing. The films range from 70 seconds to full-length features and even include some of the earliest produced films, starting in 1894. In addition to citing Hollywood’s finest, the book profiles comedies from around the world, including selections from the United Kingdom, France, Japan and Russia. More thanseventy silent comedians from Charlie Chaplin to Max Linder are represented in these selections, and the book celebrates such established classics as The General and Safety Last—as well as relatively obscure one-reelers. Including information about DVD availability, 100 Essential Silent Film Comedies is an invaluable resource that provides both scholars and general film fans a list of entertaining films to explore.
THE WORLD CHESS CHAMPION SERIES The fourth title in the popular World Chess Champion Series is about the enigmatic Alexander Alekhine. Tracing the Russian-born champion from his youth in Russia, through his assault on the chess Olympus and beyond, this books paints a fresh portrait of the player who was one of the most spectacular tacticians ever to play the game. The authors do not shy from confronting some of the less savory aspects of Alekhine’s life. They stick to the facts and present the issues surrounding the fourth world champion. “This book clears up some of the mysteries of Alekhine and provides some wonderful details...There are so many intriguing aspects to Alekhine’s life that it’s easy to forget how much he dominated the chess world...The Linders capture quite well the drama of Alekhine’s world championship matches with José Capablanca and Max Euwe. Even the blowouts against Efim Bogoljubow are well-described. Alekhine was the most peripatetic of champions, and this book details many of his travels and simul tours.” – Andy Soltis in his Foreword.
This is the first study of the life and art of Sydney Chaplin, Charlie Chaplin's brother, a person notable not only for his importance in establishing his brother's career, but in several other early Hollywood enterprises, including the founding of United Artists and the Syd Chaplin Aircraft Corporation, America's first domestic airline. Sydney also had a successful film career, beginning in 1914 with Keystone and culminating with a string of popular films for Warner Bros. in the 1920s. Sydney's film career ended in 1929 because of an assault charge by an actress. This incident proved to be only the last in a string of scandals, each causing him to move to another place, another studio, or another business venture.
"First published in 1965 and reprinted many times in the Soviet Union and Russia, Yury Olesha's No Day without a Line is a series of thematically assembled journal entries which together form an unusual and extremely engaging personal memoir." "Ranging from Olesha's prerevolutionary childhood, to notable cultural figures, to Russian and Western literature, the entries are artfully composed units in which an image is developed, a memory precisely delineated, or an apercu elaborated. Occasionally, the units coalesce in a chain of reflections on a common theme, such as Olesha's memories of the 1905 Potyomkin mutiny, his recollections of the poet Mayakovsky, or his discussion of the writings of Tolstoy or Hemingway." --Book Jacket.
The Gentleman Champion The fifth book of the World Chess Champions series focuses on the life and career of the Dutchman Max Euwe. This soft-spoken professor of mathematics rocked the chess world in 1935 when he defeated the seemingly irresistible force, Alexander Alekhine, to become world champion. Many chessplayers thought this was an upset of the first magnitude. Hardly. Euwe was at his prime and the best in the world at the time. In fact, Euwe posted a plus score against Alekhine in the four games they played between the 1935 and 1937 matches. As noted by Andy Soltis in his foreword, “These pages are rich in detail, and not just about Euwe. There are extensive mini-biographies of Alekhine, Botvinnik, Bogoljubow, Spielmann, Capablanca, Paul Keres, Géza Maróczy, Flohr, Vera Menchik and Réti – as well as less known players such as Edgard Colle, Jan Hein Donner and Salo Landau. The photos and drawings – and those caricatures – are also remarkable.” The venerable fifth world champion was also a first-class arbiter, author and chess diplomat. As an author, he is regarded as one of the two or three finest chess writers for the average player. He was also president of the International Chess Federation (FIDE) at the time of the Fischer-Spassky title match in 1972. Were it not for Euwe’s persuasive, patient handling of the difficult negotiations between the Russians and Americans, it is very likely that the match would not have taken place at all. Join Russian historians Isaak and Vladimir Linder as they take you on a journey exploring the life and games of the gentleman world champion, Max Euwe.