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Max is a very curious little boy. He gets excited and a little scared at the same time when experiencing something for the first time. The book is about Maxs adventure at the beach and how he really enjoys the sand, exploring the water, seeing seashells and being on a boat. Being with his mom, dad and family made it a safe and happy experience for him.
Max is a very curious little boy. He gets excited and a little scared at the same time when experiencing something for the first time. The book is about Max's adventure at the beach and how he really enjoys the sand, exploring the water, seeing seashells and being on a boat. Being with his mom, dad and family made it a safe and happy experience for him.
A single dad meets his adopted daughter for the first time. Then he agrees to meet her birth-mother. When their two worlds collide, will what they have in common outweigh their differences? A one-off meeting. But three lives will be changed forever. One the One Hand, We're Happy is a tender, funny, hopeful play about being a mum when your name is Dad. This edition published to coincide with the run at the Edinburgh Festival Fringe in July 2019.
In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identities, publics, and politics. To understand this dynamic, Balance advocates for a "disobedient listening" that reveals how Filipino musicians challenge dominant racialized U.S. imperialist tropes of Filipinos as primitive, childlike, derivative, and mimetic. Balance disobediently listens to how the Bay Area turntablist DJ group the Invisibl Skratch Piklz bear the burden of racialized performers in the United States and defy conventions on musical ownership; to karaoke as affective labor, aesthetic expression, and pedagogical instrument; to how writer and performer Jessica Hagedorn's collaborative and improvisational authorial voice signals the importance of migration and place; and how Pinoy indie rock scenes challenge the relationship between race and musical genre by tracing the alternative routes that popular music takes. In each instance Filipino musicians, writers, visual artists, and filmmakers work within and against the legacies of the U.S./Philippine imperial encounter, and in so doing, move beyond preoccupations with authenticity and offer new ways to reimagine tropical places.
CITY OF DREDD is an unofficial guide to all the official Mega-City One locations to have ever featured in the vast JUDGE DREDD mythology and will overload the 'thrill-receptors' of even the most hard-core 'Dreddhead'! In the year 2133AD, in the tumultuous decades after the GREAT ATOMIC WAR, the Earth's nations have been left devastated, falling into living nightmares where only the most brutal and phantasmagoric survive. The old world governments, fearful and corrupted, have been replaced by the JUDGES, an elite organisation part law-enforcer, part army, who rule with an iron fist. The Judges are more dangerous than the toughest criminal, alien invader or rampaging mutant horde, because only they have the LAW on their side! Among their number, one man with a resolve tougher than rockcrete has through the years of slaughter exemplified the very best and the worst that Mankind can offer. He is the ultimate law enforcer, the living legend that is JUDGE DREDD!
Positioned on the east edges of the Red River Valley and the northern Minnesota Woodlands, Pennington County was settled by farmers of predominantly Scandinavian stock, and census surveys indicate that Thief River Falls was the most Norwegian city in the United States. These settlers broke the soil, planted grain, and traveled to the woodlands for logs with which to build their homes. They floated the trees they cut down the rivers to the mills in Thief River Falls, St. Hilaire, and Crookston. Grain elevators and flour mills stood out against the prairie skyline, and milled logs became ties for the railroads that would transport the lumber and grain to distant cities and ports. The postcards in this book depict the industries, buildings, and people of Pennington County.
This collection of watercolors and poems will surprise and delight, taking readers on a meditative journey around the world. The paintings visually interpret the places visited, and the poems give insights as to why these places are important.
A powerful antidote to our atomised lives, Hello, Stranger delves into humanity's rich history of welcoming (and worrying about) strangers, to show us how being more open might end the loneliness epidemic, solve the migrant crisis and change the world.