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The studies of Mauro Giuliani (1781-1829) stand alongside those of Fernando Sor, Matteo Carcassi, Dionisio Aguado and Ferinando Carulli as the staples of the didactic pieces by the first generation of classical guitarists. Giuliani was one of the most celebrated guitarists of his age, a brilliant performer and prolific composer. He left a legacy of compositions, and many of his works are heard regularly in recitals and concerts today. His student pieces are considered indispensable by generations of guitarists. the studies and exercises contained in the six opus numbers here provide some of the most effective material in the entire guitar literature for building and refining a superior technical command of the guitar. In this edition, David Grimes has modernized some of the notation and corrected a number of misprints from Giuliani's original publications.
One of the most popular classical guitar methods ever written. A basic and orderly presentation of the necessary information and exercises essential to beginning guitar instruction. A Federation Festivals 2020-2024 selection.
This book contains short and concise exercises for use in a warm-up before practice or performance, and for general technical advancement. The book is divided into four sections: I Arpeggios, II Scales, III Tremolo, and IV Slurs. Each section contains a description of the exercises and general instructions on how to play them. The exercises are intended for guitarists who are looking for a simple warm-up that does not require learning many complicated etudes, exercises or routines. In this book, only one etude is used for a variety of arpeggio and tremolo patterns. The scale warm-ups are based on a two-octave, one-position scale that is shifted up and down the fretboard, and a simple one-position chromatic scale. The pull-off and hammer-on slurs are combined into one exercise to save time. This same routine, when practiced with the metronome gradually increasing the tempo, can also double for technical work. With the exception of one chromatic scale exercise, the rest are on closed strings. Besides being able to move the scale up and down the fretboard, the first finger can be barred. This will increase the left hand difficulty and improve the left hand position and strength.There is close to an hour's worth of material if all the exercises are played with all of their variations at different tempos. Not everything needs to be played everyday, so the warm-up session can be as long as desired or as short as time allows.
A large collection of pieces from the 19th century composer in easy-to-read tablature. Includes Opus 30, Opus 48, Opus 50, Opus 150 and many more. Sample tabs: https: //imgur.com/a/cHQu
For violin and guitar. As recorded by Itzakh Perlman and John Williams.
Aaron Shearer's Classic Guitar Technique has long been the core guitar method used by generations of classical guitarists. Alfred Music is proud to present Aaron's first fully revised and re-edited edition of this benchmark work. In addition to new exercises and music, Aaron and music editor Thomas Kikta have included critical new insights into core guitar techniques. Plus, for the first time, the book now comes with a demonstration and play-along CD. Students will be able to hear and emulate the tone and feel of the CD recording and they will have the opportunity to play their pieces as duets with the included recording. In addition, insert the CD into the CD-ROM drive of your computer and our exclusive TNT software allows you to changes tempos, mute the student part, and even loop sections for repeated practice. A Federation Festivals 2020-2024 selection.
The method Ergonomic guitar technique takes the individual behind the instrument as its starting point, thus creating a technique that makes the best use of the human resources. The method deals not only with the guitar technique, but also discusses the playing in relation to physical and psychological well-being. This is a translated and revised edition that, among other supplements such as the right and left hand exercises by Mauro Giuliani, also features the collection of caprices Capricci Dinamarca op 7.
Along with some of the right-hand exercises from Mauro Guiliani's, Studio per la chittarra, Op.1, this book contains numerous original exercises by Berg based on pieces composed since Guiliani's time and other exercises considered helpful.