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2012 Best Biography Award, Mormon History Association Maurine Whipple, author of what some critics consider Mormonism greatest novel, The Giant Joshua, is an enigma. Her prize-winning novel has never been out of print, and its portrayal of the founding of St. George draws on her own family history to produce its unforgettable and candid portrait of plural marriage's challenges along with its winsome, gallant, and sparkling heroine Clory McIntyre. Yet Maurine's life is full of contradictions and unanswered questions. Why did she never finish her projected trilogy after writing what she considered to be its first volume? Why, when she considered herself an outcast from St. George society, did she never leave it for longer than a few months? What happened to her dreams of romantic love, marriage, and a family? Given the on-going popularity of The Giant Joshua and at least three attempts to put the story on the screen, why has a movie never been made? For extended periods of her life, she was paralyzed by personal suffering, yet did her greatest creative achievement emerge from that pain? Veda Tebbs Hale, a personal friend of the paradoxical novelist, answers these questions with sympathy and tact, nailing each insight down with thorough research in Whipple's vast but under-utilized collected papers. By her mastery of Whipple’s letters, diaries, exhaustive oral histories, and draft after draft of unrealized dreams, Veda Hale bring a novelist's life into focus. Exasperating, dazzlingly creative, courageous, brave, frequently misguided, Maurine Whipple emerges in this biography as an unforgettable character in her own right.
A new study of those excluded from the national narrative of the West. Dan Moos challenges both traditional and revisionist perspectives in his exploration of the role of the mythology of the American West in the creation of a national identity. While Moos concurs with contemporary scholars who note that the myths of the American West depended in part upon the exclusion of certain groups - African Americans, Native Americans, and Mormons - he notes that many scholars, in their eagerness to identify and validate such excluded positions, have given short shrift to the cultural power of the myths they seek to debunk. That cultural power was such, Moos notes, that these disenfranchised groups themselves sought to harness it to their own ends through the active appropriation of the terms of those myths in advocating for their own inclusion in the national narrative. that, because the construction of American culture was never designed to accommodate these outsiders, their writings display a division between their imagined place in the narrative of the nation and their effacement within the real West marked by intolerance and inequality.
Story of the Dixie Religious Mission in the Utah desert, and of a high-spirited girl who becomes a Mormon's third wife.
Many people are unaware of how influential Mormons have been on American popular culture. This book parts the curtain and looks behind the scenes at the little-known but important influence Mormons have had on popular culture in the United States and beyond. Mormons and Popular Culture: The Global Influence of an American Phenomenon provides an unprecedented, comprehensive treatment of Mormons and popular culture. Authored by a Mormon studies librarian and author of numerous writings regarding Mormon folklore, culture, and history, this book provides students, scholars, and interested readers with an introduction and wide-ranging overview of the topic that can serve as a key reference book on the topic. The work contains fascinating coverage on the most influential Mormon actors, musicians, fashion designers, writers, artists, media personalities, and athletes. Some topics—such as the Mormon influence at Disney, and how Mormon inventors have assisted in transforming American popular culture through the inventions of television, stereophonic sound, video games, and computer-generated animation—represent largely unknown information. The broad overview of Mormons and American popular culture offered can be used as a launching pad for further investigation; researchers will find the references within the book's well-documented chapters helpful.
A project of the Utah Women's History Association and cosponsored by the Utah State Historical Society, Paradigm or Paradox provides the first thorough survey of the complicated history of all Utah women. Some of the finest historians studying Utah examine the spectrum of significant social and cultural topics in the state's history that particularly have involved or affected women. The contents are as follows: A Comparison of Utah Mormon Polygamous and Monogamous Women Jessie L. Embry and Lois Kelley Innovation and Accommodation: the Legal Status of Women in Territorial Utah, 1847-96 Lisa Madsen Pearson and Carol Cornwall Madsen Conflict and Contributions: Women in Utah Churches, 1847-1920 John Sillito Utah's Ethnic Women Helen Z. Papanikolas The Professionalization of Utah's Farm Women, 1890-1940 Cynthia Sturgis Gainfully Employed Women in Utah Miriam B. Murphy From Schoolmarm to State Superintendent: The Changing Role of Women in Utah Education, 1847-2004 Mary Clark and Patricia Lyn Scott Scholarship, Service, and Sisterhood: Utah Women's Clubs and Associations, 1847-1977 Jill Mulvay Derr Women of Letters in Utah Gary Topping Utah Women in the Arts Martha Sontag Bradley-Evans Women in Politics: Power in the Public Sphere Kathryn L. MacKay Utah Women's Life Stages: 1850-1940 Jessie L. Embry
Includes annual "Bibliography of the published writings of the staff and students..."
For nearly a hundred years, the state of Utah has played host to scores of Hollywood films, from potboilers on lean budgets to some of the most memorable films ever made, including The Searchers, Butch Cassidy and the Sundance Kid, Footloose, and Thelma & Louise. This book gives readers the inside scoop, telling how these films were made, what happened on and off set, and more. As one Utah rancher memorably said to Hollywood moviemakers "don't take anything but pictures and don't leave anything but money."
A profusely illustrated history of moviemaking in Utah, from the early twentieth century to the present. For more than 100 years, the magnificent scenery and locales of Utah have played host to hundreds of Hollywood films and TV episodes, including memorable films such as The Searchers, 2001: A Space Odyssey, Planet of the Apes, Easy Rider, Butch Cassidy and the Sundance Kid, Indiana Jones and the Last Crusade, Thelma & Louise, and Forrest Gump. This book gives readers the inside scoop on how these films were made, what happened on and off set, and more. Author and film historian James V. D’Arc provides a wealth of trivial factoids for movie buffs, including anecdotes about the interactions of Utah locals with actors and crew. New and updated text and photos have been added to the previous edition (When Hollywood Came to Town) to bring this edition up to date with movies and TV shows filmed in Utah since 2010. James V. D’Arc was curator of the BYU Motion Picture Archive at the Harold B. Lee Library, Brigham Young University, for 41 years. He lives in Orem, Utah.
Winner of the Special Book Award from the John Whitmer Historical Association Excavating Mormon Pasts assembles sixteen knowledgeable scholars from both LDS and the Community of Christ traditions who have long participated skillfully in this dialogue. It presents their insightful and sometimes incisive surveys of where the New Mormon History has come from and which fields remain unexplored. It is both a vital reference work and a stimulating picture of the New Mormon History in the early twenty-first century.