Download Free Maules Curse Seven Studies In The History Of American Obscurantism Book in PDF and EPUB Free Download. You can read online Maules Curse Seven Studies In The History Of American Obscurantism and write the review.

Power, love, predestination. What did these words mean to the Puritans? Ellwood Johnson provides an invaluable reference guide to the vocabulary of Puritanism, and shows how the meanings of these words have changed. In illuminating essays, he further traces the influence of the theology of the heart on such thinkers as Isaac Newton, John Locke, Sampson Reed, R.W. Emerson, Alexis de Tocqueville, Nathaniel Hawthorne, and Henry Adams. Now available in paperback, The Goodly Word is an indispensable reference for any student of American literature. "This book is like a complicated set of keys that abundantly repays the effort by opening many locks. With his jangle of keys, Dr. Johnson opens doors to rooms that are everywhere new and mostly foreign to the modern and postmodern mind. He gives equal time to protagonists and antagonists, not to debate a central thesis, but to reflect and refract the ideas that lurk behind the patchwork quilt that is the intellectual history of America. Dr. Johnson finally pays the Puritans a great compliment. In their emphasis on 'individual inventiveness and personal productivity, ' he maintains, they may have saved American democracy from itself." -The Ivy Jungle Report "I am unaware of another book that sets out to trace the larger patterns and influence of Puritan vocabulary on American intellectual development in such a thorough and provocative manner." -Dr. Stanley Tag, St. Olaf College Ellwood Johnson is Professor Emeritus of American Literature at Western Washington University in Bellingham, Washington.
The Domain of the Novel: Reflections on Some Historical Definitions discusses the genre of the novel and its dialogic and dialectical characteristics through an in-depth analysis of some classic English, Russian, American and Indian novels. A collection of lectures by the distinguished scholar of literature, A. N. Kaul, it analyses the exploration of personal voices and histories within a larger socio-political landscape in these works. Drawing examples from the works of Fielding, George Eliot, Dickens, Thackeray, Melville, Hawthorne, Twain, R.K. Narayan and others, who defined and redefined the territories of the novel, this book examines the articulation of the lived social, political and material realities of ordinary individuals in this genre. The lectures situate the novels within their cultural, socio-political, and historical contexts while focusing on their historical continuity and relevance. They further demonstrate how the domain of the novel brings together a multitude of voices while discussing conflicts of class, identity, nationalism, and historiography. The volume includes an insightful critical introduction by Sambudha Sen. It will be of great interest to researchers and scholars of literature, cultural studies, post-colonial studies, literary theory, creative writing, history, and sociology. It will be especially useful for readers interested in studying forms of fiction and the 18th, 19th, and 20th century novel.
A reference guide to the work of 115 modern British and American critics.
Drawing on a wide range of nineteenth- and twentieth-century English, French, American, and Russian novels, Marianna Torgovnick demonstrates the variety and complexity of the process by which a work reaches an appropriate conclusion. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
F.O. Matthiessen remains one of America's leading twentieth-century critics in part because the problems he and his contemporaries struggled with remain ours today. William E. Cain studies Matthiessen's career with careful attention to biographical, institutional, literary, and political contexts. He considers Matthiessen's many reviews and essays on literature and deals sympathetically, but critically, with Matthiessen's attitudes toward the Cold War as revealed in his memoir, From the Heart of Europe. Cain draws connections between Matthiessen's criticism and the influence of significant political movements like the Popular Front of the 1930s, the Progressive Party, and Henry Wallace's campaign for the presidency in 1948. Analyzing specific texts by Thoreau, James, Dreiser, and Melville, he confronts the difficult and highly contested relationships between literary criticism and politics, scholarship and the public sphere, pedagogy and social activism. He suggests that critics need to acknowledge the primacy of their political commitments and should proceed to teach and write accordingly. This argument, certain to prove a controversial one, will spark extensive debate and discussion about the theory and practice of intellectual work. All students and scholars of English and American literature, American studies, black studies, and American history will welcome this original and stimulating study, the first to treat Matthiessen in fully detailed social, historical, and political contexts. .
This collection explores the many intellectual and social contexts in which Emerson lived, thought and wrote.
Stanley Cavell: Philosophy, literature, and criticism is the first book to offer a comprehensive examination of the relationship between the celebrated philosophical work of Stanley Cavell and the discipline of literary criticism. In this volume, the editors have assembled an impressive range of interlocutors who set out to explore the shape and substance of Stanley Cavell’s persistent acknowledgement of the literary as a category in which, and through which, philosophical work can be undertaken. A number of essays address his engagements with modernism, tragedy, and romanticism, while others consider Cavell’s own aesthetic modes as a writer. Stanley Cavell: Philosophy, literature, and criticism will be of interest to all those who are concerned with the ways in which the reading of literature, and the practice of philosophy, might continue both to influence each other across disciplinary boundaries, and to challenge the internal topographies of those disciplines.