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Maud Lewis stayed close to home: the rugged coastlines and gentle valleys of Nova Scotia's southwest knew--but they provided ample material for her joyful creative spirit. Now revered as Canada's foremost folk artist, Maud Lewis (1903-1970) transformed her world of poverty and deformity into a magical kingdom of happy children, contented animals, and a peaceful and charming rural environment. Maud's Country offers unique insight into the landscapes that inspired Lewis's works and her own special way of representing them. The materials she had at hand were primitive--particleboard, crude brushes, marine or house paints. But these were all she needed to convey her message that happiness and harmony exist all around us, for those who have eyes to see.
'Hannah August's intelligent and humane study illuminates, sometimes uncomfortably, the ways in which our demographics are changing and our attitudes are not. This is public intellection that is curious, rigorous, and highly relevant to our time.' Eleanor Catton In 2013, there were over 66,000 more women between the ages of 25-49 living in New Zealand than there were men. This so-called ‘man drought’ is a hot topic for journalists and academics alike, who comment on how the situation might affect New Zealand women’s chances of finding love. Yet they rarely stop to ask women their own opinions on the matter. In this BWB Text, Hannah August does just that, integrating interview material, statistics and cultural commentary in order to demonstrate why we need to talk differently about the ‘man drought’.
A debut novel chronicling the life and loves of a headstrong, earthy and magnetic heroine, by an enrolled member of the Cherokee Nation of Oklahoma
Sparking enthusiasm for a play about the founding of their North Carolina mountains Catholic girls' school, a charismatic ninth grader and her recently orphaned best friend set in motion a series of events that have decades-long ramifications. By a three-time National Book Award finalist. Reprint.
With contributors drawn from a broad range of disciplines, The Modern Period Room brings together a carefully selected collection of essays to consider the interiors of the modern era and their more recent reconstructions from a variety of different viewpoints. Contributions from leading design historians, architects and curators of the history of the domestic interior in the UK engage with the issues and conventions surrounding the modern period room to expose the conflicting tensions that lie beneath the conceptual and physical strategy of the modern period room's representational technique. Exploring themes and examples by prestigious architects, such as Ernö Goldfinger, Truus Schroeder and Gerrit Rietveld, the authors reveal the specific coding of presented interior spaces. This illustrated new take on the historiography of twentieth century show interiors enables historians and theorists of architecture, design and social history to investigate the contexts in which this representational device has been used.
Dazzlingly beautiful, highly intelligent and an extraordinary force of energy, Nancy Cunard was an icon of the Jazz Age, said to have inspired half the poets and novelists of the twenties. Born into a life of wealth and privilege, yet one in which she barely saw her parents, Nancy rebelled against expectations and pursued a life in the arts. She sought the constant company of artists, writers, poets and painters, first in London's Soho and Mayfair, and then in the glamorous cafes of 1920s Paris. This is the remarkable story of Nancy's Paris life, filled with art, sex and alcohol. She became a muse to Wyndham Lewis, Constantin Brâncusi sculpted her, Man Ray photographed her and she played tennis with Ernest Hemingway. She had many love affairs, the most significant of which are included in this book: the American poet Ezra Pound, the novelists Aldous Huxley and Michael Arlen, the French poet Louis Aragon and finally and controversially the black American pianist Henry Crowder, with whom she ran her printing press in Paris. She was also shaped by her lifelong friendship with George Moore, her mother's lover. This tempestuous tale of passion and intrigue is as much a portrait of twenties Paris as it is the story of an extraordinary woman who defined her age.
Describes the private life and literary career of the Canadian writer best known for her novels about Anne, a girl from Prince Edward Island.