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Decades on from independence the role of Mau Mau still excites argument and controversy, not least in Kenya itself.
This text is based on the oral evidence of the Kikuya villagers with whom the author lived as an aid worker during the Mau Mau emergency in the 1950s. The data suggests that there was never a single Mau Mau movement, and that none of its members ever saw it as such, not because they did not have a political aim, but because that agenda was contested within different political circles over which they had no control and of which they may scarcely have had any knowledge. This importance of this is that almost all the enemies of the Mau Mau did see it as a whole movement, in order to try and comprehend it and defeat it.
Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.
Senior Chief Waruhiu wa Kung’u is one of colonial Kenya’s most controversial chiefs. His name has gone down in history as a traitor who was assassinated because he sold his country to the British colonizers. This book is the untold story of the controversial life of Senior Chief Waruhiu who served the colonial government for thirty years. He believed his white superiors’ authority was God-given and to disobey them was tantamount to disobeying God himself. That was why he was considered loyal, obedient, dependable, responsible, efficient, and a tower of strength. Chief Waruhiu’s violent death dealt his reputation a devastating blow, as it provided his critics with a basis to portray him as a traitor who sold out to the colonizers. Although Waruhiu believed that the Africans were not yet ready for self-government—and that they could not attain it through violence—that did not make him a traitor. Other chiefs also believed that and yet were not labeled as traitors. However, this did lead to him being considered a very pro-government and pro-European chief who was opposed to the aspirations of his people and he, as a result, deserved to be killed. Although it is believed that Waruhiu was killed by Mau Mau, there is no evidence to support that claim. The white settler community gained a lot from Waruhiu’s murder as it paved the way for it to get what it had been demanding for a long time—a declaration of a state of emergency and the arrest and detention of African leaders. It is very likely that some leaders of the white settlers, working together with government officials, were probably behind Waruhiu’s murder. The police, the prosecution, and the court seemed determined to make the murder charges against the accused suspects stick in spite of glaring discrepancies and contradictions in the evidence against them. Above all, the prosecution failed to prove beyond any reasonable doubts that Waweru and Gathuku killed Waruhiu. Thus, the mystery of who killed Waruhiu and those behind his murder still remains unresolved and the perpetrators of the murder may never be known.
Kariuki, a twelve-year-old Kenyan boy, is befriended by Nigel, the white landowner's son, and they are both caught up in powerful forces as a rebellion arises in the area. Reprint.
In this first history of psychiatry in colonial Africa, Jock McCulloch describes the clinical approaches of well-known European practitioners, including Frantz Fanon and Wulf Sachs. They operated independently of one another.Yet, despite their differences,they shared a coherent set of ideas about 'the African Mind', based on the colonial notion of African inferiority.By exploring the association between settler ideology and psychiatric research, this study examines colonial science as a system of knowledge and power.
This book advances research into the government-forced labor used widely in colonial Kenya from 1930 to 1963 after the passage of the International Labor Organization’s Forced Labour Convention. While the 1930 Convention intended to mark the suppression of forced labor practices, various exemptions meant that many coercive labor practices continued in colonial territories. Focusing on East Africa and the Kenya Colony, this book shows how the colonial administration was able to exploit the exemption clause for communal labor, thus ensuring the mobilization of African labor for infrastructure development. As an exemption, communal labor was not defined as forced labor but instead justified as a continuation of traditional African and community labor practices. Despite this ideological justification, the book shows that communal labor was indeed an intensification of coercive labor practices and one that penalized Africans for non-compliance with fines or imprisonment. The use of forced labor before and after the passage of the Convention is examined, with a focus on its use during World War II as well as in efforts to combat soil erosion in the rural African reserve areas in Kenya. The exploitation of female labor, the Mau Mau war of the 1950s, civilian protests, and the regeneration of communal labor as harambee after independence are also discussed.
A powerful story about race, class, and the clash of generations as two Londoners from utterly different worlds find themselves under the same roof. Flashbacks to the colonial brutality of the Mau Mau uprising in Kenya. Edith, an elderly widow with a large house in an Islington garden square, needs a carer. Lauren, a nail technician born in the East End, needs somewhere to live. A rent-free room in lieu of pay seems the obvious solution, even though the pair have nothing in common. Or do they? Why is Lauren so fascinated by Edith's childhood in colonial Kenya? Is Paul, the handsome lodger in the basement, the honest broker he appears? And how does Charity, a Kenyan girl brutally tortured during the Mau Mau rebellion, fit into the equation? Capturing the spirited interplay between two women divided by class, generation, and a deeper gulf from the past, and offering vivid flashbacks to 1950s East Africa, Madeline Dewhurst's captivating debut spins a web of secrets and deceit&–where it's not always obvious who is the spider and who is the fly.