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Andrew Durbin's Mature Themes is a hybrid text of poetry, art criticism, and memoir focused on the subject of disingenuity-and what constitutes "personal experience" both online and IRL when to "go deep" in a culture of so many unreliable communication technologies is to resend a text at 3 AM. Throughout the book, Durbin's voice mutates into others in order to uncover the fading specters of meaning buried under the pristine surfaces of art and Hollywood, locating below them the other realities that structure our experience of both.
In a society where a comic equates with knockabout amusement for children, the sudden pre-eminence of adult comics, on everything from political satire to erotic fantasy, has predictably attracted an enormous amount of attention. Adult comics are part of the cultural landscape in a way that would have been unimaginable a decade ago. In this first survey of its kind, Roger Sabin traces the history of comics for older readers from the end of the nineteenth century to the present. He takes in the pioneering titles pre-First World War, the underground 'comix' of the 1960s and 1970s, 'fandom' in the 1970s and 1980s, and the boom of the 1980s and 1990s (including 'graphic novels' and Viz.). Covering comics from the United States, Europe and Japan, Adult Comics addresses such issues as the graphic novel in context, cultural overspill and the role of women. By taking a broad sweep, Sabin demonstrates that the widely-held notion that comics 'grew up' in the late 1980s is a mistaken one, largely invented by the media. Adult Comics: An Introduction is intended primarily for student use, but is written with the comic enthusiast very much in mind.
THE INSTANT NEW YORK TIMES BESTSELLER! Starred reviews from Kirkus Reviews * Publishers Weekly * Library Journal Named a “Must-Read” by TODAY, Us Weekly, Bustle, BuzzFeed, Goodreads, Entertainment Weekly, Publishers Weekly, Southern Living, Book Riot, Woman’s Day, The Toronto Star, and more! For two sworn enemies, anything can happen during the Hawaiian trip of a lifetime—maybe even love—in this romantic comedy from the New York Times bestselling authors of Roomies. Olive Torres is used to being the unlucky twin: from inexplicable mishaps to a recent layoff, her life seems to be almost comically jinxed. By contrast, her sister Ami is an eternal champion...she even managed to finance her entire wedding by winning a slew of contests. Unfortunately for Olive, the only thing worse than constant bad luck is having to spend the wedding day with the best man (and her nemesis), Ethan Thomas. Olive braces herself for wedding hell, determined to put on a brave face, but when the entire wedding party gets food poisoning, the only people who aren’t affected are Olive and Ethan. Suddenly there’s a free honeymoon up for grabs, and Olive will be damned if Ethan gets to enjoy paradise solo. Agreeing to a temporary truce, the pair head for Maui. After all, ten days of bliss is worth having to assume the role of loving newlyweds, right? But the weird thing is...Olive doesn’t mind playing pretend. In fact, the more she pretends to be the luckiest woman alive, the more it feels like she might be. With Christina Lauren’s “uniquely hilarious and touching voice” (Entertainment Weekly), The Unhoneymooners is a romance for anyone who has ever felt unlucky in love.
This ground-breaking book explores the moral dimensions of sexual imagery in contemporary, general-release Asian films. It examines debates that arise over aesthetic styles and the cultural and traditional influences that determine the content and impact of these films. The social and regulatory environments for filmmakers across Asia reflect distinct national and cultural differences. In just the past decade, for instance, Indian cinema has rapidly moved from representations of coy and submissive female protagonists to highly eroticized leading ladies unafraid of flaunting their sexuality. On the other hand, the cinema emerging from the Chinese mainland has been much more circumspect in its representations of overt sexuality, at times in conflict with other Chinese cinemas from Hong Kong and Taiwan. This use of sexual imagery or morally questionable film content raises on-going debates into censorship and the use of state or industry controls to protect certain sectors of society from exposure to particular narratives or images. Film, like all forms of art, fulfils a number of aesthetic functions for local, regional and international audiences. As distribution and technological advances make Asian films more readily available across the globe, an understanding of the different aesthetics at play will enable readers of this book to recognize key cultural motifs in representations of onscreen sexuality and the surrounding controversies found in cinematic texts from Asia.
In this volume, contributors from a range of perspectives - evolutionary psychology to anthropology, sociology to cognitive and motivational psychology - explore questions of what our attractiveness preferences are and why we find certain others physically attractive, offering a fresh perspective to understanding the perception of attractiveness.
Join the New Adult Fiction revolution! From Sylvia Day's Bared to You to Jamie McGuire's Beautiful Disaster, new adult fiction has arrived--and it's hotter than ever. But there's more to this category than its 18-to-26-year-old characters: The success of your story depends on authentically depicting the transition of your young protagonists from teenhood to adulthood. With Writing New Adult Fiction, you'll learn how to capture the spirit of freedom, self-discovery, and romance that defines the new adult experience. • Create memorable characters that act and sound like new adults. • Sculpt a distinct personality for your fiction with POV, voice, tone, and word choices. • Build a unique, captivating plot that satisfies your audience from beginning to end. • Learn tools for revising effectively and efficiently in a speed-driven market. • Weigh the options for your path to publication: traditional, indie, and hybrid. The new adult category is filled with opportunities to break in with distinct plots and original characters. Make your mark by writing a novel that's fresh, unique--and wholly new adult!
Thoroughly researched and fully APA referenced chronological history of film censorship and classification in Australia. Case by case histories of banned films punctuate a detailed account of the evolution of the Australian Film Classification system and the concurrent development of the Australian adult XXX industry, culminating in the establishment of the Australian Sex Party. Former SAR Research Fellow at Australia’s National Film & Sound Archive Robert Cettl gained exclusive access to both the national collection and the highly restricted Australian adult industry archive, the Eros Collection, at the Flinders University of South Australia Library to piece together the complete history of film censorship in Australia. Progressing through individual banned and censored films – including works by such internationally renowned directors as Hitchcock, Whale, Bunuel, Forman, Godard, Oshima, Pasolini, Hopper, Lyne, Breillat, Noe, Brass, Bertolucci, Fellini, Ford, Clark, Despentes, Winterbottom, Von Trier – Cettl maps out the specification of “offensive” material in parallel to the emergence of Australia’s adult XXX industry and the Christian morals-driven pressure groups that advocate tighter censorship restrictions. In a country that has the dubious honor of being the most censorial of Western democracies, film censorship is based on the principle of “offense to a reasonable adult”, an undefined refrain that religious minorities have used to manipulate censorship decisions in their favor. The history of these groups and the political support for their right-wing Christian agenda – driven by what Australians term “Wowserism” – makes Australian film censorship unique in its delineation of :the “aesthetics of offense” as grounds for the suppression of free dissemination, to the point of seeking mandatory ISP Internet filtering and Internet blacklisting of all material classified RC (or “refused classification”), much of which is available for dissemination throughout Europe and the USA, in violation of UN Human Rights Article 19. In this comprehensive study of the socio-political ideology surrounding the censorship of primarily sexually explicit material (“pornography”), Cettl delineates the aesthetic construction of “offense” as a transgressive genre and charts the morality-driven religiosity behind their construction as Other to a civilized society, questioning whether the categorization of such material as other makes of it legitimate discourse. With extensive case histories, never-before-published government censorship reports, press clippings and secret internal memos between some of Australia’s most powerful and influential politicians, Offensive to a Reasonable Adult exposes the quagmire of Australian censorship law and the morals-cabal of “wowsers” that dominate the censorship agenda in the so-called “Clever Country”.
"Good morning America book club"--Jacket.