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The life (in fact the lives) of Vlad III the Impaller or Dracula is a Rorschach test. Everybody sees what they want to see in the “documentary stains”. And these “stains” are expanding. Based on research in the archives and libraries of Budapest, Dubrovnik, Genoa, Mantua, Milan, Modena, Munich, Rome, Venice and Vienna, the book focuses on the conflictive medieval, and modern images created by the clash between the classical pictures of Vlad and the still preserved coeval sources.
Essays looking at heritage practices and the construction of the past, along with how they can be used to build a national identity. The preservation of architectural monuments has played a key role in the formation of national identities from the nineteenth century to the present. The task of maintaining the collective memories and ideas of a shared heritage often focused on the historic built environment as the most visible sign of a link with the past. The meaning of such monuments and sites has, however, often been the subject of keen dispute: whose heritage is being commemorated, by whom and for whom? The answers to such questions are not always straightforward, particularly in Central and Eastern Europe, the recent history of which has been characterized by territorial disputes, the large-scale movement of peoples, and cultural dispossession. This volume considers the dilemmas presented by the recent and complex histories of European states such as Germany, Greece, Poland, Hungary, Romania and Bulgaria. Examining the effect ofthe destruction of buildings by war, the loss of territories, or the "unwanted" built heritage of the Communist and Nazi regimes, the contributors examine how architectural and urban sites have been created, destroyed, or transformed, in the attempt to make visible a national heritage. Matthew Rampley is Professor of History of Art at the University of Birmingham. Contributors: Matthew Rampley, Juliet Kinchin, Paul Stirton, SusanneJaeger, Arnold Bartetzky, Jacek Friedrich, Tania Vladova, George Karatzas, Riitta Oittinen
In Masters of Warfare, Eric G. L. Pinzelli presents a selection of fifty commanders whose military achievements, skill or historical impact he believes to be underrated by modern opinion. He specifically does not include the household names (the "Gods of War" as he calls them) such as Alexander, Julius Caesar, Wellington, Napoléon, Rommel or Patton that have been covered in countless biographies. Those chosen come from every period of recorded military history from the sixth century BC to the Vietnam War. The selection rectifies the European/US bias of many such surveys with Asian entries such as Bai Qi (Chinese), Attila (Hunnic), Subotai (Mongol), Ieyasu Tokugawa (Japanese) and Võ Nguyên Giáp (Vietnamese). Naval commanders are also represented by the likes of Khayr al-Din Barbarossa, Francis Drake and Michiel de Ruyter. These 50 "Masters of War" are presented in a chronological order easy to follow, with a concise overview of their life and career. Altogether they present a fascinating survey of the developments and continuities in the art of command, but most importantly their contribution to the evolution of weaponry, tactic and strategy through the ages.
From oaths and hand-kissing to coronations and baptisms, Power and Ceremony in European History considers the governing practices, courtly rituals, and expressions of power prevalent in Europe and the Ottoman Empire from the medieval age to the modern era. Bringing together political and art historical approaches to the study of power, this book reveals how ceremonies and rituals - far from simply being ostentatious displays of wealth - served as a primary means of communication between different participants in political and courtly life. It explores how ceremonial culture changed over time and in different regions to provide readers with a nuanced comparative understanding of rituals and ceremonies since the middle ages, showing how such performances were integral to the evolution of the state in Europe. This collection of essays is of immense value to both historians and art historians interested in representations of power and the political culture of Europe from 1450 onwards.
Medieval Buda in Context discusses the character and development of Buda and its surroundings between the thirteenth and the sixteenth centuries, particularly its role as a royal center and capital city of the medieval Kingdom of Hungary. The twenty-one articles written by Hungarian and international scholars draw on a variety of primary sources: texts, both legal and literary; archaeological discoveries; architectural history; art history; and other studies of material culture. The essays also place Buda in the political, social, cultural and economic context of other contemporary central and eastern European cities. By bringing together the results of research undertaken in recent decades for an English-language readership, this volume offers new insights into urban history and the culture of Europe as a whole. Contributors are János M. Bak, Zoltán Bencze, Judit Benda, István Draskóczy, Antonín Kalous, István Kenyeres, Gábor Klaniczay, András Kubinyi, József Laszlovszky, Károly Magyar, Balázs Nagy, Szilárd Papp, James Plumtree, Martyn Rady, Valery Rees, Orsolya Réthelyi, Beatrix F. Romhányi, Enikő Spekner, Péter Szabó, Katalin Szende, András Vadas, András Végh, and László Veszprémy.
In From Nicopolis to Mohács, Tamás Pálosfalvi offers an account of Ottoman-Hungarian warfare from its start in the late fourteenth century to the battle of Mohács in 1526.
Proceedings of a conference held in Sept. 2004 at Birkbeck College.
In The Battle for Central Europe specialists in sixteenth-century Ottoman, Habsburg and Hungarian history provide the most comprehensive picture possible of a battle that determined the fate of Central Europe for centuries. Not only the siege and the death of its main protagonists are discussed, but also the wider context of the imperial rivalry and the empire buildings of the competing great powers of that age. Contributors include Gábor Ágoston, János B. Szabó, Zsuzsa Barbarics-Hermanik, Günhan Börekçi, Feridun M. Emecen, Alfredo Alvar Ezquerra, István Fazekas, Pál Fodor, Klára Hegyi, Colin Imber, Damir Karbić, József Kelenik, Zoltán Korpás, Tijana Krstić, Nenad Moačanin, Gülru Neci̇poğlu, Erol Özvar, Géza Pálffy, Norbert Pap, Peter Rauscher, Claudia Römer, Arno Strohmeyer, Zeynep Tarım, James D. Tracy, Gábor Tüskés, Szabolcs Varga, Nicolas Vatin.
This book is about one of the most important elements of the political narratives in the history of Hungary in past and present: the Holy Crown of Hungary. This object is one of the most widely used symbols of modern Hungarian nationalism in our times and has been in use for ages in political culture. Surprisingly less is known how the meaning of the crown has changed over the centuries and how this influenced the development of national identity in the early modern period. Starting point is that the "medieval doctrine of the holy crown" is a modern invention. Teszelszky's research concentrates on the relation between the change in the meaning of this crown and the construction of an early modern national identity between 1572 and 1665. Using a constructivist method of research the author shows how the Habsburg ruler and the Hungarian estates legitimised their political program through an image of the crown and the Hungarian political community. In a short period between the end of 1604 and 1613 during a rebellion in Hungary, a war with the Ottomans and a strive between Emperor Rudolf II and his brother Archduke Matthias, the medieval tradition of the holy crown was revived and redeveloped by Hungarian and foreign historiographers into an ideology which is still present today.