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Following a thorough examination of the structure, language, and argument of Matthew's discourse on parables, Anthony O. Ewherido underscores its primary relevance to the ongoing discussion on the social context of Matthew's Gospel. The convincing analysis of the textual evidence and study of some social and historical trends in Christianity and Judaism in the post-70 C.E. era inform Ewherido's conclusion that at the time the Gospel was written to its predominantly Jewish-Christian community, that community had parted ways with Judaism and stood at an ideologically irreconcilable distance from the «synagogue across the street.»
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
The most Jewish of gospels in its contents and yet the most anti-Jewish in its polemics, the Gospel of Matthew has been said to mark the emergence of Christianity from Judaism. Anthony J. Saldarini overturns this interpretation by showing us how Matthew, far from proclaiming the replacement of Israel by the Christian church, wrote from within Jewish tradition to a distinctly Jewish audience. Recent research reveals that among both Jews and Christians of the first century many groups believed in Jesus while remaining close to Judaism. Saldarini argues that the author of the Gospel of Matthew belonged to such a group, supporting his claim with an informed reading of Matthew's text and historical context. Matthew emerges as a Jewish teacher competing for the commitment of his people after the catastrophic loss of the Temple in 70 C.E., his polemics aimed not at all Jews but at those who oppose him. Saldarini shows that Matthew's teaching about Jesus fits into first-century Jewish thought, with its tradition of God-sent leaders and heavenly mediators. In Saldarini's account, Matthew's Christian-Jewish community is a Jewish group, albeit one that deviated from the larger Jewish community. Contributing to both New Testament and Judaic studies, this book advances our understanding of how religious groups are formed.
Foreword and acknowledgments / Kevin Sharp -- Black artists in America : From the Great Depression to Civil Rights -- Augusta Savage in Paris : African themes and the Black female body -- Walter Augustus Simon : abstract expressionist, art educator, and art historian -- Catalogue of the exhibition.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
For centuries the Jewish community in Europe possessed a copy of Matthew in the Hebrew language. The Jews' use of this document during the Middle Ages is imperfectly known. Occasionally excerpts from it appeared in polemical writings against Christianity.
Acts is the sequel to Luke's gospel and tells the story of Jesus's followers during the 30 years after his death. It describes how the 12 apostles, formerly Jesus's disciples, spread the message of Christianity throughout the Mediterranean against a background of persecution. With an introduction by P.D. James
Trapped in complicated Christianity? Here's permission to come out of confinement! How did so many people wind up trapped by complicated systems of performance-based faith? Why do we push ourselves past our limits in pursuit of more works than any reasonable Pharisee would have demanded? Must we run at a pace somewhere between maddening and insane to prove we're among the faithful? "No!" is the emphatic answer from best-selling author Chuck Swindoll. In Simple Faith, he shows us how to get free from such arbitrary confinement. He reminds Christians that they serve a God who promised freedom, peace, and rest. And it's everlasting---not exhausting---life, remember? Here at last is an exhilarating invitation to simple faith. Move beyond rat-race Christianity and break the bars calculated to wilt free spirits. A cage is no place for a Christian. Welcome to your wings!
Do others look to you for leadership? Do you face a major task or shoulder heavy responsibilities? Do you want to take your leadership skills to a higher level? When Nehemiah confronted the task of rebuilding Jerusalem's wall, he was heartbroken by the damage he saw and nearly overwhelmed by the task that lay before him. Yet through the application of timeless leadership principles, Nehemiah completed this nearly impossible project, and laid a pattern for success which is just as valid for us today. Charles Swindoll brings his sensible and straightforward style to offer a deeply spiritual approach to the role of leader. Whatever the context, secular or ministerial, he demonstrates how to size up a task, organize and motivate a team, and respond to inevitable obstacles such as these: Unforeseen setbacks Unrelenting deadlines Criticism and outside resistance Personality conflicts Financial pressures and temptations The insights that Swindoll draws from Nehemiah's wise administration will change your approach to leadership forever.
For thirty years, Mark as Story has introduced readers to the rhetorical and narrative skill that makes Mark so arresting and compelling a story. Rhoads, Dewey, and Michie have helped to pioneer our appreciation of the Gospels, and Mark in particular, as narratives originally created in an oral culture for oral performance. New in this edition are a revised introduction and an afterword describing the significant role Mark as Story has played in the development of narrative criticism.