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In Matria Redux: Caribbean Women Novelize the Past, author Tegan Zimmerman contends that there is a need for reading Caribbean women’s texts relationally. This comprehensive study argues that the writer’s turn to maternal histories constitutes the definitive feature of this transcultural and transnational genre. Through an array of Caribbean women’s historical novels published roughly between 1980 and 2010, this book formulates the theory of matria—an imagined maternal space and time—as a postcolonial-psychoanalytic feminist framework for reading fictions of maternal history written by and about Caribbean women. Tracing the development of the historical novel in four periods of the Caribbean past—slavery, colonialism, revolution, and decolonization—this study argues that a pan-Caribbean generation of women writers, of varying discursive racial(ized) realities, has depicted similar matria constructs and maternal motifs. A politicized concept, matria functions in the historical novel as a counternarrative to traditional historical and literary discourses. Through close readings of the mother/daughter plots in contemporary Caribbean women’s historical fiction, such as Andrea Levy’s The Long Song, Edwidge Danticat’s The Farming of Bones, Paule Marshall’s Praisesong for the Widow, and Marie-Elena John’s Unburnable, Matria Redux considers the concept of matria an important vehicle for postcolonial-psychoanalytic feminist literary resistance and political intervention. Matria as a psychoanalytic, postcolonial strategy therefore envisions, by returning to history, alternative feminist fictions, futures, and Caribbeans.
This book deconstructs androcentric approaches to spacetime inherited from western modernity through its theoretical frame of the chronotropics. It sheds light on the literary acts of archival disruption, radical remapping, and epistemic marronnage by twenty-first-century Caribbean women writers to restore a connection to spacetime, expanding it within and beyond the region. Arguing that the chronotropics points to a vocation for social justice and collective healing, this pan-Caribbean volume returns to autochthonous ontologies and epistemologies to propose a poetics and politics of the chronotropics that is anticolonial, gender inclusive, pluralistic, and non-anthropocentric. This is an open access book.
With an original introduction by Luce Irigaray, and original texts from her students and collaborators, this book imagines the outlines of a more just, ecologically attuned world that flourishes on the basis of sexuate difference.
The Mysticism of Ordinary Life: Theology, Philosophy, and Feminism presents a new vision of Christian mystical theology. It offers critical interpretations of Catholic theologians, postmodern philosophers, and intersectional feminists who draw on mystical traditions to affirm ordinary life. It raises questions about normativity, gender, and race, while arguing that the everyday experience of the grace of divine union can be an empowering source of social transformation. It develops Christian teachings about the Word made flesh, the indwelling of the Holy Spirit, and the Christian spiritual life, while exploring the mystical significance of philosophical discourses about immanence, alterity, in-betweenness, nothingness, and embodiment. The discussion of Latino/a and Black sources in North America expands the Western mystical canon and opens new horizons for interdisciplinary dialogue. The volume challenges contemporary culture to recognize and draw inspiration from quotidian manifestations of the unknown God of incarnate love. It includes detailed studies of Grace Jantzen, Amy Hollywood, Catherine Keller, Karl Rahner, Adrienne von Speyr, Hans Urs von Balthasar, Michel Henry, Michel de Certeau, Luce Irigaray, Julia Kristeva, Gloría Anzaldúa, Ada María Isasi-Díaz, Alice Walker, M. Shawn Copeland, and more.
You might have read him in class, but the Victorians read Charles Dickens like we watch Melrose Place, and The Friendly Dickens will show you why. It is the ultimate pop reference to the Dickensian world of shrouded sex and ostentatious death, a book that will have you running in delight to dust off your Dickens.Norrie Epstein--whose The Friendly Shakespeare was called by The New York Times "spirited, informative and provocative"--opens up Dickens's life and times in all its squalor and glory, including his rise to greatness and occasional lapses from grace. She considers his works, major and minor, in decided lively fashion, not just reading, but reading between the lines:* Was Oliver Twist's Fagin a pederast?* What made A Christmas Carol's Tiny Tim so darn tiny?* How many of Dickens's child characters met an untimely end? (Hint: plenty.)Full of humor, skepticism, and expert opinions, with eye- catching illustrations, plenty of quotes, and sidebars on nearly every page, you will quickly become a Dickens authority--even if you've never read a word.
With an original introduction by Luce Irigaray, and original texts from her students and collaborators, this book imagines the outlines of a more just, ecologically attuned world that flourishes on the basis of sexuate difference.
Luce Irigaray is one of the world's most important and influential contemporary theorists and this book presents a collection of essays exploring the full range of her work from an international team of academics in many different fields.