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Most people would agree that human perfection is unattainable. Indeed, theologians have typically expressed ambivalence about the possibility of human perfection. Yet, paradoxically, depictions of human perfection are widespread. In this volume, Robin Gill offers an interdisciplinary study of human perfection in contemporary secular culture. He demonstrates that the language of perfection is present in church memorials, popular depictions of sport, food, music and art, liturgy, and philosophy. He contrasts these examples with the socio-psychological concept of 'maladaptive perfectionism', using commercial cosmetic surgery as an example, as well as the 'adaptive perfectionism' suggested in the lives of Henry Holland, Paul Farmer, and, more ambivalently, Ludwig Wittgenstein. Gill then provides an in-depth analysis of New Testament and Septuagint usage of teleios and theological debates about the human perfection of Jesus. He argues that the Synoptic accounts of the Transfiguration offer a template for a Christian understanding of perfection that has important ecumenical implications within social ethics.
This book explores the body’s physical limits and the ways in which the confines of the body are delineated, transgressed, or controlled in literary and philosophical texts. Drawing on classics, philosophy, religious studies, medieval studies, and critical theory and examining material ranging from Homer to Game of Thrones, this volume facilitates an interdisciplinary investigation into how the boundaries of the body define the human form in language. This volume’s essays suggest that the body’s meaning is perhaps never more evident than in the violation of its wholeness. The boundaries of the body are areas of transition between states and are therefore vulnerable. As individuals find themselves isolated from their world and one another, their bodies regularly allow for physical interactions, incur transgressions and violations, and undergo profound transformations. Thus sympathy, sexuality, disease, and violence are among the main themes of the volume, which, ultimately, reexamines the place of the body in our understanding of what it means to be human.
The biblical story of Jesus' Transfiguration "on a high mountain" bristles with meanings germane to present-day concerns and spiritual longings. Together with its later artistic representations, this episode from the synoptic gospels seizes the imagination as an icon of mystical hope, beauty, and possibility. What might such an iconic episode, long honored liturgically in the Eastern church, disclose not only about Jesus, but also about the prospect of seeing our human nature transformed? And as interpreted by Christian tradition since the patristic era, what might it tell us about the worth of envisioning not just a conservation or preservation of natural resources but a transfiguration of all creation, and about how this "feast of beauty" could re-energize current discussions of Christianity's relation to environmental attitudes and policy? Such questions are addressed in this book through an original blend of personal reflection with commentary on relevant theological and scriptural texts, literary works, music, and art.
To read and visualize the transfiguration of Christ is to enter its mystery and encounter its hope. Like the Gospel writers and the disciples who climbed the mountain with Jesus, we struggle to tell the story and explain its meaning. Yet this astounding event reveals God’s ultimate purpose in sending his Son—the complete restoration of humanity and all creation—our transfiguration in Christ. The light and glory of that moment reveal a destiny that is infinite and eternal, made possible by the power of grace. Transfiguration is the trajectory and goal of our spiritual journey. Across time and space, Christians have reflected on the mystery and hope epitomized in the transfiguration, yet their voices have been heard primarily within their own cultural and ecclesiastical contexts. This study gathers many of those voices from the panorama of Scripture and church history and finds in them the common theme of radical transformation in Christ. The point of this theological conversation is spiritual transfiguration and hope for each of us as we reach toward the future Christ has shown us in himself.
Holy Mother of God, save us! - This is what the prayer to the Blessed Virgin asks for. But the same people disbelieve and slander, avoid and remain indifferent when the Living Virgin herself speaks to them and tells them about the ways of their salvation. "Hypocrites," says the Queen of Heaven to them, "get to know what Heaven looks like, and why do you not know the signs of the times? Prepare yourselves, people, as truly the day and hour of the Judgment of this world has already come.» In August Our Lady transmitted the first part of Her "WORD" through Oris, and on January 13 and 19, 1999, through the same channel She transmitted the next two parts and commanded to compose from Her "Word" a supranational "Gospel of Transfiguration", which was published as a separate book "The Gospel of Transfiguration by the Mother of God" (see below).
Peter Anthony explores how visionary elements in Luke's Gospel had a particular influence on early interpretation of the Transfiguration, by examining the rich hermeneutical traditions that emerged - particularly in the Latin West - as the Transfiguration was first depicted visually in art. Anthony begins by comparing the visual and visionary culture of antiquity with that of the present, and their differing interpretations of the Transfiguration. He then examines the Transfiguration texts in the synoptic gospels and their interpretation in modern scholarship, and the reception of the Transfiguration in 2 Peter, the Apocalypse of Peter and the Acts of Peter, Tertullian and Origen. Proceeding to look at interpretations found in the Greek East and the Latin West, Anthony finally discusses the earliest visual depictions of the Transfiguration from the sixth century onward, drawn from a wealth of different art forms. Anthony concludes that early commentators' and artists' understanding of how we see and visualise, and therefore, how the Transfiguration was apprehended, is closer to that of the writers of the New Testament than many modern interpreters' is.
The open access publication of this book has been published with the support of the Swiss National Science Foundation. Death, the ultimate change, is an unexpected Leitmotiv of Ovid’s career and reception. The eighteen contributions collected in this volume explore the theme of death and transfiguration in Ovid’s own career and his posthumous reception, revealing a unity in diversity that has not been appreciated in these terms before now.
Information received by Oris during direct Contact with the Christ Consciousness on August 19, 2000 and published by him on January 7, 2002
Since Christianity was re-introduced to China in the early nineteenth century, Chinese Christianity has undergone a holistic “transfiguration” which both truthfully restores ante-Nicene Christianity and successfully adapts to the cultural contexts of Chinese and other societies. The theoretical and theological diversity of this book is consistent with that of traditional Chinese religious writings as well as that of the ante-Nicene fathers but may be deemed un-theoretical, un-academic, or un-theological by those theologians who received Western theological training, as that tends to be too hegemonic, emotionless, and archaic in the eyes of lay believers.