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A history of the Armenian Cause, with an analysis of its resort to violence as a means of political action in the 1980s.
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The fruits of a lifetime of experience by a cultural colossus, Philippe de Montebello, the longest-serving director of the Metropolitan Museum of Art in its history, distilled in conversations with an acclaimed critic Beginning with a fragment of yellow jasper—all that is left of the face of an Egyptian woman who lived 3,500 years ago—this book confronts the elusive questions: how, and why, do we look at art? Philippe de Montebello and Martin Gayford talked in art galleries or churches or their own homes, and this book is structured around their journeys. But whether they were in the Louvre or the Prado, the Mauritshuis of the Palazzo Pitti, they reveal the pleasures of truly looking. De Montebello shares the sense of excitement recorded by Goethe in his autobiography—"akin to the emotion experienced on entering a House of God"—but also reflects on why these secular temples might nevertheless be the "worst possible places to look at art." But in the end both men convey, with subtlety and brilliance, the delights and significance of their subject matter and some of the intense creations of human beings throughout our long history.
Illustrated guide to Historic Western Armenia, the ancient homeland of the Armenian nation. Illustrated with more than 125 color photographs and maps, as well as with historic photographs from 100 years ago. This is the first-ever guide to the Western Armenian homeland of the Armenian nation, and is published on the 100th anniversary of the Armenian Genocide.
Bourj Hammoud in northeast Beirut is home to a close-knit, vibrant Armenian community of shopkeepers, craftspeople and artists, young and old, a thriving combination of modern commerce and traditional trades. In less than a century the area has transformed itself from a tent city of refugees--the Armenians who fled Turkey in 1915 and began flocking here in the 1920s--to a bustling urban economic center. It is here that Ariane Delacampagne, a photographer of Armenian descent, chose to focus her lens. She spent years developing close connections to the remarkable people working and living here: the tailors and cobblers, embroiderers and clockmakers, jewelers and gem cutters, and the families. The result is an unforgettable portrait of the spirit and courage, the enterprise and heritage, which forms the soul of Bourj Hammoud.