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No better friend, no deadlier enemy... In Mathew's Tale, his landmark fortieth novel, Quintin Jardine tells the remarkable story of a man's quest for justice - at any cost. Perfect for fans of C.J. Sansom and Paul Doherty. 'Once I picked it up, I couldn't let it go' - Michael Jecks 1818, Carluke, Lanarkshire. Mathew Fleming returns home to Scotland following heroic service at the Battle of Waterloo. After seven years away, he is a ghostly presence to those he left behind. But Mathew is ambitious and soon becomes a man of influence in his county and beyond. Yet through all his success, he still hides the loss of his one true love. When a terrible act of murder occurs, Mathew must choose between the rule of blood and the rule of law. And as a man of honour with a warrior's instincts, he embarks on a journey of vengeance that will test every sinew of his faith in mankind... What readers are saying about Mathew's Tale: 'The quality of the prose, which feels authentically early 19th-century and has such a skilled lightness about it, sucks the reader in and [this book] becomes an addictive read' 'Mathew's Tale is full of colour, immersing the reader in a bygone age with deceptive ease. It is such a pleasure to read' 'This is a highly accomplished, sensitive novel, enriched by great storytelling, characterisation and historical setting and mood'
"As usual these two future-finders have their fi ngers on the pulse of what's happening--and what we need to know about. In every business, in every organization, the seven most important words these days are: 'But wait! A story goes with it!' You need to read this book to fi nd out why." -Alan Webber, Co-founder, "Fast Company "magazine "A great story sparks our imagination, challenges us to think, and resonates with our collective conscience. Ryan Mathews and Watts Wacker's story about telling stories does exactly this. It is an essential guidebook for capturing and conveying the essence of corporate identities and enriching brands." -Paul A. Laudicina, Managing Officer and Chairman of the Board, A.T. Kearney Storytelling is the universal human activity.Every society, at every stage of history, has told stories-and listened to them intently, passionately. Stories are how people tell each other who they are, where they came from, how they're unique, what they believe. Stories capture their memories of the past and their hopes for the future. Stories are one more thing, too: They are your most powerful, most underutilized tool for competitive advantage.Whether you know it or not, your business is already telling stories. What's Your Story? will help you take control of those stories and make them work for you. Legendary business thinkers Ryan Mathews and Watts Wacker reveal how to craft an unforgettable story...create the back story that makes it believable...make sure your story cuts through today's relentless bombardment of consumer messages...and gets heard, remembered, and acted on. THE TEN FUNCTIONS OF STORYTELLING Discovering what stories can do for your business THE ABOLITION OF CONTEXT Telling stories when the past no longer defines the future THE FIVE MOST IMPORTANT STORY THEMES Leveraging themes your audiences will understand and believe APPLIED STORYTELLING 101 Storytelling for your industry, your company, your brand, and you MASTERING YOUR STORYTELLER'S TOOLBOX Making your stories more compelling, more believable, and downright unforgettable Use Storytelling to Gain Powerful Competitive Advantage in Today's Increasingly Skeptical Marketplace Leverage the incredible power of storytelling in marketing, sales, investor relations, recruitment, change management, "and more" Indispensable techniques for every CxO, entrepreneur, and marketing, sales, and communications executive The latest breakthrough book from best-selling futurists Ryan Mathews and Watts Wacker
If the word "faery" generally evokes a gauzy sprite, the powerful, dreadful, and beautiful beings found in these Celtic legends will change that forever.
The leading critic of supernatural literature here examines the roots of the "weird tale" (as Lovecraft called it) through detailed examinations of five "founding fathers" of the genre: Arthur Machen, Lord Dunsany, Algernon Blackwood, M.R. James, and H.P. Lovecraft. The result is a thorough study of the art, craft, philosophy, and aesthetics of an enduring genre of fantastic literature.
The fourth installment in the Jesus Chronicles, from the bestselling author of the Left Behind series. This story in the Jesus Chronicles depicts the life of the most unlikely of apostles-a sinner turned saint-and his time with the Lord. With Matthew, readers walk alongside Jesus as He gives the Sermon on the Mount, performs the miracles of healing the sick and raising the dead, contemplates His fate at the Last Supper and in the Garden of Gethsemane, is crucified, and most important, resurrected. Thrilling and uplifting, Matthew's Story shows how the true Messiah changed the life of one man, and forever altered the course of history.
In Shaky Town, Lou Mathews has written a timeless novel of working-class Los Angeles. A former mechanic and street racer, he tells his story in cool and panoramic style, weaving together the tragedies and glories of one of L.A.'s eastside neighborhoods. From a teenage girl caught in the middle of a gang war to a priest who has lost his faith and hit bottom, the characters in Shaky Town live on a dangerous faultline but remain unshakable in their connections to one another. Like Sherwood Anderson's Winesburg, Ohio, John Steinbeck's Cannery Row, Katherine Ann Porter's Ship of Fools, Gloria Naylor's The Women of Brewster Place, and Pat Barker's Union Street, Shaky Town is the story of complicated, conflicted, and disparate characters bound together by place.
Cigarettes is a novel about the rich and powerful, tracing their complicated relationships from the 1930s to the 1960s, from New York City to Upper New York State. Though nothing is as simple as it might appear to be, we could describe this as a story about Allen, who is married to Maud but having an affair with Elizabeth, who lives with Maud. Or say it is a story about fraud in the art world, horse racing, and sexual intrigues. Or, as one critic did, compare it to a Jane Austen creation, or to an Aldous Huxley novel—and be right and wrong on both counts. What one can emphatically say is that Cigarettes is a brilliant display of Harry Mathews's ingenuity and deadly playfulness.
One whirlwind week of love, blackmail, and betrayal follows three brothers through teeming prewar New York in this "entertaining . . . outsized . . . big, expressive debut" (Wall Street Journal). June 1939. Francis Dempsey and his shell-shocked brother, Michael, are on an ocean liner from Ireland bound for their brother Martin's home in New York City, having stolen a small fortune from the IRA. During the week that follows, the lives of these three brothers collide spectacularly with big-band jazz musicians, a talented but fragile heiress, a Jewish street photographer facing a return to Nazi-occupied Prague, a vengeful mob boss, and the ghosts of their own family's revolutionary past. When Tom Cronin, an erstwhile assassin forced into one last job, tracks the brothers down, their lives begin to fracture. Francis must surrender to blackmail or have his family suffer fatal consequences. Michael, lost and wandering alone, turns to Lilly Bloch, a heartsick artist, to recover his decimated memory. And Martin and his wife, Rosemary, try to salvage their marriage and, ultimately, the lives of the other Dempseys. Meanwhile, with the Depression receding, all of New York is suffused with an electric feeling of hope, caught up in the fervor of the World's Fair and eager for good times after a decade of deprivation. From the smoky jazz joints of Harlem to the opulent Plaza Hotel, from the garrets of vagabonds and artists in the Bowery to the backroom warrens and shadowy warehouses of mobsters in Hell's Kitchen, Brendan Mathews brings the prewar metropolis to vivid, pulsing life. The sweeping, intricate, and ambitious storytelling throughout this remarkable debut reveals an America that blithely hoped it could avoid another catastrophic war and focus instead on the promise of the World's Fair: a peaceful, prosperous "World of Tomorrow." One whirlwind week of love, blackmail, and betrayal following three brothers through teeming prewar New York in this "entertaining . . . outsized . . . big, expressive debut" (Wall Street Journal) "A masterfully crafted novel . . . Comic, violent, and moving in equal measure."-John Irving "As rich and raucous as the city it celebrates."-O., The Oprah Magazine "Admirably fearless . . . Mathews has talent in buckets."-New York Times Book Review
Former CIA analyst Francine Mathews has created “one of the toughest female secret agents we’ve seen in a long time.”* Using her firsthand expertise of international espionage, Mathews offers another brilliantly realized suspense novel so intense, so authentic, it lethally blurs the line between fact and fiction. In Blown, Caroline Carmichael returns in a white-hot tale of terror on the streets of Washington, where one woman must gamble her life to save her country. As thousands of runners line up for the Marine Corps Marathon in Washington, D.C., no one suspects that in a matter of hours the event will become a race between life and death. CIA analyst Caroline Carmichael is about to tender her resignation, when the first reports of a terrorist attack pour in–and she instantly recognizes the hand of an enemy she’s battled for years: the 30 April Organization. The neo-Nazi group is alive and well and operating in the United States, assassinating top officials and abducting a vulnerable child from the front ranks of a state funeral. When Caroline’s husband, Eric, is arrested in Germany as a 30 April operative, Caroline has no choice but to take to the streets–and target the evil herself. Eric has worked as a “legend” for years–a false identity so perfect, the CIA believes he’s dead–and gone deep undercover within the terrorist group Caroline is determined to destroy. Now his cover’s been blown, and Eric’s intimate knowledge of 30 April’s plans makes him a target for both sides: the killers he’s betrayed, and the American government he’s sworn to protect. Torn between a desire to save her husband and her duty to save her country, Caroline is drawn back into a treacherous labyrinth where trusting others is as good as suicide. For the enemy this time wears a familiar face: that of an American patriot, waving his flag alongside his gun. To stem disaster, Caroline has only one choice: to betray everyone in which she believes–or everyone she loves. For an agent without cover–an agent who’s blown–is worse than betrayed: she’s as good as dead. *USA Today