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This fourth and final volume of The Collected Papers of Sir William Rowan Hamilton (1805 1865) contains three previously unpublished and important manuscripts, namely Systems of Rays and two lengthy letters to de Morgan (on definite integrals) and Hart (on anharmonic coordinates). In addition the volume contains reprinted papers on geometry, analysis, astronomy, probability and finite differences, as well as a collection of papers on various topics. A cumulative index for all three volumes is provided, as well as a CD containing all four volumes of the Collected Papers.
His is a sweeping, gloriously illustrated celebration of 1,600 years of Irish art and architecture. In five handsome, deeply researched volumes, Art and Architecture of Ireland provides an authoritative and fully illustrated account of the art and architecture of Ireland from the early Middle Ages to the end of the 20th century. Each volume has its own expert editor or editorial team and covers a specific area or chronological period. More than 250 scholars from around the world, who represent a broad range of disciplines, contribute texts that range from thematic and general to articles on techniques and historical developments, biographical entries, bibliographies, lists of artists and comprehensive indexes. Historical documentation combines with the best of current scholarship to make this the most comprehensive and ambitious undertaking of its kind. The volumes will explore all aspects of Irish art and architecture - from high crosses to installation art, from Georgian houses to illuminated manuscripts, from watercolours and sculptures to photographs, oil paintings, video art and tapestries. This monumental work provides new insight into every facet of the strength, depth and variety of Ireland's artistic and architectural heritage. 0Also part of the 5 vols.-set 'Art and Architecture of Ireland'. 9780300179248.
Includes also Minutes of [the] Proceedings, and Report of [the] President and Council for the year (beginning 1965/66 called Annual report).
This comprehensive history traces the development of mathematical ideas and the careers of the men responsible for them. Volume 1 looks at the disciplines origins in Babylon and Egypt, the creation of geometry and trigonometry by the Greeks, and the role of mathematics in the medieval and early modern periods. Volume 2 focuses on calculus, the rise of analysis in the 19th century, and the number theories of Dedekind and Dirichlet. The concluding volume covers the revival of projective geometry, the emergence of abstract algebra, the beginnings of topology, and the influence of Godel on recent mathematical study.
Traces the development of mathematics from its beginnings in Babylonia and ancient Egypt to the work of Riemann and Godel in modern times.
The scientific expedition of H.M.S. Challenger in the 1870s marks the starting point of physical oceanography. This ship traveled the seas of the globe pursuing a dual objective: to conduct an in-depth study of animal life and to observe the physical properties of ocean waters. Volume 2 analyzes and uses for the first time the physical measurements collected by the scientists of the Challenger to show that their surveys establish the link between ocean circulation and the distribution of the ocean’s temperature. From Deep Sea to Laboratory is available in three volumes for curious readers drawn to travel, history and science. Students, researchers and teachers of physics, fluid mechanics and oceanography will find material to deepen their knowledge.
Thomas Owens explores some of the exultant visions inspired by Wordsworth's and Coleridge's close scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns drawn from natural, geometric, celestial, and astronomical sources which Wordsworth and Coleridge used to express their ideas about poetry, religion, literary criticism, and philosophy, and establishes the central importance of analogy in their creative thinking. Analogies prompted the poets' imaginings in geometry and cartography, in nature (representations of the moon) and natural history (studies of spider-webs, streams, and dew), in calculus and conical refraction, and in the discovery of infra-red and ultraviolet light. Although this is primarily a study of the patterns which inspired their writing, the findings overturn the prevalent critical consensus that Wordsworth and Coleridge did not have the access, interest, or capacity to understand the latest developments in nineteenth-century astronomy and mathematics, which they did in fact possess. Wordsworth, Coleridge, and 'the language of the heavens' reinstates many relationships which the poets had with scientists and their sources. Most significantly, the book illustrates that these sources are not simply another context or historical lens through which to engage with Wordsworth's and Coleridge's work but are instead a controlling device of the symbolic imagination. Exploring the structures behind Wordsworth's and Coleridge's poems and metaphysics stakes out a return to the evidence of the Romantic imagination, not for its own sake, but in order to reveal that their analogical configuration of the world provided them with a scaffold for thinking, an intellectual orrery which ordered artistic consciousness and which they never abandoned.