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Mel Gibson teaching Euclidean geometry, Meg Ryan and Tim Robbins acting out Zeno's paradox, Michael Jackson proving in three different ways that 7 x 13 = 28. These are just a few of the intriguing mathematical snippets that occur in hundreds of movies. Burkard Polster and Marty Ross pored through the cinematic calculus to create this thorough and entertaining survey of the quirky, fun, and beautiful mathematics to be found on the big screen. Math Goes to the Movies is based on the authors' own collection of more than 700 mathematical movies and their many years using movie clips to inject moments of fun into their courses. With more than 200 illustrations, many of them screenshots from the movies themselves, this book provides an inviting way to explore math, featuring such movies as: • Good Will Hunting • A Beautiful Mind • Stand and Deliver • Pi • Die Hard • The Mirror Has Two Faces The authors use these iconic movies to introduce and explain important and famous mathematical ideas: higher dimensions, the golden ratio, infinity, and much more. Not all math in movies makes sense, however, and Polster and Ross talk about Hollywood's most absurd blunders and outrageous mathematical scenes. Interviews with mathematical consultants to movies round out this engaging journey into the realm of cinematic mathematics. This fascinating behind-the-scenes look at movie math shows how fun and illuminating equations can be.
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In this "provocative" book (New York Times), a contrarian physicist argues that her field's modern obsession with beauty has given us wonderful math but bad science. Whether pondering black holes or predicting discoveries at CERN, physicists believe the best theories are beautiful, natural, and elegant, and this standard separates popular theories from disposable ones. This is why, Sabine Hossenfelder argues, we have not seen a major breakthrough in the foundations of physics for more than four decades. The belief in beauty has become so dogmatic that it now conflicts with scientific objectivity: observation has been unable to confirm mindboggling theories, like supersymmetry or grand unification, invented by physicists based on aesthetic criteria. Worse, these "too good to not be true" theories are actually untestable and they have left the field in a cul-de-sac. To escape, physicists must rethink their methods. Only by embracing reality as it is can science discover the truth.
Money is Hollywood's great theme-but money laundered into something else, something more. Money can be given a particular occasion and career, as box office receipts, casino winnings, tax credits, stock prices, lotteries, inheritances. Or money can become number, and numbers can be anything: pixels, batting averages, votes, likes. Through explorations of all these and more, J.D. Connor's Hollywood Math and Aftermath provides a stimulating and original take on “the equation of pictures,” the relationship between Hollywood and economics since the 1970s. Touched off by an engagement with the work of Gilles Deleuze, Connor demonstrates the centrality of the economic image to Hollywood narrative. More than just a thematic study, this is a conceptual history of the industry that stretches from the dawn of the neoclassical era through the Great Recession and beyond. Along the way, Connor explores new concepts for cinema studies: precession and recession, pervasion and staking, ostension and deritualization. Enlivened by a wealth of case studies-from The Big Short and The Wolf of Wall Street to Equity and Blackhat, from Moneyball to 12 Years a Slave, Titanic to Lost, The Exorcist to WALLE, Déjà Vu to Upstream Color, Contagion to The Untouchables, Ferris Bueller to Pacific Rim, The Avengers to The Village-Hollywood Math and Aftermath is a bravura portrait of the industry coming to terms with its own numerical underpinnings.
A Dingo Ate My Math Book presents ingenious, unusual, and beautiful nuggets of mathematics with a distinctly Australian flavor. It focuses, for example, on Australians' love of sports and gambling, and on Melbourne's iconic, mathematically inspired architecture. Written in a playful and humorous style, the book offers mathematical entertainment as well as a glimpse of Australian culture for the mathematically curious of all ages. This collection of engaging stories was extracted from the Maths Masters column that ran from 2007 to 2014 in Australia's Age newspaper. The maths masters in question are Burkard Polster and Marty Ross, two (immigrant) Aussie mathematicians, who each week would write about math in the news, providing a new look at old favorites, mathematical history, quirks of school mathematics—whatever took their fancy. All articles were written for a very general audience, with the intention of being as inviting as possible and assuming a minimum of mathematical background.
Mathematics teachers often struggle to motivate their students. One way to cultivate and maintain student interest is for teachers to incorporate popular media into their methodology. Organized on the subject strands of the Common Core, this book explores math concepts featured in contemporary films and television shows and offers numerous examples high school math teachers can use to design lessons using pop culture references. Outlines for lessons are provided along with background stories and historical references.
“By capitalizing on these real-world applications, Tymony helps conquer much of the fear and dread associated with traditional math lessons.” (Booklist) Cy Tymony, author of the best-selling Sneaky Uses series, brings his unique, fun hands-on learning approach to all things math. Many people fear math and numbers, even Barbie, who famously said “Math class is tough” in her controversial 1992 talking doll version. But in Sneaky Math, Cy Tymony takes tough and turns it into triumph. He shows us how math is all around us through intriguing and easy projects, including twenty pass-along tools to complement math education programs. The book is divided into seven sections: 1. Fundamentals of Numbers and Arithmetic 2. Algebra Primer 3. Geometry Primer 4. Trigonometry Primer 5. Calculus Primer 6. Sneaky Math Challenges, Tricks, and Formulas 7. Resources
Mel Gibson teaching Euclidean geometry, Meg Ryan and Tim Robbins acting out Zeno's paradox, Michael Jackson proving in three different ways that 7 x 13 = 28. These are just a few of the intriguing mathematical snippets that occur in hundreds of movies. Burkard Polster and Marty Ross pored through the cinematic calculus to create this thorough and entertaining survey of the quirky, fun, and beautiful mathematics to be found on the big screen. Math Goes to the Movies is based on the authors' own collection of more than 700 mathematical movies and their many years using movie clips to inject moments of fun into their courses. With more than 200 illustrations, many of them screenshots from the movies themselves, this book provides an inviting way to explore math, featuring such movies as: • Good Will Hunting • A Beautiful Mind • Stand and Deliver • Pi • Die Hard • The Mirror Has Two Faces The authors use these iconic movies to introduce and explain important and famous mathematical ideas: higher dimensions, the golden ratio, infinity, and much more. Not all math in movies makes sense, however, and Polster and Ross talk about Hollywood's most absurd blunders and outrageous mathematical scenes. Interviews with mathematical consultants to movies round out this engaging journey into the realm of cinematic mathematics. This fascinating behind-the-scenes look at movie math shows how fun and illuminating equations can be.
The world's most famous vampire is naturally hard to kill. Over and over, Bram Stoker'sDraculahas been adapted for the screen, with widely varying degrees of accuracy and success. Interpretations have ranged from cadaverous and creepy (Max Schreck inNosferatu, 1922) to elegant (Lugosi and his imitators) to bizarre (Gary Oldman inBram Stoker's Dracula, 1992). But has Stoker's vampire ever been portrayed as the author intended? Here is the updated edition of Lyndon Joslin's acclaimed 1999 guide to the films based on Stoker's novel. Covered in detail for the first time areDrakula Istanbul'da(1953);Dracula(1969);Dracula 2000(2000);Dracula's Curse(2002); andDracula: Pages from a Virgin's Diary(2003). Also new to this edition is complete cast and credit information for the Dracula series films from Universal and Hammer as well as for the "Shadows of Stoker" films-i.e., those that clearly borrow from Stoker without citing the source. With photographs, bibliography, and index.